The Echoing Ida Collection


Book Description

"Founded in 2012, Echoing Ida is a writing collective of Black women and nonbinary writers who-like their foremother Ida B. Wells-Barnett-believe the "way to right wrongs is to turn the light of truth upon them." Their community reporting spans a wide variety of topics: reproductive justice and abortion politics; new and necessary definitions of family; trans visibility; stigma against Black motherhood; Black mental health; and more. The Echoing Ida Collection gathers the best of Echoing Ida for the first time, and features a foreword by Michelle Duster, activist and great-granddaughter of Ida B. Wells-Barnett"--




The Crunk Feminist Collection


Book Description

Essays on hip-hop feminism featuring relevant, real conversations about how race and gender politics intersect with pop culture and current events. For the Crunk Feminist Collective, their academic day jobs were lacking in conversations they actually wanted. To address this void, they started a blog that turned into a widespread movement. The Collective’s writings foster dialogue about activist methods, intersectionality, and sisterhood. And the writers’ personal identities—as black women; as sisters, daughters, and lovers; and as television watchers, sports fans, and music lovers—are never far from the discussion at hand. These essays explore “Sex and Power in the Black Church,” discuss how “Clair Huxtable is Dead,” list “Five Ways Talib Kweli Can Become a Better Ally to Women in Hip Hop,” and dwell on “Dating with a Doctorate (She Got a Big Ego?).” Self-described as “critical homegirls,” the authors tackle life stuck between loving hip hop and ratchet culture while hating patriarchy, misogyny, and sexism. “Refreshing and timely.” —Bitch Magazine “Our favorite sister bloggers.” —Elle “By centering a Black Feminist lens, The Collection provides readers with a more nuanced perspective on everything from gender to race to sexuality to class to movement-building, packaged neatly in easy-to-read pieces that take on weighty and thorny ideas willingly and enthusiastically in pursuit of a more just world.” —Autostraddle “Much like a good mix-tape, the book has an intro, outro, and different layers of based sound in the activist, scholar, feminist, women of color, media representation, sisterhood, trans, queer and questioning landscape.” —Lambda Literary Review




Enjoy Me Among My Ruins


Book Description

Combining feminist theories, X-Files fandom, and memoir, Enjoy Me among My Ruins draws together a kaleidoscopic archive of Juniper Fitzgerald’s experiences as a queer sex-working mother. Plumbing the major events that shaped her life, and interspersing her childhood letters written to cult icon Gillian Anderson, this experimental manifesto contends with dominant narratives placed upon marginalized people, ultimately rejecting a capitalist system that demands our purity and submission over our survival.




The Feminist Utopia Project


Book Description

This “incredible addition to the feminist canon” brings together the most inspiring, creative, and courageous voices concerning modern women’s issues (Jessica Valenti, editor of Yes Means Yes). In this groundbreaking collection, more than fifty cutting-edge feminist writers—including Melissa Harris-Perry, Janet Mock, Sheila Heti, and Mia McKenzie—invite us to imagine a world of freedom and equality in which: An abortion provider reinvents birth control . . . The economy values domestic work . . . A teenage rock band dreams up a new way to make music . . . The Constitution is re-written with women’s rights at the fore . . . The standard for good sex is raised with a woman’s pleasure in mind . . . The Feminist Utopia Project challenges the status quo that accepts inequality and violence as a given, “offering playful, earnest, challenging, and hopeful versions of our collective future in the form of creative nonfiction, fiction, visual art, poetry, and more” (Library Journal).




Complaints and Disorders


Book Description

In this sequel to their underground bestseller Witches, Midwives, and Nurses, Ehrenreich and English document the tradition of American sexism in medicine before and after the turn of the century. Citing numerous 'treatments' and 'rest cures' perpetrated on women through the decades, they analyze the biomedical rationales used to justify sex discrimination.




Baghdad Burning


Book Description

Since the fall of Bagdad, women’s voices have been largely erased, but four months after Saddam Hussein’s statue fell, a 24 year-old woman from Baghdad began blogging. In 2003, a twenty-four-year-old woman from Baghdad began blogging about life in the city under the pseudonym Riverbend. Her passion, honesty, and wry idiomatic English made her work a vital contribution to our understanding of post-war Iraq—and won her a large following. Baghdad Burning is a quotidian chronicle of Riverbend’s life with her family between April 2003 and September of 2004. She describes rolling blackouts, intermittent water access, daily explosions, gas shortages and travel restrictions. She also expresses a strong stance against the interim government, the Bush administration, and Islamic fundamentalists like Al Sadr and his followers. Her book “offers quick takes on events as they occur, from a perspective too often overlooked, ignored or suppressed” (Publishers Weekly). “Riverbend is bright and opinionated, true, but like all voices of dissent worth remembering, she provides an urgent reminder that, whichever governments we struggle under, we are all the same.” —Booklist “Feisty and learned: first-rate reading for any American who suspects that Fox News may not be telling the whole story.” —Kirkus




