The Coincidence Problem


Book Description

From the heart of the city to the edges of the Arctic: a brilliant and observant essay collection by a modern flaneur In 1990, writer Stephen Osborne and his partner, Mary Schendlinger, began publishing Geist, a literary quarterly based in Vancouver, BC. From the beginning, the magazine established a reputation for observant photography, thoughtful essays, and off-the-wall humour, not least because of Osborne's regular contributions. The Coincidence Problem brings together Osborne's dispatches covering a wide range of subjects, from civic monuments to family history to global terrorism, the lynching of Indigenous youth Louie Sam, end times in the Arctic, and yes, even cats. A modern flaneur, he investigates the city, translates the ordinary, and deflates the pretentious. The Coincidence Problem confirms Osborne's reputation as an incisive writer of narrative non-fiction that is at once personal and expansive. This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. This book is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.




Synchronicity


Book Description

From Aristotle's Physics to quantum teleportation, learn about the scientific pursuit of instantaneous connections in this insightful examination of our world. For millennia, scientists have puzzled over a simple question: Does the universe have a speed limit? If not, some effects could happen at the same instant as the actions that caused them -- and some effects, ludicrously, might even happen before their causes. By one hundred years ago, it seemed clear that the speed of light was the fastest possible speed. Causality was safe. And then quantum mechanics happened, introducing spooky connections that seemed to circumvent the law of cause and effect. Inspired by the new physics, psychologist Carl Jung and physicist Wolfgang Pauli explored a concept called synchronicity, a weird phenomenon they thought could link events without causes. Synchronicity tells that sprawling tale of insight and creativity, and asks where these ideas -- some plain crazy, and others crazy powerful -- are taking the human story next.




The Many Faces of Coincidence


Book Description

Although much has been said and written about coincidences, there is a marked absence when it comes to the development of a comprehensive model that incorporates the many different ways in which they can be understood and explained. One reason for this omission is undoubtedly the sharp divide that exists between those who find coincidences meaningful and those who do not, with the result that the conclusions of the many books and articles on the subject have tended to fall into distinct camps. The Many Faces of Coincidence attempts to remedy this impasse by proposing an inclusive categorisation for coincidences of all shapes and sizes. At the same time, some of the implications arising from the various explanations are explored, including the possibility of an underlying unity of mind and matter constituting the ground of being.




Transactions


Book Description




Coincidence and Counterfactuality


Book Description

In Coincidence and Counterfactuality, a groundbreaking analysis of plot, Hilary P. Dannenberg sets out to answer the perennial question of how to tell a good story. While plot is among the most integral aspects of storytelling, it is perhaps the least studied aspect of narrative. Using plot theory to chart the development of narrative fiction from the Renaissance to the present, Dannenberg demonstrates how the novel has evolved over time and how writers have developed increasingly complex narrative strategies that tap into key cognitive parameters familiar to the reader from real-life experience. ø Dannenberg proposes a new, multidimensional theory for analyzing time and space in narrative fiction, then uses this theory to trace the historical evolution of narrative fiction by focusing on coincidence and counterfactuality. These two key plot strategiesøare constructed around pivotal moments when characters? life trajectories, or sometimes the paths of history, converge or diverge. The study?s rich historical and textual scope reveals how narrative traditions and genres such as romance and realism or science fiction and historiographic metafiction, rather than being separated by clear boundaries are in fact in a continual process of interaction and cross-fertilization. In highlighting critical stages in the historical development of narrative fiction, the study produces new readings of works by pinpointing the innovative role played by particular authors in this evolutionary process. Dannenberg?s original investigation of plot patterns is interdisciplinary, incorporating research from narrative theory, cognitive approaches to literature, social psychology, possible worlds theory, and feminist approaches to narrative.







What a Coincidence!


Book Description

How does chance enter our world? And why is so much not predictable? In an understandable, exciting and amusing narrative, the author takes us into the world of chemistry, quantum physics and biology. Touching on astronomy and philosophy, we witness a rewarding journey of discovery. In the process, he develops a completely new view of chance based on the laws of nature. Here, the omnipresent non-equilibrium plays an extremely decisive role, because it generates the complex structures in our world. Finally, on this basis, he presents an equally simple and captivating hypothesis on the nature of time. This non-fiction book provides a deep insight into the fascination of research, the agonizing search for fundamental understanding, and the struggle for scientific knowledge.




A Coincidence of Wants


Book Description

This interdisciplinary study examines four major British and American novels in view of key concepts from the mainstream tradition of neoclassical economics. Studies of the novel widely address its connections to capitalism, yet literary critics and theorists rarely make reference to neoclassical perspectives, which have held a key position in the formal analysis of the marketplace for over a century. Lewis argues that this overlooked area of economic thought, with its emphasis on subjective value, individual agency, and utility maximization, points to a previously unrecognized and important coincidence of wants between economic and novelistic discourse. In each of the four readings, Lewis uses a single economic problem from neoclassical theory as a model for interpreting novelistic form and content as economic configurations. Topics include narrative deferral, detour, and return as a performance of capital formation and economic development in Daniel Defoe's Robinson Crusoe; the emergence of the creative, risk-taking entrepreneur in Mary Shelley's Frankenstein; the representation of money in the romantic realization of trade in Herman Melville's Moby Dick; and a consumer utility theory of naturalist desire and indifference in Theodore Dreiser's Sister Carrie. Underscoring how neoclassical theory variously elaborates on and departs from other economic approaches and periods, the author also addresses the limitations of, and the possibilities of profitable exchange with, other critical frameworks for understanding literal and symbolic economies in narrative fiction more broadly.







The Coincidence Effect


Book Description

The Coincidence Effect, is a masterpiece which has psychological, economical, and religious information in it. It can be seen as a motivational and educational story, for kids and adults. Ryan grew up in an aristocratic family, and was taught at some of the best schools. He lived a millionaire lifestyle. The main character, Ryan, has many coincidences throughout his life. They are used to try to convince him that he is someone, that he is not. However, the power of the coincidences used, was of enlightening power. There was information about the number 333, which is half of 666. The number is calculated, and a power uses it as a coincidence. Towards the end of the story a power tries to convince Ryan, that he is the anti-Christ. There are many morals and values within the story, such as, not believing that you are someone you are not. Therefore, changing your life and going in the wrong direction.