A Partisan Century


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For more than sixty years, Partisan Review has been the most influential literary and cultural journal in America, home to some of this century's finest writers. A Partisan Century now collects the journal's greatest political essays from the 1930s to the present. The list of writers collected here is a virtual who's who of American and European intellectual culture in the past half century. Leon Trotsky, James T. Farrell, Irving Howe, Hannah Arendt, Norman Mailer, C. Wright Mills, Arthur Schlesinger Jr., Nat Hentoff, Steven Marcus, Andrei Sakharov, and many more. A Partisan Century gathers together some of the journal's most outstanding moments:from George Orwell's "London Letter," written when invasion by Nazi Germany seemed imminent; to Susan Sontag's 1964 essay, "Notes on 'Camp'," a harbinger to the age of postmodernism; to Steven Marcus's "Soft Totalitarianism," part of a rousing symposium on the effects of political correctness. On the subjects ranging from the Cold War tothe neoconservatives, from the war in Vietnam to revolutionaries in Romania, the writings in A Partisan Century are a barometer of the shifts in global politics in the twentieth century.




The Disinherited of Art


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Henry James: Complete Stories Vol. 1 1864-1874 (LOA #111)


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“A dignified and impressive addition to your bookshelf that reveals James’s virtuoso performance in a genre he helped to define, refine and elevate.” — The Commercial Appeal This Library of America volume, the first of five of Henry James’s short fiction, brings together his first twenty-four published stories, thirteen never collected by James. Encompassing a wide range of subjects, settings, and formal techniques, they show the first explorations of some of James’s most significant themes: the force of social convention and the compromises it demands; the complex and often ambiguous encounter between Europe and America; the energies of passion measured against the rigors of artistic discipline. By his mid-twenties, James was a regular contributor to the most prestigious and popular magazines of his era. He is equally at ease writing historical tales, such as “Gabrielle de Bergerac,” a love story set in pre-Revolutionary France, as he is exploring contemporary events, as in the three stories that treat the effects of the American Civil War on civilians. James’s psychological acuity is already evident in “Master Eustace,” a study of the ruthlessness of a spoiled child, and in “Guest’s Confession,” where the comic portrayal of an arrogant businessman hints at his cruelty and self-absorption. In “The Romance of Certain Old Clothes,” and “The Last of the Valerii,” James begins to work with the supernatural and fantastic motifs that would continue to surface in his work. Early examples of James’s lifelong fascination with art and artists include “A Landscape Painter,” about a young painter’s attraction to a seemingly simple family living in a desolate coastal town, and “The Madonna of the Future,” where an aging artist avoids the unveiling of his masterpiece. Adumbrating later triumphs and compelling in their own right, these stories reveal and accomplished and cosmopolitan young talent mastering the art of the short story. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.







Manifesto on Cuban Affairs


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The Magazine of Art ...


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Corpus Juris


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From Puritanism to Postmodernism


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Widely acknowledged as a contemporary classic that has introduced thousands of readers to American literature, From Puritanism to Postmodernism: A History of American Literature brilliantly charts the fascinating story of American literature from the Puritan legacy to the advent of postmodernism. From realism and romanticism to modernism and postmodernism it examines and reflects on the work of a rich panoply of writers, including Poe, Melville, Fitzgerald, Pound, Wallace Stevens, Gwendolyn Brooks and Thomas Pynchon. Characterised throughout by a vibrant and engaging style it is a superb introduction to American literature, placing it thoughtfully in its rich social, ideological and historical context. A tour de force of both literary and historical writing, this Routledge Classics edition includes a new preface by co-author Richard Ruland, a new foreword by Linda Wagner-Martin and a fascinating interview with Richard Ruland, in which he reflects on the nature of American fiction and his collaboration with Malclolm Bradbury. It is published here for the first time.







House Beautiful


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