The Emergence of German as a Literary Language 1700-1775


Book Description

Dr Blackall's 1959 book cuts across the usual distinction between 'literature' and 'linguistics' in the study of modern languages. It sheds light on the eighteenth century and the general movement from seventeenth-century language to ease, pliability and grace, and then to the tremendous literary achievement of the age of Goethe.




German Philosophy in English Translation


Book Description

This book traces the translation history of twentieth-century German philosophy into English, with significant layovers in Paris, and proposes an innovative approach to long-standing difficulties in its translation. German philosophy’s reputation for profundity is often understood to lie in German’s polysemous vocabulary, which is notoriously difficult to translate even into its close relative, English. Hawkins shows the merit in a strategy of “differential translation,” which involves translating conceptually dense German terms with multiple different terms in the target text, rather than the conventional standard of selecting one term in English for consistent translation. German Philosophy in English Translation explores how debates around this strategy have polarized both the French-language and English-language translation landscapes. Well-known translators and commissioners such as Jean Beaufret, Adam Phillips, and Joan Stambaugh come out boldly in favor, and others such as Jean Laplanche and Terry Pinkard polemically against it. Drawing on Hans Blumenberg’s work on metaphor, German Philosophy in English Translation questions prevalent norms around the translation of terminology that obscure the metaphoric dimension of German philosophical vocabulary. This book is a crucial reference for translators and researchers interested in the German language, and particularly for scholars in translation studies, philosophy, and intellectual history.




Encyclopedia of the Essay


Book Description

This groundbreaking new source of international scope defines the essay as nonfictional prose texts of between one and 50 pages in length. The more than 500 entries by 275 contributors include entries on nationalities, various categories of essays such as generic (such as sermons, aphorisms), individual major works, notable writers, and periodicals that created a market for essays, and particularly famous or significant essays. The preface details the historical development of the essay, and the alphabetically arranged entries usually include biographical sketch, nationality, era, selected writings list, additional readings, and anthologies




Modern Theories of Art: From Winckelmann to Baudelaire


Book Description

Annotation. In this volume, the third in his classic series of texts surveying the history of art theory, Moshe Barasch traces the hidden patterns and interlocking themes in the study of art, from Impressionism to Abstract Art. Barasch details the immense social changes in the creation, presentation, and reception of art which have set the history of art theory on a vertiginous new course: the decreased relevance of workshops and art schools; the replacement of the treatise by the critical review; and the interrelation of new modes of scientific inquiry with artistic theory and praxis. The consequent changes in the ways in which critics as well as artists conceptualized paintings and sculptures were radical, marked by an obsession with intense, immediate sensory experiences, psychological reflection on the effects of art, and a magnetic pull to the exotic and alien, making for the most exciting and fertile period in the history of art criticism.




Theories of Art: From Winckelmann to Baudelaire


Book Description

This anthology examines Love's Labours Lost from a variety of perspectives and through a wide range of materials. Selections discuss the play in terms of historical context, dating, and sources; character analysis; comic elements and verbal conceits; evidence of authorship; performance analysis; and feminist interpretations. Alongside theater reviews, production photographs, and critical commentary, the volume also includes essays written by practicing theater artists who have worked on the play. An index by name, literary work, and concept rounds out this valuable resource.




Encyclopedia of Life Writing


Book Description

First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.




The Theory of German Word Order from the Renaissance to the Present


Book Description

The Theory of German Word Order from the Renaissance to the Present was first published in 1981. Minnesota Archive Editions uses digital technology to make long unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. The uniquely systematic character of German word order and sentence structure has long been recognized as an important feature of the language and of its literary uses. This book is the first comprehensive survey of the way theorists and stylists have interpreted these features through the centuries. Aldo Scaglione contends that the story of this theoretical awareness is part of the emerging cultural and literary consciousness of the German nation, as well as a testing ground for contemporary linguistic typology. German speculation on the nature of a national language is, to Scaglione, best understood as a dialogue with the prevailing models of Latin, Italian, French, and English. His account of the debates over German word order is thus grounded in the complex historical circumstances from which they emerge: Renaissance grammarians took stock of German divergencies from the Latin cultural model, and those in the seventeenth century faced the challenges of French rationalism, nineteenth-century Romanticism and the many linguistic movements of the twentieth century have all cast new light upon the peculiarities of German sentence structure. Readers interested in historical syntax, rhetorical traditions, and the history of the German language will value both Scaglione's wide-ranging knowledge and his lively style.




Gesammelte Werke


Book Description







Theories of Art


Book Description

This second book in Moshe Barasch's series on art theory surveys the development of the field from the early eighteenth to the mid-nineteenth centuries. During this period theories of the visual arts, particularly of painting and sculpture, underwent a radical transformation, as a result of which the intellectual foundations of our modern views on the arts were formed. Because this transformation can only be understood within the context of cultural, aesthetic, and philosophical developments of the period, Barasch surveys the opinions of the artists, as well as the doctrines of philosophers, poets and critics. He thus traces for the reader the entire development of modernism in art and art theory.