The Choir Director 2


Book Description

Carl Weber takes readers back to church in his latest drama-filled novel, the much-anticipated sequel to the New York Times bestseller, The Choir Director. It's been three years since Aaron Mackie succeeded in helping his friend and mentor, Bishop T.K. Wilson, dig his ministry out of financial ruin. Aaron is also responsible for re-energizing the almost defunct choir into something special. His success has drawn national attention, and he's on the verge of signing a huge recording contract. With his life in order, Aaron decides the time is right to propose to Tia Gregory, the church secretary who caught his eye and inspired him to shed his Tiger Woods-like tendencies to become a one-woman man. The stage is set for what might be the wedding of the year, but quickly becomes the disaster of the year when Aaron is left at the altar without explanation. Now, during his own hour of need, Aaron turns to the bishop for help. Unfortunately, the line he asks T. K. to cross will force the bishop to choose between faith and friendship, or as he puts it, "between heaven and hell." As the investigation into Tia's disappearance continues, the two men are challenged in ways they never imagined.




Habits of a Successful Choir Director


Book Description

"Habits of a Successful Choir Director presents effective teaching principles and provides a practical approach to everyday issues choir directors face. Building on the successful Habits series, Eric Wilkinson and Scott Rush have created a practical guide to all aspects of a successful choral program...This is a comprehensive book that will exponentially inspire as teaching skills grow. It will serve as a constant and essential companion throughout the career of any choir director" -- Back cover.




I Know Sousa, Not Sopranos!


Book Description

Heres a sobering thought for many a band or orchestra director: youve been given the opportunity to work with a choir! Whether or not the decision was made by you or for you, moving from the realm of Sousa or Tchaikovsky to the land of sopranos can be a disconcerting prospect for even the most experienced (not to mention even-keeled) band or orchestra director. But fear nottrained instrumentalist turned choral director (and educator, clinician, composer, and arranger) Russ Robinson, has written "I Know Sousa, Not Sopranos!" to help you survive your foray into this strange land. Drawn from his very successful clinics on this subject, Dr. Robinsons goals with this guide are simpleto show those educators who have been trained in instrumental music that they already possess many of the musical skills necessary to teach choral music, and to present, in a straightforward and accessible manner, knowledge and awareness of key areas unique to directing a choir.




A Novice's Guide to Directing the Church Choir


Book Description

This resource is designed to help those in the parish who direct church choirs but have no formal training directing.




John Bertalot's Immediately Practical Tips for Choral Directors


Book Description

In this book you'll learn such things as secrets to help fill your choir stalls, advanced choir training techniques, the "ten commandments" for leading successful rehearsals, pastoral concerns, contract information, and much more!.




Things They Never Taught You in Choral Methods


Book Description

Hours of college methods can only begin to prepare you for the realities of the music classroom. Only experience will teach you some of the material never mentioned in methods classes, and this handbook will be an enormous practical guide to help you with




God's Singers


Book Description

Publisher's description: Contains a special 75-minute CD of contemporary rehearsal techniques, presented live with real singers.




The Complete Choral Warm-up Book


Book Description

A complete sourcebook for choral directors of all levels, as well as choral methods classes. Contains 211 warm-ups with information on usage, photos illustrating correct posture and vowel formation, and a well organized index to make finding the right warm-up a snap. Belongs in every choral director's library.




The First Lady


Book Description

Charlene Wilson, First Lady of First Jamaica Ministries, has lived a good life with her beloved Bishop T.K. Wilson and their two beautiful children. But now that the Lord has seen fit to call her home, someone needs to take care of her man. . . That's why Charlene has planned to hang around in spirit--to make sure T.K. ends up with the right woman. First in line is Marlene, the mother of T.K.'s illegitimate daughter. Then there's Monique Johnson, the unapologetic First Lady of Plastic Surgery and Implants. Next is Savannah Dickens, the church's attractive new choir soloist. And last but not least is Charlene's good friend Sister Lisa Mae Johnson, widow of Pastor Lee Jones. With the help of her friend Alison, Charlene prepares a series of letters addressed to the lucky ladies. No one else knows about the letters, but rest assured, they will shake up a whole lot of people. Charlene may soon be gone, but her presence will be felt. . . "Weber's novels are always sizzlers. . ." --The Cincinnati Enquirer "A front-row pew seat to all the action going down. . ." --EssenceĀ®




Teaching with Respect: Inclusive Pedagogy for Choral Directors


Book Description

(Choral). This is a book for choral directors who find themselves in conversations they might not feel ready to have. Teaching with Respect prompts us to ask deeper questions about the language we use, about systems of power, about our heritage and inheritance. When we examine our teaching, we may find that, while we do not intentionally act with racism, sexism, or bigotry, we may be complicit in adopting systems and language that marginalize and discriminate. But since we want to be the kind of directors that foster artistic communities built on respect, we must be willing to ask such questions. And the burden cannot be on our singers who are being marginalized to teach us a more respectful path; it is on us to learn how it is that we are marginalizing. In this book we look closely at our teaching strategies. How does our repertoire and instruction intersect with our singers' identities, specifically their learning abilities, gender, sexuality, religion, ethnicity, and race? How do we engage with our audience? The book suggests an ethical approach to teaching choral music that is centered on respecting the singers in front of us. Readers will discover ways to maintain and elevate their artistic standards of excellence while also expanding their mindset.