The Obama Portraits


Book Description

Unveiling the unconventional : Kehinde Wiley's portrait of Barack Obama / Taína Caragol -- "Radical empathy" : Amy Sherald's portrait of Michelle Obama / Dorothy Moss -- The Obama portraits, in art history and beyond / Richard J. Powell -- The Obama portraits and the National Portrait Gallery as a site of secular pilgrimage / Kim Sajet -- The presentation of the Obama portraits : a transcript of the unveiling ceremony.




Where We Find Ourselves


Book Description

Self-taught photographer Hugh Mangum was born in 1877 in Durham, North Carolina, as its burgeoning tobacco economy put the frontier-like boomtown on the map. As an itinerant portraitist working primarily in North Carolina and Virginia during the rise of Jim Crow, Mangum welcomed into his temporary studios a clientele that was both racially and economically diverse. After his death in 1922, his glass plate negatives remained stored in his darkroom, a tobacco barn, for fifty years. Slated for demolition in the 1970s, the barn was saved at the last moment--and with it, this surprising and unparalleled document of life at the turn of the twentieth century, a turbulent time in the history of the American South. Hugh Mangum's multiple-image, glass plate negatives reveal the open-door policy of his studio to show us lives marked both by notable affluence and hard work, all imbued with a strong sense of individuality, self-creation, and often joy. Seen and experienced in the present, the portraits hint at unexpected relationships and histories and also confirm how historical photographs have the power to subvert familiar narratives. Mangum's photographs are not only images; they are objects that have survived a history of their own and exist within the larger political and cultural history of the American South, demonstrating the unpredictable alchemy that often characterizes the best art--its ability over time to evolve with and absorb life and meaning beyond the intentions or expectations of the artist.




The Duke


Book Description

A brilliantly researched biography of Prince Philip, first published to mark his 70th birthday.




Miles


Book Description

"This is an portrait of Miles Norfolk by Gerard Noel, with a foreword by Lord Carrington, the military sections by Tony Chambers, an epilogue by John Martin Robinson, and extensive quotations from Miles's own diaries. Miles died in 2002, aged eighty-six. His life was unusual in that he had two complete separate consecutive careers: as a successful professional soldier in the Grenadier Guards and then as premier duke and Earl Marshal of England with all the historic responsibilities which went with those positions. He had already retired as a major general when at the age of sixty he inherited the Norfolk mantle from Bernard, his second cousin once removed, in 1975. He then fulfilled his ducal duties for the best part of twenty-six years with humour, energy, dedication and administrative competence." "He served at Dunkirk, in Italy and in the Normandy campaign including the race to Brussels, and was awarded the MC. Thereafter he was head of Brixmis in Berlin (the British intelligence mission to the Russian army during the early Cold War), commanded the King's African Rifles in pre-Independence Kenya, and was finally Director of Military Service Intelligence. After the Army he had a stint in the City as a non-executive director of Fleming's Bank. He made wise decisions for the estates and future of Arundel, the great castle-house of the Fitzalan Howards which he restored to glory."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved




Growing Slow


Book Description

Enter a simpler way of living by unhurrying your heart, embracing the relaxed rhythms of nature, and discovering the meaningful gift of growing slow. We long to make a break from the fast pace of life, but if we're honest, we're afraid of what we'll miss if we do. Yet when going big and hustling hard leaves us stressed, empty, and out of sorts, perhaps this can be our cue to step into a far more satisfying, sustainable pace. In this crafted, inspiring read, beloved author Jennifer Dukes Lee offers a path to unhurried living by returning to the rhythm of the land and learning the ancient art of Growing Slow. Jennifer was once at breaking point herself, and tells her story of rude awakening to the ways her chosen lifestyle of running hard, scaling fast, and the neverending chase for results was taking a toll on her body, heart, and soul. But when she finally gave herself permission to believe it takes time to grow good things, she found a new kind of freedom. With eloquent truths and vivid storytelling, Jennifer reflects on the lessons she learned from living on her fifth-generation family farm and the insights she gathered from the purposeful yet never rushed life of Christ. Growing Slow charts a path out of the pressures of bigger, harder, faster, and into a more rooted way of living where the growth of good things is deep and lasting. Following the rhythms of the natural growing season, Growing Slow will help you: Find the true relief that comes when you stop running and start resting in Jesus Learn practices for unhurrying your heart and mind every day Let go of the pressure and embrace the small, good things already bearing fruit in your life And engage slow growth through reflection prompts and simple application steps




