The Collected Stories of Carol Emshwiller


Book Description

Crossing the boundaries between fabulist literature, science fiction, and magical realism, the stories in this collection offer a valuable glimpse into the evolution of Carol Emshwiller’s ideas and style during her more than 50-year career. Influenced by J. G. Ballard, Steven Millhauser, Philip K. Dick, and Lydia Davis, Emshwiller has a range of works that is impressive and demonstrates her refusal to be labeled or to stick to one genre. This exhilarating new collection marks the first time many of the early stories have been published in book form and is evidence of the genius of Emshwiller, one of America’s most versatile and imaginative authors.




The Mount


Book Description

* Philip K. Dick Award Winner * Best of the Year:Locus, Village Voice, San Francisco Chronicle, Book Magazine * Nominated for the Impac Award Charley is an athlete. He wants to grow up to be the fastest runner in the world, like his father. He wants to be painted crossing the finishing line, in his racing silks, with a medal around his neck. Charley lives in a stable. He isn''t a runner, he''s a mount. He belongs to a Hoot: The Hoots are alien invaders. Charley hasn''t seen his mother for years, and his father is hiding out in the mountains somewhere, with the other Free Humans. The Hoots own the world, but the humans want it back. Charley knows how to be a good mount, but now he''s going to have to learn how to be a human being. "I''ve been a fan of Carol Emshwiller''s since the wonderfulCarmen Dog. The Mount is a terrific novel, at once an adventure story and a meditation on the psychology of freedom and slavery. It''s literally haunting (days after finishing it, I still think about all the terrible poetry of the Hoot/Sam relationship) and hypnotic. I''m honored to have gotten an early look at it." --Glen David Gold "Carol Emshwiller''sThe Mount is a wicked book. Like Harlan Ellison''s darkest visions, Emshwiller writes in a voice that reminds us of the golden season when speculative fiction was daring and unsettling. Dystopian, weird, comedic as if the Marquis de Sade had joined Monty Python, and ultimately scary,The Mounttakes us deep into another reality. Our world suddenly seems wrought with terrible ironies and a severe kind of beauty. When we are the mounts, who--or what--is riding us? --Luis Alberto Urrea "We are all Mounts and so should read this book like an instruction manual that could help save our lives. That it is also a beautiful funny novel is the usual bonus you get by reading Carol Emshwiller. She always writes them that way." --Kim Stanley Robinson "This novel is like a tesseract, I started it and thought, ah, I see what she''s doing. But then the dimensions unfolded and somehow it ended up being about so much more." --Maureen F. McHugh "The Mount is so extraordinary as to be unpraiseable by a mortal such as I. I had to keep putting it down because it was so disturbing then picking it up because it was so amazing. A postmodernist would call it The Eros of Hegemony, but I''m no postmodernist. Nearly every sentence is simultaneously hilarious, prophetic, and disturbing. This person needs to be really, really famous." --Paul Ingram, Prairie Lights Bookstore "Brilliantly conceived and painfully acute in its delineation of the complex relationships between masters and slaves, pets and owners, the served and the serving, this poetic, funny and above all humane novel deserves to be read and cherished as a fundamental fable for our material-minded times." --Publishers Weekly "Adult/High School - This veteran science-fiction writer is known for original plots and characters, and her latest novel does not disappoint, offering an extraordinary, utterly alien, and thoroughly convincing culture set in the not-too-distant future. Emshwiller brings readers immediately into the action, gradually revealing the takeover of Earth by the Hoots, otherworldly beings with superior intelligence and technology. Humans have become the Hoots'' "mounts," and, in the case of the superior Seattle bloodline, valuable racing stock. Most mounts are well off, as the Hoots constantly remind them, and treated kindly by affectionate owners who use punishment poles as rarely as possible. No one agrees more than principal narrator Charley, a privileged young Seattle whose rider-in-training will someday rule the world. The adolescent mount''s dream is of bringing honor to his beloved Little Master by becoming a great champion like Beauty, his sire, whose portrait decorates many Hoot walls. When Charley learns that his father now leads the renegade bands called Wilds, he and Little Master flee. This complex and compelling blend of tantalizing themes offers numerous possibilities for speculation and discussion, whether among friends or in the classroom." --School Library Journal "Emshwiller''s prose is beautiful" --Laura Miller,Salon "The Mountis a brilliant book. But be warned: It takes root in the mind and unleashes aftershocks at inopportune moments." --The Women''s Review of Books "Carol Emshwiller has been writing fantasy, speculative and science fiction for many years; she has a dedicated cult following and has been an influence on a number of today''s top writers.... it is very easy to fall into the rhythm of Emshwiller''s poetic and smooth sentences." --Review of Contemporary Fiction "Emshwiller''s themes--the allure of submission, the temptations of complicity, the perverse nature of compassion--are not usual fare in novels of resistance and revolt, and her strikingly imaginative novel continues to surpass our expectations to the very last page." --The Philadelphia Inquirer "Both fantastical and unnerving in its familiarity. And like her work in romance and westerns, its genre-twisting plot resists easy classification." --The Village Voice "Emshwiller uses a deceptively simple narrative voice that givesThe Mount the style of a young-adult novel. But there''s much going on beneath the surface of this narrative, including oblique flashes of humor and artfully articulated moments of psychological insight. The Mount emerges as one of the season''s unexpected small pleasures." --San Francisco Chronicle "A memorable alien-invasion scenario, a wild adventure, and a reflection on the dynamics of freedom and slavery." --Booklist "A brilliant piece of work." --Bookslut "...a beautifully written allegorical tale full of hope that even the most unenlightened souls can shrug off the bonds of internalized oppression and finally see the light." --BookPage "A fable/fantasy/cautionary tale along the lines of, say,Animal Farm. It''s the story of Charlie, a preadolescent human who''s being used as a horse by shoulder-riding alien invaders known as Hoots. Charlie wants nothing more than to become a great Mount, a loyal slave and servant, until his father, a renegade Mount who has fled from the Hoots and now lives in the mountains, comes to take him away. Like so much of Emshwiller''s work,The Mount asks difficult questions--in this case, What is freedom? The issue is particularly appropriate at a time when "freedom" in America is increasingly defined as "security"--freedom from uncertainty, freedom from fear, freedom from want. All of which is, in the end, not really freedom at all."--Time Out New York "In a recent interview withScience Fiction Weekly, Ursula Le Guin called Emshwiller "the most unappreciated great writer we''ve got."The Mount proves Le Guin right.... If Emshwiller is not already on your top bookshelf,The Mount will put her there." --Rambles Carol Emshwiller''s stories have appeared inThe Magazine of Fantasy & Science Fiction, Century, Scifiction, Lady Churchill''s Rosebud Wristlet, TriQuarterly, Transatlantic Review, New Directions, Orbit, Epoch, The Voice Literary Supplement, Omni, Crank!, Confrontation, Trampoline, McSweeney''s Mammoth Treasury of Thrilling Tales, and many other anthologies and magazines. Carol is a MacDowell Colony Fellow and has been awarded an NEA grant, a New York State Creative Artists Public Service grant, a New York State




