The Circus Lady


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Introducing Sandwina


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No one believed a woman could be stronger than a man, until Katie Brumbach–also known as Sandwina—displayed her show-stopping feats as a circus strongwoman. 100 pounds . . . 200 pounds . . . 300 pounds! Katie Brumbach became the world’s top strongwoman after she ousted Eugen Sandow by lifting hundreds of pounds over her head (which Sandow could barely lift to his shoulders). After that, she took the last name Sandwina and thrived in the circus world—which she had been participating in since the age of two when she first performed with her family. She grew over six feet tall as she got older, but Katie never second-guessed herself, and she trained to build her muscles, always eager to test her skills and try new feats. After starting a family with a fellow performer, they were eventually signed to work with John Ringling of the Ringling Bros. Circus. Sandwina impressed the crowds by balancing a 1,000-pound cannon on her chest, by throwing a one-ton stone, and by having an iron slab broken on her body—she stole the show!




Women of the American Circus, 1880-1940


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During the years 1880 to 1940, the glory days of the American circus, a third to a half of the cast members were women--a large group of very visible American workers whose story needs telling. This book, using sources such as diaries, autobiographies, newspaper accounts, films, posters, and route books, first considers the popular media's presentation of these performers as unnatural and scandalous--as well as romantic and thrilling. Next are the stories told by circus women, which contradict and complicate other versions of their lives. Across America in those years an array of acts featured women, such as tableaux, freak shows, girlie shows, tiger acts, and aerial performances, all involving special skills and all detailed here. The book offers a unique and fascinating view of not just the circus but of what it meant to be an American woman at work.




The Billboard


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En Route to the Great Eastern Circus and Other Essays on Circus History


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William L. Slout, entertainment historian par excellence, here provides five fascinating essays on the development of the American traveling circus in the post-Civil War era: "En Route to the Great Eastern Circus" (on the creation of this great show); "The Great Eastern Circus of 1872" (more details about one of P. T. Barnum's rivals); "The Not-So-Great Trans-Atlantic Circus and Menagerie" (how a show failed suddenly in a yellow fever epidemic); "What Goes Up...Comes Down" (how balloning became part of the circus environment); and "The Chicken or the Egg?" (on the first development of the double-ring act pioneered by Barnum and others). These vivid essays, highlighted by numerous contemporaneous excerpts from local newspapers, help bring a long-forgotten era alive again.




Circus World


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From the 1870s to the 1960s, circuses crisscrossed the nation providing entertainment. A unique workforce of human and animal laborers from around the world put on the show. They also formed the backbone of a tented entertainment industry that raised new questions about what constituted work and who counted as a worker. Andrea Ringer examines the industry-wide circus world--the collection of shows that traveled by rail, wagon, steamboat, and car--and the traditional and nontraditional laborers who created it. Performers and their onstage labor played an integral part in the popularity of the circus. But behind the scenes, other laborers performed the endless menial tasks that kept the show on the road. Circus operators regulated employee behavior both inside and outside the tent even as the employees themselves blurred the line between leisure and labor until, in all parts of the show, the workers could not escape their work. Illuminating and vivid, Circus World delves into the gender, class, and even species concerns within an extinct way of life.




Women's Words


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-- A. L. A. Booklist




The Tattooed Lady


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Living in a time when it was scandalous even to show a bit of ankle, a small number of courageous women covered their bodies in tattoos and traveled the country, performing nearly nude on carnival stages. These gutsy women spun amazing stories for captivated audiences about abductions and forced tattooing at the hands of savages, but little has been shared of their real lives. Though they spawned a cultural movement—almost a quarter of Americans now have tattoos—these women have largely faded into history. The Tattooed Lady uncovers the true stories behind these women, bringing them out of the sideshow realm and into their working class realities. Combining thorough research with more than a hundred historical photos, this updated second edition explores tattoo origins, women's history, circus lore, and includes even more personal and professional details from modern tattooed ladies. A fascinating read, The Tattooed Lady pays tribute to a group of unique and amazing women whose legacy lives on.




Medical Bulletin


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The Medical Bulletin


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