Portrait of a Thief


Book Description

INSTANT NEW YORK TIMES BESTSELLER An Edgar Award Nominee for Best First Novel Longlisted for the Center for Fiction's First Novel Prize Named a New York Times Best Crime Novel of 2022 Named A Most Anticipated Book of 2022 by *Marie Claire* *Washington Post* *Vulture* *NBC News* *Buzzfeed* *Veranda* *PopSugar* *Paste* *The Millions* *Bustle* *Crimereads* Goodreads* *Bookbub* *Boston.com* and more! "The thefts are engaging and surprising, and the narrative brims with international intrigue. Li, however, has delivered more than a straight thriller here, especially in the parts that depict the despair Will and his pals feel at being displaced, overlooked, underestimated, and discriminated against. This is as much a novel as a reckoning." —New York Times Book Review Ocean's Eleven meets The Farewell in Portrait of a Thief, a lush, lyrical heist novel inspired by the true story of Chinese art vanishing from Western museums; about diaspora, the colonization of art, and the complexity of the Chinese American identity History is told by the conquerors. Across the Western world, museums display the spoils of war, of conquest, of colonialism: priceless pieces of art looted from other countries, kept even now. Will Chen plans to steal them back. A senior at Harvard, Will fits comfortably in his carefully curated roles: a perfect student, an art history major and sometimes artist, the eldest son who has always been his parents' American Dream. But when a mysterious Chinese benefactor reaches out with an impossible—and illegal—job offer, Will finds himself something else as well: the leader of a heist to steal back five priceless Chinese sculptures, looted from Beijing centuries ago. His crew is every heist archetype one can imag­ine—or at least, the closest he can get. A con artist: Irene Chen, a public policy major at Duke who can talk her way out of anything. A thief: Daniel Liang, a premed student with steady hands just as capable of lockpicking as suturing. A getaway driver: Lily Wu, an engineering major who races cars in her free time. A hacker: Alex Huang, an MIT dropout turned Silicon Valley software engineer. Each member of his crew has their own complicated relationship with China and the identity they've cultivated as Chinese Americans, but when Will asks, none of them can turn him down. Because if they succeed? They earn fifty million dollars—and a chance to make history. But if they fail, it will mean not just the loss of everything they've dreamed for themselves but yet another thwarted at­tempt to take back what colonialism has stolen. Equal parts beautiful, thoughtful, and thrilling, Portrait of a Thief is a cultural heist and an examination of Chinese American identity, as well as a necessary cri­tique of the lingering effects of colonialism.










Memoirs of the Dukes of Urbino


Book Description

Memoirs of the Dukes of Urbino in three volumes presents a history of the houses of Montefeltro and Della Rovere, of their famous and most brilliant Court, and of that part of Italy over which they held dominion. It deals not only with history and politics of the fifteenth and sixteenth centuries in Italy, but it also illustrates "the arms, arts, and literature of Italy from 1440 to 1630." Contents: Book First: Of Urbino and Its Early Accounts Book Second: Of Federigo di Montefeltro, Count and Second Duke of Urbino Book Third: Of Guidobaldo di Montefeltro, Third Duke of Urbino Book Fourth: Of Literature and Art Under the Dukes di Montefeltro at Urbino Book Fifth: Of the Della Rovere Family Book Sixth: Of Francesco Maria Della Rovere, Fourth Duke of Urbino Book Seventh: Of Guidobaldo Della Rovere, Fifth Duke of Urbino Book Eighth: Of Francesco Maria II Della Rovere, Sixth and Last Duke of Urbino Book Ninth: Of Literature and Art Under the Dukes Della Rovere at Urbino




Memoirs of the Dukes of Urbino, Volume I (of 3)


Book Description

Memoirs of the Dukes of Urbino, Volume I (of 3) But Dennistoun's Dukes of Urbino is not merely a history of the houses of Montefeltro and Della Rovere, of-viii- their famous and most brilliant Court, and of that part of Italy over which they held dominion, but really a work in belles-lettres too, discursive and amusing, as well as instructive. It deals not merely with history, as it seems we have come to understand the word, a thing of politics—in this case the futile and childish politics of the fifteenth and sixteenth centuries in Italy—but illustrates "the arms, arts, and literature of Italy from 1440 to 1630." And indeed this programme was carried out as well as it could be carried out at the time these volumes were written. The book, which has long been almost unprocurable, is full, as it were, of a great leisure, crammed with all sorts of out-of-the-way learning and curious tales and adventures. Sometimes failing in art, and often we may think in judgment, Dennistoun never fails in this, that he is always interested in the people he writes of, interested in their quarrels and love affairs, their hair-breadth escapes and good fortunes. How eagerly he sides with Duke Guidobaldo, chased out of his city of Urbino by Cesare Borgia! It is as though he were assisting at that sudden flight at midnight, and, whole-heartedly the Duke's man as he was, almost fails to understand what Cesare was aiming at, and quite fails to see what Cesare saw too well—the helplessness of Italy, at the mercy, really, of the unconscious nations of the modern world. Such failures as this make his work, indispensable as it is, less valuable than it might have been, but they by no means detract from the general interest of the story. That is a quarry from which much has been hewn, and a good many of those enduring blocks which go to make up so popular and charming a work as John Inglesant came in the first instance from Dennistoun's volumes.