Carmen Dog


Book Description

“Combines the cruel humor of Candide with the allegorical panache of Animal Farm.”—Entertainment Weekly "Carol is the most unappreciated great writer we've got. Carmen Dog ought to be a classic in the colleges by now . . . It's so funny, and it's so keen." —Ursula K. Le Guin “A rollicking outre satire.... full of comic leaps and absurdist genius.”—Bitch “A wise and funny book.”—The New York Times "This trenchant feminist fantasy-satire mixes elements of Animal Farm, Rhinoceros and The Handmaid's Tale.... Imagination and absurdist humor mark [Carmen Dog] throughout, and Emshwiller is engaging even when most savage about male-female relationships."—Booklist "Her fantastic premise allows Emshwiller canny and frequently hilarious insights into the damaging sex-role stereotypes both men and women perpetuate." —Publishers Weekly The debut title in our Peapod Classics line, Carol Emshwiller’s genre-jumping debut novel is a dangerous, sharp-eyed look at men, women, and the world we live in. Everything is changing: women are turning into animals, and animals are turning into women. Pooch, a golden setter, is turning into a beautiful woman—although she still has some of her canine traits: she just can't shuck that loyalty thing—and her former owner has turned into a snapping turtle. When the turtle tries to take a bite of her own baby, Pooch snatches the baby and runs. Meanwhile, there's a dangerous wolverine on the loose, men are desperately trying to figure out what's going on, and Pooch discovers what she really wants: to sing Carmen. Carmen Dog is the funny feminist classic that inspired writers Pat Murphy and Karen Joy Fowler to create the James Tiptree Jr. Memorial Award.




Rediscovery: Science Fiction by Women, Volume 2 (1953-1957)


Book Description

Women write science fiction. They always have. Rediscovery: Science Fiction by Women (1953-1957) offers, quite simply, some of the best science fiction ever written: 20 amazing pieces, most of which haven't been reprinted for decades...but should have been. Whether you are a long-time fan or new to the genre, you are in for a treat. Dig in. Enjoy these newly-rediscovered delicacies a few at a time...or binge them all at once!




Trampoline


Book Description

An anthology of original short fiction, edited by Kelly Link.




