Arch. Series


Book Description




Narrative Sculpture and Literary Traditions in South and Southeast Asia


Book Description

The question “how has ancient India’s incredibly rich literary heritage been visually represented” forms the centerpiece of this latest volume in Brill’s series Studies in Asian Art and Archaeology. Due to the overwhelming impression made by the texts themselves, the relationship between text and image has until now never received the attention it deserves. Numerous temples, though, not only in South Asia, but also in Southeast Asia carry the images of India’s great narratives. Special attention is given to those in Karnataka (India), Java (Indonesia), Angkor (Cambodia), and Tra Kieu (Vietnam). The work discusses theoretical aspects, provides new interpretations, and proposes innovative interpretations through advanced comparative and contextual approaches.




Temples of South India


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Rituals, Collapse, and Radical Transformation in Archaic States


Book Description

Rituals, Collapse, and Radical Transformation in Archaic States explores the role of ritual in a variety of archaic states and generates discussion on how the decline in a state’s ability to continue in its current form affected the practices of ritual and how ritual as a culture-forming dynamic affected decline, collapse, and regeneration of the state. Chapters examine ritual in collapsing and regenerating archaic states from diverse locations, time periods, and societies including Crete, Mycenean and Byzantine Greece, Mesopotamia, India, Africa, Mexico, and Peru. Underscoring similarities in a variety of archaic states in the role of ritual during periods of threat, collapse, and transformation, the volume shows how ritual can be used as a stabilizing or divisive force or a connecting medium between the present to the past in an empowering way. It also highlights the diversity of ritual roles and location in similar situations and illustrates how states in close proximity and sharing many cultural similarities can respond differently through ritual to stress and contrast the different response in rural and urban settings. Through detailed, cultural specific studies, the book provides a nuanced understanding of the diverse roles of ritual in the decline, collapse, and regeneration of societies and will be important for all archaeologists involved in the important notions of state "collapse" and "regeneration".










Temples of Andhradesa


Book Description

Andhradesa, Comprising The Present Andhra Pradesh State, Witnessed, Over A Period Of Several Centuries, Different Art And Architectural Styles Pertaining To Temples. According To This Sumptously Illustrated Volume, The Art And Architecture Of These Temples Were Mainly Influenced By The Dynastic As Well As Regional Variations.




The Ghanapur Group of Temples


Book Description

Description of a group of Hindu temples built by the Kakatiyas of Warangal, Andhra Pradesh, 1052 to 1323.







Shiva's Waterfront Temples


Book Description

This handsomely illustrated volume explores the medieval Deccani temple complexes at the UNESCO World Heritage Site of Pattadakal, with careful attention to their makers. The vibrant red sandstone temples of India's Deccan Plateau, such as the Pattadakal temple cluster, have attracted visitors since the eighth century or earlier. A UNESCO World Heritage Site and the coronation place of the Chalukya dynasty, Pattadakal and its neighboring sites are of major historical importance. In Shiva's Waterfront Temples, Subhashini Kaligotla situates these buildings in the cosmopolitan milieu of Deccan India and considers how their makers and awestruck visitors would have seen them in their day. Kaligotla reconstructs how architects and builders approached the sites, including their use of ornamentation, responsiveness to courtly values such as pleasure and play, and ingenious juxtaposition of the first millennium's Nagara and Dravida aesthetics, a blend largely unique to Deccan plateau architecture. With over 130 color illustrations, this original book elucidates the Deccan's special place in the lexicon of medieval South Asian architecture.