The Congress Dances
Author : Susan Mary Alsop
Publisher : HarperCollins Publishers
Page : 256 pages
File Size : 12,41 MB
Release : 1984
Category : History
ISBN :
Author : Susan Mary Alsop
Publisher : HarperCollins Publishers
Page : 256 pages
File Size : 12,41 MB
Release : 1984
Category : History
ISBN :
Author : Charles J. Coll
Publisher :
Page : 138 pages
File Size : 43,32 MB
Release : 1919
Category : Ballroom dancing
ISBN :
Author : ans-Michael Bock,,
Publisher : Berghahn Books
Page : 596 pages
File Size : 37,14 MB
Release : 2009-09-01
Category : Performing Arts
ISBN : 9780857455659
This comprehensive guide is an ideal reference work for film specialists and enthusiasts. First published in 1984 but continuously updated ever since, CineGraph is the most authoritative and comprehensive encyclopedia on German-speaking cinema in the German language. This condensed and substantially revised English-language edition makes this important resource available to students and researchers for the first time outside its German context. It offers a representative historical overview through bio-filmographical entries on the main protagonists, from the beginnings to the present day. Included are directors and actors, writers and cameramen, composers and production designers, film theorists and critics, producers and distributors, inventors and manufacturers. An appendix includes short introductory essays on specific periods and movements, such as Early Film, Weimar, Nazi Cinema, DEFA, New German Cinema, and German film since unification, as well as on cinematic developments in Austria and Switzerland. Sections that crossreference names around specific professional groups and themes will prove equally invaluable to researchers.
Author : Robert Smith
Publisher : B&H Publishing Group
Page : 228 pages
File Size : 11,12 MB
Release : 2008
Category : Religion
ISBN : 9780805446845
With enthusiasm and intelligence, professor Robert Smith steps up the interest in doctrinal preaching and teaching with Doctrine That Dances.
Author : Vernon Castle
Publisher :
Page : 194 pages
File Size : 10,53 MB
Release : 1914
Category : Ballroom dancing
ISBN :
Author : Phil Jamison
Publisher : University of Illinois Press
Page : 305 pages
File Size : 30,81 MB
Release : 2015-07-15
Category : Music
ISBN : 0252097327
In Hoedowns, Reels, and Frolics, old-time musician and flatfoot dancer Philip Jamison journeys into the past and surveys the present to tell the story behind the square dances, step dances, reels, and other forms of dance practiced in southern Appalachia. These distinctive folk dances, Jamison argues, are not the unaltered jigs and reels brought by early British settlers, but hybrids that developed over time by adopting and incorporating elements from other popular forms. He traces the forms from their European, African American, and Native American roots to the modern day. On the way he explores the powerful influence of black culture, showing how practices such as calling dances as well as specific kinds of steps combined with white European forms to create distinctly "American" dances. From cakewalks to clogging, and from the Shoo-fly Swing to the Virginia Reel, Hoedowns, Reels, and Frolics reinterprets an essential aspect of Appalachian culture.
Author : Graham Christian
Publisher :
Page : 174 pages
File Size : 36,93 MB
Release : 2015
Category :
ISBN : 9780917024429
Author : Sondra Horton Fraleigh
Publisher : University of Pittsburgh Pre
Page : 330 pages
File Size : 40,87 MB
Release : 1996-05-15
Category : Performing Arts
ISBN : 9780822971702
In her remarkable book, Sondra Horton Fraleigh examines and describes dance through her consciousness of dance as an art, through the experience of dancing, and through the existential and phenomenological literature on the lived body. She describes, with performance photographs, specific imagery in dance masterworks by Doris Humphrey, Anna Sokolow, Viola Farber, Nina Weiner, and Garth Fagan.
Author : Victoria Phillips
Publisher :
Page : 497 pages
File Size : 29,70 MB
Release : 2020
Category : Biography & Autobiography
ISBN : 0190610360
""I am not a propagandist," declared the matriarch of American modern dance Martha Graham while on her State Department funded-tour in 1955. Graham's claim inspires questions: the United States government exported Graham and her company internationally to over twenty-seven countries in Europe, Eastern Europe, the Middle East, the Near and Far East, and Russia representing every seated president from Dwight D. Eisenhower through Ronald Reagan, and planned under George H.W. Bush. Although in the diplomatic field, she was titled "The Picasso of modern dance," and "Forever Modern" in later years, Graham proclaimed, "I am not a modernist." During the Cold War, the reconfigured history of modernism as apolitical in its expression of "the heart and soul of mankind," suited political needs abroad. In addition, she declared, "I am not a feminist," yet she intersected with politically powerful women from Eleanor Roosevelt, Eleanor Dulles, sister of Eisenhower's Dulles brothers in the State Department and CIA, Jackie Kennedy Onassis, Betty Ford, and political matriarch Barbara Bush. While bringing religious characters on the frontier and biblical characters to the stage in a battle against the atheist communists, Graham explained, "I am not a missionary." Her work promoted the United States as modern, culturally sophisticated, racially and culturally integrated. To her abstract and mythic works, she added the trope of the American frontier. With her tours and Cold War modernism, Graham demonstrates the power of the individual, immigrants, republicanism, and, ultimately freedom from walls and metaphorical fences with cultural diplomacy with the unfettered language of movement and dance"--
Author : Susan Anita Reed
Publisher :
Page : 308 pages
File Size : 45,48 MB
Release : 2010
Category : History
ISBN :
Around the globe, dances that originate in village, temple, and court rituals have been adapted and transformed to carry secular meanings and serve new national purposes. In stage performances, dance competitions, and festivals worldwide, dance has become an emblem of ethnicity and an index of national identity. But what are the "backstage" stories of those dances, and what have been the consequences for their communities of origin? In Dance and the Nation, Susan A. Reed brings to light the complexities of aesthetic politics in a multi-faceted exploration and analysis of the Kandyan dance of Sri Lanka. The dance, which is identified with the island's majority Sinhala ethnic group, is heavily supported by the state. Derived from the Kohomba kankariya, an elaborate village ritual performed by men of the hereditary drummer caste, the dance was adopted by the state as a symbol of traditional Sinhala culture in the postindependence period and opened to individuals of all castes. Reed's evocative account traces the history and consequences of this transition from ritual to stage, situating the dance in relation to postcolonial nationalism and ethnic politics and emphasizing the voices and perspectives of the hereditary dancers and women performers. Kandyan dance is characterized by an elegant and energetic style and lively displays of agility. The companion DVD includes unparalleled footage of this vibrant dance in ritual, stage, and training contexts, and features the most esteemed performers of the Kandyan region.