Against Heaven


Book Description

Winner of the Academy of American Poets First Book Award, selected by Claudia Rankine. Kemi Alabi’s transcendent debut reimagines the poetic and cultural traditions from which it is born, troubling the waters of some of our country’s central and ordained fictions—those mythic politics of respectability, resilience, and redemption. Instead of turning to a salvation that has been forced upon them, Alabi turns to the body and the earth as sites of paradise defined by the pleasure and possibility of Black, queer fugitivity. Through tender love poems, righteous prayers, and vital provocations, we see the colonizers we carry within ourselves being laid to rest. Against Heaven is a praise song made for the flames of a burning empire—a freedom dream that shapeshifts into boundless multiplicities for the wounds made in the name of White supremacy and its gods. Alabi has written an astonishing collection of magnificent range, commanding the full spectrum of the Black, queer spirit’s capacity for magic, love, and ferocity in service of healing—the highest power there is.




Baghdad Burning II


Book Description

Riverbend, the young Iraqi woman whose “articulate, even poetic prose packs an emotional punch,” continues her blog from her hometown of Baghdad (The New York Times). Riverbend, the pseudonymous recipient of a Lettre Ulysses Award for the Art of Literary Reportage, continues her chronicle of daily life in occupied Baghdad. Drawn from her popular blog, this volume spans from October 2004 through March 2006. In her distinctively wry yet urgent prose Riverbend, now 27, tells of life in a middle-class, secular, mixed Shia-Sunni family. She describes the attacks she sees on TV, raids in her neighborhood, fuel shortages, rolling blackouts, and water shortages, all while offering insightful critiques of the Iraqi draft constitution and American Media. Riverbend reveals how, for the first time in her life, she feels lesser due to her gender. Dispelling reductive, media-driven stereotypes, she explains that most Iraqis are tolerant people, prefer secular to religious government, oppose a civil war, and desperately want the occupation to end.




Grieving


Book Description

Finalist for the 2020 National Book Critics’ Circle Award for Criticism By one of Mexico's greatest contemporary writers, this investigation into state violence and mourning gives voice to the political experience of collective pain. Grieving is a hybrid collection of short crónicas, journalism, and personal essays on systemic violence in contemporary Mexico and along the US-Mexico border. Drawing together literary theory and historical analysis, she outlines how neoliberalism, corruption, and drug trafficking—culminating in the misnamed “war on drugs”—has shaped her country. Working from and against this political context, Cristina Rivera Garza posits that collective grief is an act of resistance against state violence, and that writing is a powerful mode of seeking social justice and embodying resilience. She states: “As we write, as we work with language—the humblest and most powerful force available to us—we activate the potential of words, phrases, sentences. Writing as we grieve, grieving as we write: a practice able to create refuge from the open. Writing with others. Grieving like someone who takes refuge from the open. Grieving, which is always a radically different mode of writing.” “A lucid, poignant collection of essays and poetry. . . . deeply hopeful, ultimately love letters to writing itself, and to the power of language to overcome the silence that impunity imposes.” —New York Times Book Review "For all the losses tallied, the pieces are imbued with optimism and an activist’s passion for reshaping the world." —The New Yorker




Reproductive Injustice


Book Description

Winner, 2020 Senior Book Prize, given by the Association of Feminist Anthropology Winner, 2020 Eileen Basker Memorial Prize, given by the Society for Medical Anthropology Honorable Mention, 2020 Victor Turner Prize in Ethnographic Writing, given by the Society for Humanistic Anthropology Finalist, 2020 PROSE Award in the Sociology, Anthropology and Criminology category, given by the Association of American Publishers A troubling study of the role that medical racism plays in the lives of Black women who have given birth to premature and low birth weight infants Black women have higher rates of premature birth than other women in America. This cannot be simply explained by economic factors, with poorer women lacking resources or access to care. Even professional, middle-class Black women are at a much higher risk of premature birth than low-income white women in the United States. Dána-Ain Davis looks into this phenomenon, placing racial differences in birth outcomes into a historical context, revealing that ideas about reproduction and race today have been influenced by the legacy of ideas which developed during the era of slavery. While poor and low-income Black women are often the “mascots” of premature birth outcomes, this book focuses on professional Black women, who are just as likely to give birth prematurely. Drawing on an impressive array of interviews with nearly fifty mothers, fathers, neonatologists, nurses, midwives, and reproductive justice advocates, Dána-Ain Davis argues that events leading up to an infant’s arrival in a neonatal intensive care unit (NICU), and the parents’ experiences while they are in the NICU, reveal subtle but pernicious forms of racism that confound the perceived class dynamics that are frequently understood to be a central factor of premature birth. The book argues not only that medical racism persists and must be considered when examining adverse outcomes—as well as upsetting experiences for parents—but also that NICUs and life-saving technologies should not be the only strategies for improving the outcomes for Black pregnant women and their babies. Davis makes the case for other avenues, such as community-based birthing projects, doulas, and midwives, that support women during pregnancy and labor are just as important and effective in avoiding premature births and mortality.