Doctrine of Greek Prosody


Book Description




DOCTRINE OF GREEK PROSODY


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




The Doctrine of Greek Prosody


Book Description

Excerpt from The Doctrine of Greek Prosody: Translated From the German Prosody in general treats of the Value or Quantity of single Syllables, that is, of their comparative length or duration in Pronunciation. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




The Prosody of Greek Speech


Book Description

The reconstruction of the prosody of a dead language is, on the face of it, an almost impossible undertaking. However, once a general theory of prosody has been developed from eliable data in living languages, it is possible to exploit texts as sources of answers to questions that would normally be answered in the laboratory. In this work, the authors interpret the evidence of Greek verse texts and musical settings in the framework of a theory of prosody based on crosslinguistic evidence and experimental phonetic and psycholinguistic data, and reconstruct the syllable structure, rhythm, accent, phrasing, and intonation of classical Greek speech. Sophisticated statistical analyses are employed to support an impressive range of new findings which relate not only to phonetics and phonology, but also to pragmatics and the syntax-phonology interface.







The Prosody of Greek Speech


Book Description

The reconstruction of the prosody of a dead language is, on the face of it, an almost impossible undertaking. However, once a general theory of prosody has been developed from reliable data in living languages, it is possible to exploit texts as sources of answers to questions that would normally be answered in the laboratory. In this work, the authors interpret the evidence of Greek verse texts and musical settings in the framework of a theory of prosody based on crosslinguistic evidence and experimental phonetic and psycholinguistic data, and reconstruct the syllable structure, rhythm, accent, phrasing, and intonation of classical Greek speech. Sophisticated statistical analyses are employed to support an impressive range of new findings which relate not only to phonetics and phonology, but also to pragmatics and the syntax-phonology interface.




Elements of Greek Prosody


Book Description




Syllable Theory in Prosodic Phonology


Book Description

First published in 1988. The goal of this study is to explore the workings of a syllable theory which is an integral part of Prosodic Phonology. It will be shown that theory-internal considerations and a variety of empirical arguments converge on a conception of syllabification as continuous template matching governed by syllable wellformedness conditions and a directional parameter. This title will be of interest to students of language and linguistics.




Prosodic Theory and Practice


Book Description

An introduction to the the range of current theoretical approaches to the prosody of spoken utterances, with practical applications of those theories. Prosody is an extremely dynamic field, with a rapid pace of theoretical development and a steady expansion of its influence beyond linguistics into such areas as cognitive psychology, neuroscience, computer science, speech technology, and even the medical profession. This book provides a set of concise and accessible introductions to each major theoretical approach to prosody, describing its structure and implementation and its central goals and assumptions as well as its strengths and weaknesses. Most surveys of basic questions in prosody are written from the perspective of a single theoretical framework. This volume offers the only summary of the full range of current theoretical approaches, with practical applications of each theory and critical commentary on selected chapters. The current abundance of theoretical approaches has sometimes led to apparent conflicts that may stem more from terminological differences, or from differing notions of what theories of prosody are meant to achieve, than from actual conceptual disagreement. This volume confronts this pervasive problem head on, by having each chapter address a common set of questions on phonology, meaning, phonetics, typology, psychological status, and transcription. Commentary is added as counterpoint to some chapters, with responses by the chapter authors, giving a taste of current debate in the field. Contributors Amalia Arvaniti, Jonathan Barnes, Mara Breen, Laura C. Dilley, Grzegorz Dogil, Martine Grice, Nina Grønnum, Daniel Hirst, Sun-Ah Jun, Jelena Krivokapić, D. Robert Ladd, Fang Liu, Piet Mertens, Bernd Möbius, Gregor Möhler, Oliver Niebuhr, Francis Nolan, Janet B. Pierrehumbert, Santitham Prom-on, Antje Schweitzer, Stefanie Shattuck-Hufnagel, A. E. Turk, Yi Xu