The Dramatic Reciter
Author : Richard Linthicum
Publisher :
Page : 472 pages
File Size : 38,64 MB
Release : 1902
Category : Amateur plays
ISBN :
Author : Richard Linthicum
Publisher :
Page : 472 pages
File Size : 38,64 MB
Release : 1902
Category : Amateur plays
ISBN :
Author : Thomas Hailes Lacy
Publisher :
Page : 96 pages
File Size : 38,25 MB
Release : 1866
Category :
ISBN :
Author : Edwin Byron CHRISTY
Publisher :
Page : 622 pages
File Size : 34,87 MB
Release : 1867
Category :
ISBN :
Author :
Publisher :
Page : 378 pages
File Size : 11,55 MB
Release : 1914
Category : Drama
ISBN :
Author : Frederick Winthrop Faxon
Publisher :
Page : 378 pages
File Size : 45,42 MB
Release : 1914
Category : Drama
ISBN :
Issues for 1912-16, 1919- accompanied by an appendix: The Dramatic books and plays (in English) (title varies slightly) This bibliography was incorporated into the main list in 1917-18.
Author : Ernest Pertwee
Publisher :
Page : 1004 pages
File Size : 23,62 MB
Release : 1904
Category : Readers
ISBN :
Author : Tony Denier
Publisher :
Page : 104 pages
File Size : 15,11 MB
Release : 1866
Category : Amateur plays
ISBN :
Author : Various
Publisher : Good Press
Page : 465 pages
File Size : 10,23 MB
Release : 2019-12-09
Category : Fiction
ISBN :
"Successful Recitations" is a collection of poems, including a large number of pieces for recitation, ranging from classic and well-known works to more modern ones. It was designed for use by teachers, students, and amateur performers and features works by writers such as Longfellow, Harte, Tennyson, and other poets.
Author : Elissa Zellinger
Publisher : UNC Press Books
Page : 273 pages
File Size : 45,4 MB
Release : 2020-10-07
Category : Literary Criticism
ISBN : 1469659824
In this book, Elissa Zellinger analyzes both political philosophy and poetic theory in order to chronicle the consolidation of the modern lyric and the liberal subject across the long nineteenth century. In the nineteenth-century United States, both liberalism and lyric sought self-definition by practicing techniques of exclusion. Liberalism was a political philosophy whose supposed universals were limited to white men and created by omitting women, the enslaved, and Native peoples. The conventions of poetic reception only redoubled the sense that liberal selfhood defined its boundaries by refusing raced and gendered others. Yet Zellinger argues that it is precisely the poetics of the excluded that offer insights into the dynamic processes that came to form the modern liberal and lyric subjects. She examines poets—Frances Sargent Osgood, Elizabeth Oakes Smith, Frances Ellen Watkins Harper, Edna St. Vincent Millay, and E. Pauline Johnson—whose work uses lyric practices to contest the very assumptions about selfhood responsible for denying them the political and social freedoms enjoyed by full liberal subjects. In its consideration of politics and poetics, this project offers a new approach to genre and gender that will help shape the field of nineteenth-century American literary studies.
Author : William J. SORRELL (Member of the Dramatic Artists' Society.)
Publisher :
Page : 134 pages
File Size : 12,45 MB
Release : 1866
Category :
ISBN :