Galactic Suburbia


Book Description

In this groundbreaking cultural history, Lisa Yaszek recovers a lost tradition of women's science fiction that flourished after 1945. This new kind of science fiction was set in a place called galactic suburbia, a literary frontier that was home to nearly 300 women writers. These authors explored how women's lives, loves, and work were being transformed by new sciences and technologies, thus establishing women's place in the American future imaginary.Yaszek shows how the authors of galactic suburbia rewrote midcentury culture's assumptions about women's domestic, political, and scientific lives. Her case studies of luminaries such as Judith Merril, Carol Emshwiller, and Anne McCaffrey and lesser-known authors such as Alice Eleanor Jones, Mildred Clingerman, and Doris Pitkin Buck demonstrate how galactic suburbia is the world's first literary tradition to explore the changing relations of gender, science, and society.Galactic Suburbia challenges conventional literary histories that posit men as the progenitors of modern science fiction and women as followers who turned to the genre only after the advent of the women's liberation movement. AsYaszek demonstrates, stories written by women about women in galactic suburbia anticipated the development of both feminist science fiction and domestic science fiction written by men.




FEELING VERY STRANGE


Book Description




Lord of Darkness


Book Description

From Hugo and Nebula Award–winning author Robert Silverberg, Lord of Darkness is a classic swashbuckling adventure. Captured by pirates and brought to the west coast of Africa, young British seaman Andrew Battell longs for his home in seventeenth-century England. His only hope of returning is to work hard and be awarded freedom by his Portuguese captors—a freedom he is consistently denied. As he is moved farther and farther inland, away from the coast and any hope of a boat back to England, Battell’s dreams of freedom begin to dwindle. Finally, taking matters into his own hands, he escapes and takes sanctuary among the Jaqqas, a tribe of cannibalistic warriors lead by the sinister Lord of Darkness ... Battell recounts his own story in a vivid novel of furious force, singular passion, and intimate detail.




Sisters of the Revolution


Book Description

Sisters of the Revolution gathers a highly curated selection of feminist speculative fiction (science fiction, fantasy, horror, and more) chosen by one of the most respected editorial teams in speculative literature today, the award-winning Ann and Jeff VanderMeer. Including stories from the 1970s to the present day, the collection seeks to expand the conversation about feminism while engaging the reader in a wealth of imaginative ideas. From the literary heft of Angela Carter to the searing power of Octavia Butler, Sisters of the Revolution gathers daring examples of speculative fiction’s engagement with feminism. Dark, satirical stories such as Eileen Gunn’s “Stable Strategies for Middle Management” and the disturbing horror of James Tiptree Jr.’s “The Screwfly Solution” reveal the charged intensity at work in the field. Including new, emerging voices like Nnedi Okorafor and featuring international contributions from Angelica Gorodischer and many more, Sisters of the Revolution seeks to expand the ideas of both contemporary fiction and feminism to new fronts. Moving from the fantastic to the futuristic, the subtle to the surreal, these stories will provoke thoughts and emotions about feminism like no other book available today. Contributors include: Angela Carter, Angelica Gorodischer, Anne Richter, Carol Emshwiller, Catherynne M. Valente, Eileen Gunn, Eleanor Arnason, Elizabeth Vonarburg, Hiromi Goto, James Tiptree Jr., Joanna Russ, Karin Tidbeck, Kelley Eskridge, Kelly Barnhill, Kit Reed, L. Timmel Duchamp, Leena Krohn, Leonora Carrington, Nalo Hopkinson, Nnedi Okorafor, Octavia Butler, Pamela Sargent, Pat Murphy, Rachel Swirsky, Rose Lemberg, Susan Palwick, Tanith Lee, Ursula K. Le Guin, and Vandana Singh.




1,000 Books to Read Before You Die


Book Description

“The ultimate literary bucket list.” —THE WASHINGTON POST Celebrate the pleasure of reading and the thrill of discovering new titles in an extraordinary book that’s as compulsively readable, entertaining, surprising, and enlightening as the 1,000-plus titles it recommends. Covering fiction, poetry, science and science fiction, memoir, travel writing, biography, children’s books, history, and more, 1,000 Books to Read Before You Die ranges across cultures and through time to offer an eclectic collection of works that each deserve to come with the recommendation, You have to read this. But it’s not a proscriptive list of the “great works”—rather, it’s a celebration of the glorious mosaic that is our literary heritage. Flip it open to any page and be transfixed by a fresh take on a very favorite book. Or come across a title you always meant to read and never got around to. Or, like browsing in the best kind of bookshop, stumble on a completely unknown author and work, and feel that tingle of discovery. There are classics, of course, and unexpected treasures, too. Lists to help pick and choose, like Offbeat Escapes, or A Long Climb, but What a View. And its alphabetical arrangement by author assures that surprises await on almost every turn of the page, with Cormac McCarthy and The Road next to Robert McCloskey and Make Way for Ducklings, Alice Walker next to Izaac Walton. There are nuts and bolts, too—best editions to read, other books by the author, “if you like this, you’ll like that” recommendations , and an interesting endnote of adaptations where appropriate. Add it all up, and in fact there are more than six thousand titles by nearly four thousand authors mentioned—a life-changing list for a lifetime of reading. “948 pages later, you still want more!” —THE WASHINGTON POST