Proceedings


Book Description




Bulletin


Book Description

Quarterly accession lists; beginning with Apr. 1893, the bulletin is limited to "subject lists, special bibliographies, and reprints or facsimiles of original documents, prints and manuscripts in the Library," the accessions being recorded in a separate classified list, Jan.-Apr. 1893, a weekly bulletin Apr. 1893-Apr. 1894, as well as a classified list of later accessions in the last number published of the bulletin itself (Jan. 1896)




The Review of Reviews


Book Description




"The Busiest Man in England"


Book Description

"Today one would be hard pressed to choose a "Pre-eminent Victorian," a perfect embodiment of the golden age of innovation and energy. But among the Victorians themselves, it was agreed that one figure towered above the rest. Joseph Paxton bestrode the worlds of horticulture, urban planning, and architecture like a colossus. This was the indispensable man, the self-taught polymath with a solution to every large-scale logistical problem. Rising quickly from humble beginnings, Paxton at 23 became head gardener and architect at Chatsworth, the estate of the sixth Duke of Devonshire. Under Paxton's hands, Chatsworth was transformed into the greatest garden in England, Britain's answer to the hanging gardens of Babylon. Paxton also edited garden periodicals, helped found the London Daily News, and was a Liberal MP for Coventry, but it was his design for the Crystal Palace, home of the Great Exhibition of 1851, that secured his immortality"--







Landscapes of Memory and Experience


Book Description

It has been argued that the history of landscape and of gardens has been marginalized from the mainstream of art history and visual studies because of a lack of engagement with the theories, methods and concepts of these disciplines. This book explores possible ways out of this impasse in such a way that landscape studies would become pivotal through its theoretical advances, since landscape studies would challenge the underlying assumptions of traditional phenomenological theory. Thus the history and theory of twentieth-century landscape might not only once again share concepts and methods with contemporary art and design history, but might in turn influence them. A complementary sequel to Relating Architecture to Landscape, this volume of essays explores further areas of interest and discussion in the landscape/architecture debate and offers contributions from a team of well-known researchers, teachers and writers. The choice of topics is wide-ranging and features case studies of modern and contemporary schemes from the USA, Far East and Australasia.




An Empire on Display


Book Description

An examination of world's fairs in Britain and its two most important 19th-century colonies, Australia and India; arguing that the fairs provided a forum for shaping both national and imperial identities.




Catalogue


Book Description




The Europeans


Book Description

From the “master of historical narrative” (Financial Times), a dazzling, richly detailed, panoramic work—the first to document the genesis of a continent-wide European culture. The nineteenth century in Europe was a time of unprecedented artistic achievement. It was also the first age of cultural globalization—an epoch when mass communications and high-speed rail travel brought Europe together, overcoming the barriers of nationalism and facilitating the development of a truly European canon of artistic, musical, and literary works. By 1900, the same books were being read across the continent, the same paintings reproduced, the same music played in homes and heard in concert halls, the same operas performed in all the major theatres. Drawing from a wealth of documents, letters, and other archival materials, acclaimed historian Orlando Figes examines the interplay of money and art that made this unification possible. At the center of the book is a poignant love triangle: the Russian writer Ivan Turgenev; the Spanish prima donna Pauline Viardot, with whom Turgenev had a long and intimate relationship; and her husband Louis Viardot, an art critic, theater manager, and republican activist. Together, Turgenev and the Viardots acted as a kind of European cultural exchange—they either knew or crossed paths with Delacroix, Berlioz, Chopin, Brahms, Liszt, the Schumanns, Hugo, Flaubert, Dickens, and Dostoyevsky, among many other towering figures. As Figes observes, nearly all of civilization’s great advances have come during periods of heightened cosmopolitanism—when people, ideas, and artistic creations circulate freely between nations. Vivid and insightful, The Europeans shows how such cosmopolitan ferment shaped artistic traditions that came to dominate world culture.




Recent Books