The Chinese Parrot


Book Description

The second of the Charlie Chan mysteries bring the Honolulu detective to mainland California, where he investigates crime whose exposure is hastened by the death of a parrot.




The Chinese Parrot (Annotated)


Book Description

The Chinese Parrot (1926) is the second novel in the Charlie Chan series of mystery novels Earl Derr Biggers. It is the first in which Chan travels from Hawaii to mainland California, and involves a crime...




The Chinese Parrot (Annotated)


Book Description

The Chinese Parrot (1926) is the second novel in the Charlie Chan series of mystery novels Earl Derr Biggers. It is the first in which Chan travels from Hawaii to mainland California, and involves a crime...




The Chinese Parrot Annotated


Book Description

The Chinese Parrot (1926) is the second novel in the Charlie Chan series of mystery novels by Earl Derr Biggers. It is the first in which Chan travels from Hawaii to mainland California, and involves a crime whose exposure is hastened by the death of a parrot.The story concerns a valuable string of pearls which is purchased by a wealthy and eccentric financier. The handsome young son of the jeweller is assigned to shepherd the transfer of the pearls to the financier's vacation home in a desert area of California. Because of his long association with the owner of the pearls--before joining the police force, he was her houseboy--Charlie Chan travels from Hawaii to California with the pearls. After two mysterious deaths, first of a Chinese-speaking parrot and then of the household's Chinese man-of-all-work, Charlie Chan masquerades as a pidgin-speaking cook named Ah Kim and works undercover to solve a number of crimes. Along the way, the jeweller's son meets a beautiful young woman who works as a location scout and decides to stay in the California desert.




The Chinese Parrot-Original Edition(Annotated)


Book Description

The Chinese Parrot is the second novel in the Charlie Chan series of mystery novels by Earl Derr Biggers. It is the first in which Chan travels from Hawaii to mainland California, and involves a crime whose exposure is hastened by the death of a parrot.




The Annotated Origin


Book Description

Charles Darwin’s On the Origin of Species is one of the most important and yet least read scientific works in the history of science. The Annotated Origin is a facsimile of the first edition of 1859, and is accompanied by James T. Costa’s marginal annotations, drawing on his extensive experience with Darwin’s ideas in the field, lab, and classroom.




The Origin and Evolution of China's Names I


Book Description

This is the first volume of a two-volume set on the names of China, focusing on the country's official titles throughout history. Using interdisciplinary approaches from fields such as history, geography, ethnic studies, linguistics, psychology and toponymy, this two-volume set examines the origin and evolution of China's names over more than 4,000 years of history. The first volume examines the official names of the country given by the rulers or government, including the names of the imperial dynasties, from the earliest Xia to the last Qing, and the title of the Republic of China, which symbolises a new era in national naming. The author examines the common features as well as the cultural contexts and historical traditions that underlie these diverse titles. The origins and meanings of national titles, their secondary connotations, evolving understandings and related implications are explored. The book also analyses the lifespan and spatial references of these national titles. This book will appeal to both academic and general readers interested in Chinese history, Chinese historical geography and Chinese toponymy.




Philosophy of Chinese Art


Book Description

This title provides a systematic examination of the philosophy of Chinese art, exploring the peculiarity of artistic forms and distinctive conceptions and artistic principles of Chinese art which are grounded in the life awareness of the ancient Chinese and interconnect with the Chinese philosophy of life. Synthesizing Chinese theories of art with Western philosophical systems, the book is organized into five parts: (1) the subject, the actor who creates, appreciates, and criticizes artistic works; (2) ontological aspects, that is, the artwork per se and the dynamic process of creation; (3) aesthetic traits, the organic whole constituted by rhythm, meter, the principle of harmony, and space-time awareness; (4) artistic representation, which is manifested in the rhythm of vital energy, momentum of genre, vigour of style, and taste and inclination; and (5) the evolution of Chinese art. Based on this structural thread, the author looks into the interwoven relationship between the philosophy of Chinese art and ancient Chinese thought in terms of the spirit of life, nature–human relations, and ontological awareness of human-centredness. The book will appeal to scholars, students, and general readers interested in aesthetics, art theory, art philosophy, Chinese art, and ancient Chinese culture.




Bird in a Cage


Book Description

This book analyzes the principal legal institutions that have emerged in China and considers implications for U.S. policy of the limits on China's ability to develop meaningful legal institutions.




The Early Modern Travels of Manchu


Book Description

A linguistic and historical study of the Manchu script in the early modern world Manchu was a language first written down as part of the Qing state-building project in Northeast Asia in the early seventeenth century. After the Qing invasion of China in 1644, and for the next two and a half centuries, Manchu was the language of state in one of the early modern world's great powers. Its prominence and novelty attracted the interest of not only Chinese literati but also foreign scholars. Yet scholars in Europe and Japan, and occasionally even within China itself, were compelled to study the language without access to a native speaker. Jesuit missionaries in Beijing sent Chinese books on Manchu to Europe, where scholars struggled to represent it in an alphabet compatible with Western pedagogy and printing technology. In southern China, meanwhile, an isolated phonologist with access to Jesuit books relied on expositions of the Roman alphabet to make sense of the Manchu script. When Chinese textbooks and dictionaries of Manchu eventually reached Japan, scholars there used their knowledge of Dutch to understand Manchu. In The Early Modern Travels of Manchu, Mårten Söderblom Saarela focuses on outsiders both within and beyond the Qing empire who had little interaction with Manchu speakers but took an interest in the strange, new language of a rising world power. He shows how—through observation, inference, and reference to received ideas on language and writing—intellectuals in southern China, Russia, France, Chosŏn Korea, and Tokugawa Japan deciphered the Manchu script and explores the uses to which it was put for recording sounds and arranging words.




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