The Private Diaries of Catherine Deneuve


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Catherine Deneuve's portrayal of an icy, sexually adventurous housewife in Luis Buñuel's Belle de Jour established her as one of the most remarkable and compelling actresses of her generation. Forty years later, Deneuve is still widely regarded as one of the grandes dames of French cinema. Despite her international appeal, however, Deneuve has always chosen to avoid the glare of Hollywood and seldom allows the public into her private life. In these memoirs, Deneuve takes the reader behind the scenes of her life and career in this collection of seven previously unpublished diaries that she kept while filming abroad. She charts the shooting of films such as The April Fools (1968), co-starring Jack Lemmon; Tristana (1969), directed by Buñuel; Indochine (1991), shot in Vietnam; and Lars von Trier's acclaimed Dancer in the Dark (1999), co-starring Björk.--From publisher description.




The Diary of a French Private


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The Diary


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The diary as a genre is found in all literate societies, and these autobiographical accounts are written by persons of all ranks and positions. The Diary offers an exploration of the form in its social, historical, and cultural-literary contexts with its own distinctive features, poetics, and rhetoric. The contributors to this volume examine theories and interpretations relating to writing and studying diaries; the formation of diary canons in the United Kingdom, France, United States, and Brazil; and the ways in which handwritten diaries are transformed through processes of publication and digitization. The authors also explore different diary formats, including the travel diary, the private diary, conflict diaries written during periods of crisis, and the diaries of the digital era, such as blogs. The Diary offers a comprehensive overview of the genre, synthesizing decades of interdisciplinary study to enrich our understanding of, research about, and engagement with the diary as literary form and historical documentation.




The Lancet


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Dressed for War


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Men in khaki and grey squatting in the trenches, women at work, gender bending in goggles and overalls over their trousers, a girl at the Paris theatre in pleated, beaded silk, a bangle on her forearm made from copper fuse wire from the Somme. What people wear matters. Copiously illustrated, this book is the story of what people on both sides wore on the front line and on the home front through the seismic years of World War I. Nina Edwards, reveals fresh aspects of the war through the prism of the smallest details of personal dress, of clothes, hair and accessories, both in uniform and civilian wear. She explores how, during a period of extraordinary upheaval and rapid change, a particular preference for a type of razor blade or perfume, say, or the just-so adjustment to the tilt of a hat, offer insights into the individual experience of men, women and children during the course of World War I.




The Review of Reviews


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The Vineyard


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The Graphic


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The New Metropolitan


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La France


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