The Brickeaters


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After winning the lottery, a psychotic redneck plans to pollute the LA water supply.




The Advocate


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The Schlumberger Adventure


Book Description

“My purpose in writing the present book is to give the ‘human side’ of the story of the men whose achievements spread the Schlumberger method to the four corners of the globe.” — from the Preface by Anne Gruner Schlumberger The author, whose father Conrad Schlumberger and uncle Marcel Schlumberger invented “electrical prospecting” and founded what became Schlumberger Ltd., now a worldwide leader in oilfield services, describes the travails of the early days of the company. What began in the basement of the Ecole des Mines in Paris with a “black box” (the potentiometer), was further developed at the family home of Val-Richer, and perfected at Péchelbronn, France’s only oil field where “coring” (logging) was born, eventually became known to the entire world. Anne Gruner Schlumberger tells what that journey was like for her father and uncle and other geological researchers and engineers whose resourcefulness and perseverance were tested in remote areas of the world where they toiled under harsh conditions to convince skeptics of the validity of their new exploration methods. The little enterprise the two brothers started in 1919 has become in 1982 when The Schlumberger Adventure first appeared a multinational corporation employing 85,000 people in some 78 countries and listed on the stock exchanges of New York, Paris, London and Amsterdam.




Unusual Sounds


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Unusual Sounds is a deep dive into the hidden musical universe of Library Music, featuring histories, interviews, and extraordinary visuals from the field's most celebrated creators.




They Just Seem a Little Weird


Book Description

A veteran music journalist explores how four legendary rock bands—KISS, Cheap Trick, Aerosmith, and Starz—laid the foundation for two diametrically opposed subgenres: hair metal in the '80s and grunge in the '90s. It was the age when heavy-footed, humorless dinosaurs roamed the hard-rock landscape. But that all changed when into these dazed and confused mid-'70s strut-ted four flamboyant bands that reveled in revved-up anthems and flaunted a novel theatricality. In They Just Seem a Little Weird, veteran entertainment journalist Doug Brod offers an eye- and ear-opening look at a crucial moment in music history, when rock became fun again and a gig became a show. This is the story of friends and frenemies who rose, fell, and soared once more, often sharing stages, studios, producers, engineers, managers, agents, roadies, and fans-and who are still collaborating more than forty years on. In the tradition of David Browne's Fire and Rain and Sheila Weller's Girls Like Us, They Just Seem a Little Weird seamlessly interweaves the narratives of KISS, Cheap Trick, and Aerosmith with that of Starz, a criminally neglected band whose fate may have been sealed by a shocking act of violence. This is also the story of how these distinctly American groups-three of them now enshrined in the Rock and Roll Hall of Fame-laid the foundation for two seemingly opposed rock genres: the hair metal of Poison, Skid Row, and Mötley Crüe and the grunge of Nirvana, Alice in Chains, and the Melvins. Deeply researched, and featuring more than 130 new interviews, this book is nothing less than a secret history of classic rock.




Poetry: Introduction


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The Residents: a Sight for Sore Eyes, Vol. 1


Book Description

The Residents: A Sight for Sore Eyes, Vol. 1 is a fully authorized visual history with rare and unseen photos, artwork, and other ephemera. Melodic Virtue has been given unprecedented access to The Cryptic Corporation's archives to create a limited edition coffee table book covering everything from their beginnings in San Mateo up to The Mole Show.The book also features an introduction by Les Claypool (Primus) and exclusive quotes from Danny Elfman, Paul Reubens, John Linnell (They Might Be Giants), "Weird Al" Yankovic, Andy Partridge (XTC), Penn Jillette, Eric Drew Feldman (Captain Beefheart's Magic Band), Paul Leary (Butthole Surfers), Aaron Freeman (Ween), James McNew (Yo La Tengo), Zach Hill (Death Grips), Eric André, David J (Bauhaus), Cedric Bixler-Zavala (The Mars Volta), Josh Freese (The Vandals), Rob Crow (Pinback), Dan Deacon, Don Preston (The Mothers of Invention), Alexander Hacke (Einstürzende Neubauten), JG Thirlwell, Blaine L. Reininger (Tuxedomoon), Sam Coomes (Quasi), David Janssen and Brian Poole (Renaldo and the Loaf), and many more!This book also contains a black vinyl 7" record of the unreleased Not Available-era track, "Nobody's Nos."




All Gates Open


Book Description

All Gates Open presents the definitive story of arguably the most influential and revered avant-garde band of the late twentieth century: CAN. It consists of two books. In Book One, Rob Young gives us the full biography of a band that emerged at the vanguard of what would come to be called the Krautrock scene in late sixties Cologne. With Irmin Schmidt and Holger Czukay - two classically trained students of Stockhausen - at the heart of the band, CAN's studio and live performances burned an incendiary trail through the decade that followed: and left a legacy that is still reverberating today in hip hop, post rock, ambient, and countless other genres. Rob Young's account draws on unique interviews with all founding members of CAN, as well as their vocalists, friends and music industry associates. And he revisits the music, which is still deliriously innovative and unclassifiable more than four decades on. All Gates Open is a portrait of a group who worked with visionary intensity and belief, outside the system and inside their own inner space. Book Two, Can Kiosk, has been assembled by Irmin Schmidt, founding member and guiding spirit of the band, as a 'collage - a technique long associated with CAN's approach to recording. There is an oral history of the band drawing on interviews that Irmin made with musicians who see CAN as an influence - such as Bobby Gillespie, Geoff Barrow, Daniel Miller, and many others. There are also interviews with artists and filmmakers like Wim Wenders and John Malkovitch, where Schmidt reflects on more personal matters and his work with film. Extracts of Schmidt's notebook and diaries from 2013-14 are also reproduced as a reflection on the creative process, and the memories, dreams, and epiphanies it entails. Can Kiosk offers further perspectives on a band that have inspired several generations of musicians and filmmakers in the voices of the artists themselves. CAN were unique, and their legacy is articulated in two books in this volume with the depth, rigour, originality, and intensity associated with the band itself. It is illustrated throughout with previously unseen art, photographs, and ephemera from the band's archive.




Meet the Residents


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Eyeball-to-eyeball adventure into the weird and wacky world of The Residents. Who are they?




Fantastic Universe


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