Design Justice


Book Description

An exploration of how design might be led by marginalized communities, dismantle structural inequality, and advance collective liberation and ecological survival. What is the relationship between design, power, and social justice? “Design justice” is an approach to design that is led by marginalized communities and that aims expilcitly to challenge, rather than reproduce, structural inequalities. It has emerged from a growing community of designers in various fields who work closely with social movements and community-based organizations around the world. This book explores the theory and practice of design justice, demonstrates how universalist design principles and practices erase certain groups of people—specifically, those who are intersectionally disadvantaged or multiply burdened under the matrix of domination (white supremacist heteropatriarchy, ableism, capitalism, and settler colonialism)—and invites readers to “build a better world, a world where many worlds fit; linked worlds of collective liberation and ecological sustainability.” Along the way, the book documents a multitude of real-world community-led design practices, each grounded in a particular social movement. Design Justice goes beyond recent calls for design for good, user-centered design, and employment diversity in the technology and design professions; it connects design to larger struggles for collective liberation and ecological survival.




The Design Collective


Book Description

The rise of social networking and open-source technology, the return of community-focussed activities (e.g. gardens, knitting groups, food cooperatives) and creative collectives across the fields of design and the visual arts have reawakened the discourse around human capital, flat structures and collectives as a means for ‘making’ the things of everyday life. As the essays presented in this collection illustrate, there is an emerging field of discourse about the potential of the collective as an organising and generative community structure that links creativity, social change and politics. Furthermore it is clear that in this developing context there are a number of issues central to design practice, such as authorship, agency and aesthetics that are in the process of re-evaluation and critique. Bringing together views of practitioners, historians and theorists, this volume examines the etymology, boundaries and practices that the idea of the collective affords. It is broadly organised into sections on architecture, digital technologies and counter-cultural practices and includes historical and contemporary accounts of design collectives from a range of disciplinary viewpoints.




Design as Democracy


Book Description

How can we design places that fulfill urgent needs of the community, achieve environmental justice, and inspire long-term stewardship? By bringing community members to the table with designers to collectively create vibrant, important places in cities and neighborhoods. For decades, participatory design practices have helped enliven neighborhoods and promote cultural understanding. Yet, many designers still rely on the same techniques that were developed in the 1950s and 60s. These approaches offer predictability, but hold waning promise for addressing current and future design challenges. Design as Democracy is written to reinvigorate democratic design, providing inspiration, techniques, and case stories for a wide range of contexts. Edited by six leading practitioners and academics in the field of participatory design, with nearly 50 contributors from around the world, it offers fresh insights for creating meaningful dialogue between designers and communities and for transforming places with justice and democracy in mind.




Building the Collective


Book Description

Building the Collective showcases over 100 posters and other graphic works, representing the talents of a wide variety of artists, from the acclaimed to the anonymous. Color reproductions of works by Gustav Klutsis, Aleksandr Rodchenko, El Lissitzky, and the Stenberg brothers - as well as those of lesser-know but important designers such as Aleksandr Deineka, Viktor Deni, and Elena Semenova - are shown alongside posters created by "brigades" of designers who worked collectively and anonymously in the spirit of the times.




The Advanced School of Collective Feeling


Book Description

Modern architecture's evolution during the interwar period represents one of the most radical turns in design history. While the role of new materials and production modes in this development is beyond dispute, of equal importance was the emergence of a distinctly modern physical culture. Largely unacknowledged today, new conceptions of body and movement had a profound influence on how architects designed not only public spaces like the gymnasium or the stadium, but also domestic spaces. Hannes Meyer, Swiss modernist and director of Bauhaus in Dessau from 1928 to 1930, colorfully encapsulated this phenomenon in his 1926 essay The New World as "the advanced school of collective feeling." In their new book, Matthew Kennedy and Nile Greenberg explore the impact of physical culture during the 1920s and '30s on the thinking of some of modern architecture's most influential figures. Using archival photographs, diagrams, and redrawn plans, they reconstruct an obscure constellation of domestic projects by Marcel Breuer, Charlotte Perriand, Richard Neutra, Franco Albini, and others. They argue that the impact of sport on modern architecture was a discursive phenomenon, best understood by going beyond a mere typological reading of the stadium or the gymnasium, to an examination of how gymnastic equipment and other trappings of physical culture were folded into domestic space. The featured houses, apartments, and exhibitions demonstrate their architects' response to, and attempt to dictate, the relationship between body, and the spaces and objects that give it shape.




Lunch Bags!


