The Corpse in the Snowman


Book Description

PI Nigel Strangeways returns in a “finely written wits-twister” with a “surprise shake-up at the finish” from the renowned Golden Age mystery author (Kirkus Reviews, starred review). Sex. Money. Drugs. Take your choice. In middle of a cold snap, with snow swirling round the imposing Easterham Manor, Nigel and Georgia Strangeways enter the warmth of the Victorian estate. But upon their arrival, the couple quickly learns that all is not as cozy as it seems. The whole house is pervaded by a sense of foreboding: A room is haunted, the cat is possessed, and the specter of the enigmatic Elizabeth Restorick looms. Confounded by the guests’ strange reactions to the very mention of Elizabeth’s name, Nigel never gets the chance to form his own opinion of the young woman. The next morning, Elizabeth Restorick is found hanged and naked in her room, a hint of a smile playing on her painted lips. Could her apparent suicide be more than just that? Would this beautiful girl—sensuous, compassionate, full of vitality—have taken her own life? Or did someone take it from her? With too many loose ends to count, planted evidence, and motives mounting, Nigel must delve into Miss Restorick’s colorful past to solve this tragic mystery. Praise for Nicholas Blake “An outstanding mystery novel. Mr. Blake’s writing is a delight in itself.” —The New York Times “The Nicholas Blake books are something quite by themselves in English detective fiction.” —Elizabeth Bowen “His plots are ingenious.” —The Times Literary Supplement “A master of detective fiction.” —The Daily Telegraph







In the Beginning


Book Description

Others concentrate more on analysis of the subject novel itself, indicating more briefly how that book relates to those which follow it. Some discuss such questions as what exactly is the first novel in some rather complex series and in several cases more than one initiating book is discussed. No attempt has been made to include consideration of a representative sample of the various types of detective series, but a variety of authors is covered, ranging from such classics as Agatha Christie, Rex Stout, and Dorothy L. Sayers, to more recent authors like James McClure, Joseph Hansen, and Colin Dexter.




Clues from the Couch


Book Description

The detective story--the classic whodunit with its time-displacement structure of crime--according to most literary historians, is of relatively recent origin. Early in its development, the whodunit was harshly criticized for its tightly formula-bound structure. Many critics prematurely proclaimed "the death of the whodunit" and even of detective fiction altogether. Yet today, the genre is alive, as contemporary authors have brought it into modern times through a significant integration of elaborate character development and psychology. With the modern psychological detective story emerging from the historical cauldron of detective fiction and early psychology, the genre continues to develop a complexity that reflects and guides the literary sophistication needed. This book, the first of its kind, analyzes over 150 whodunit novels and short stories across the decades, from The Moonstone to the contemporary novels that saved the genre from an ignominious death.




Twelve Englishmen of Mystery


Book Description

There are hundreds of satisfactory and satisfying British mystery writers whose works should be studied both for their own individual accomplishments and for their comments on the society in which they were published, in the last 150 years, but who have not received any critical comment lately. This volume is designed to correct that fault in a dozen of those unjustifiably neglected British authors: Wilkie Collins, A.E.W. Mason, G.K. Chesterton, H.C. Bailey, Anthony Berkeley Cox, Nicholas Blake, Michael Gilbert, Julian Symons, Dick Francis, Edmund Crispin, H.R.F. Keating, and Simon Brett.




The Perfect Murder


Book Description

Drawing on a selection of the best British and American detective fiction past and present, Lehman takes readers on a probing investigation of why men and women of all educational and social backgrounds are continually fascinated by the murder mystery.




British Fiction in the 1930s


Book Description

British Fiction in the 1930s studies the literary climate of the British 1930s through a critical treatment of some of its influential and socially representative fiction. The works depict, in various ways, a culture under the stress of seemingly insoluble economic and intensifying international dilemmas, a culture that seems betrayed by the promise of its past and the paralysis of its present. The fiction considers transforming solutions, individual and sexual rebellions as well as the fears and attractions of social and political change.




Recharting the Thirties


Book Description

The aim of Recharting the Thirties is to revitalize the awareness of the reading public with regard to eighteen writers whose books have been largely ignored by publishers and scholars since their major works first appeared in the thirties. The selection is not based on a political agenda, but encompasses a wide and divergent range of philosophies; clearly, the contrasts between Empson and Upward, or between Powell and Slater, indicated the wide-ranging vision of the period. Women writers of the period have largely been marginalized, and the writings of Sackville-West and Burdekin, for example, not only present distinct feminine voices of the period, but also illuminate how much good literature has been forgotten.




Domestic Noir


Book Description

This book represents the first serious consideration of the 'domestic noir' phenomenon and, by extension, the psychological thriller. The only such landmark collection since Lee Horsley's The Noir Thriller, it extends the argument for serious, academic study of crime fiction, particularly in relation to gender, domestic violence, social and political awareness, psychological acuity, and structural and narratological inventiveness. As well as this, it shifts the debate around the sub-genre firmly up to date and brings together a range of global voices to dissect and situate the notion of 'domestic noir'. This book is essential reading for students, scholars, and fans of the psychological thriller.