Book Description

From simple sandwich wraps to bicycle bags, from cute little carriers to sophisticated shoulder bags, these 25 projects offer style, functionality & fun. - Projects include sandwich wraps, baggies, bicycle bags, and totes - Quick and easy to make with basic sewing techniques; everyone in your family will want one - Customize the outside with your favorite fabrics and insulate the inside. You can waterproof it with laminated cotton, oilcloth, nylon, or vinyl. - Projects are fun, functional, and reusable-make your sack lunches even greener - Bags can be washed in your dishwasher or washing machine Today's hottest designers share their sewing savvy with 25 projects, from a simple sandwich wrap to a sophisticated shoulder bag. Why shouldn't your lunch bag match your personal wardrobe and eco-conscious lifestyle? Featuring contributions by designers Chrystalleena Beauchamp, Lucy Blaire, Leslie Bowman, Denise Clark, Leanne Dougherty, Jane Fitzpatrick, Shannon Fowler-Wardrep, Karen and Rebecca Garcia, Christine Hmiel, Debbie Hogan, Elizabeth Hutton, Catherine Janda, Janice Kalin, Christina Lane, Quenna Lee, Joan Leppek, Stephanie Lopez, Susan Lowe Heaney, Sandra Kay McCormick, Kimberly Paglia, Annika Rau, Mary Lynn Shroeder, Cheryl B. Steighner, Rebecca Striepe, Yoko Drain




Design and Solidarity


Book Description

In times of crisis, mutual aid becomes paramount. Even before the COVID-19 pandemic, new forms of sharing had gained momentum to redress precarity and stark economic inequality. Today, a diverse array of mutualistic organizations seek to fundamentally restructure housing, care, labor, food, and more. Yet design, art, and architecture play a key role in shaping these initiatives, fulfilling their promise of solidarity, and ensuring that these values endure. In this book, artist Marisa Morán Jahn and architect Rafi Segal converse about the transformative potential of mutualism and design with leading thinkers and practitioners: Mercedes Bidart, Arturo Escobar, Michael Hardt, Greg Lindsay, Jessica Gordon Nembhard, Ai-jen Poo, and Trebor Scholz. Together, they consider how design inspires, invigorates, and sustains contemporary forms of mutualism—including platform cooperatives, digital-first communities, emerging currencies, mutual aid, care networks, social-change movements, and more. From these dialogues emerge powerful visions of futures guided by communal self-determination and collective well-being.




Design for Good


Book Description

The book reveals a new understanding of the ways that design shapes our lives and gives professionals and interested citizens the tools to seek out and demand designs that dignify.




Together! the New Architecture of the Collective


Book Description

The last decade has seen a growing social movement towards collectivity, sharing and participation. This paradigm shift is reflected in architecture as well: In recent years, increasingly innovative collective housing projects, organized around the principle of trading in private spaces for larger, more luxurious shared spaces, have been emerging across the globe - many of them realized through bottom-up grassroots initiatives. The return of the collective in architecture has resulted in surprising architectural solutions that also create new urban spaces. The publication Together! The New Architecture of the Collective presents around twenty international building projects from Europe Japan, and the US that provide innovative platforms for collective living in the present day. A selection of projects are discussed in detail, ad extensive photo essays offer rich and vivid impressions of the daily collective and private lie and everyday routines in these buildings. Interviews with movers and shakers from the collective housing scene, written by international journalists, offer insights and background information on the processes and people that have made each project possible. All that is complemented by theoretical and historical context, including analytical essays by experts in the field, info graphics providing facts and figures, diagrams explaining how different collective housing models work, and an extensive timeline detailing genealogy of the collective housing movement in the twentieth century.




Individual to Collective


Book Description

Through the conceptual framework of five overlapping themes, readers will consider the following issues: Choreographed Experience. Just as globalization and cultural conformity make the uniqueness of place more essential, so too does our virtual connectedness call for a physical counterweight. The work of Duda/Paine Architects explores how visual, auditory, and tactile perception anchors an individual's physical experience and intellectual understanding of his or her surroundings. Like storytellers, choreographers, and directors, they design meaningful sequences of movement and discovery that add layers of sensory information, giving personal meaning to the architectural experience. Creating Context. Duda/Paine Architects often adapt urban strategies to suburban and edge city settings, creating destinations with a strong sense of place - even in the absence of an existing architectural context of neighboring buildings, sidewalks, and open spaces. Each of these projects uses multiple buildings to strike a balance between built form and open space; each contrasts man-made gardens with the natural landscape; and each looks at the physical qualities of its site and surroundings to inspire an appropriate architectural language. Transformations. Progressive leaders in business, healthcare, and education often aspire to cross disciplinary boundaries, collaborate more effectively, and innovate more freely. Architecture, like alchemy can effect transformation. Duda/Paine's interactive and inclusive design process not only reflects their clients' strategic visions but can also act as a catalyst to help redefine how they live, work, play or learn. The projects in this section establish new paradigms by bringing people together in ways that stimulate fresh ideas and practices. Skyline/Streetscape. A majority of the world's population now lives in cities for the first time, making the tower typology more crucial than ever. Towers make public gestures in the skyline and the streetscape, acting at the scale of the city as well as the more intimate scale of the human body. Whether seen from a distance or experienced close-up, these projects become landmarks in the city skyline while simultaneously responding to the characteristics of the existing urban fabric and amplifying the vibrancy of its' street life. Public Rooms. The benefits of today's virtual connectedness and increased mobility cannot replace the importance of physical gathering places where we share experiences, build collective memories, and see ourselves as part of a larger community. The privatization that leads to suburban sprawl and gated communities reinforces the architect's civic duty to provide public spaces that counteract this tendency. Whether urban or suburban, indoors or out, Duda Paine's public rooms nurture civic life by encouraging social interaction through chance encounters and casual conversations.