The Esoteric Meaning in Raphael's Paintings


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The seed of this book was planted in 1941, when Giorgio Spadaro first visited the Vatican Museums with his cousin, the painter Beppe Assenza. A second visit and further conversations in 1945 watered the seed, which germinated and grew over more than half a century. Now it has flowered, in the light of Rudolf Steiner's Anthroposophy, into this profound and accessible meditation on the spiritual significance of three of Raphael's greatest paintings: The School of Athens (shown left), The Disputation (below), and The Transfiguration. By working attentively, patiently, and carefully through its composition and the geometry it embodies, Spadaro's meditation reveals a prophetic Raphael whose paintings have much to teach us about the evolution of consciousness, the role of Christ and Christianity in human evolution, and the path of individual inner development. Spadaro shows how Raphael's paintings depict, with precision and in detail, the spiritual, cosmic, and physical situation of humanity, through which it must grow to fulfillment. Reading his descriptions and following them in the paintings brings to life a spiritual reality all too often ignored or denied by art historians. At the same time, through his deep understanding of the paintings' spiritual content, he is able to identify, in a meaningful way, the figures depicted and their significance. Here is a valuable addition to the growing body of literature on the profound spiritual meaning contained in Rafael's paintings. C O N T E N T S Preface Introduction The Disputa The School of Athens The Transfiguration Final Comments Resources




The Esoteric Meaning in Raphael's Paintings


Book Description

"This is what it comes down to: that we learn to experience that those who have passed through the gate of death have only assumed another form. Having died, they stand before our feelings like those who, through life experiences, have traveled to distant lands, whither we can follow them only later. We have therefore nothing to fear but a time of separation. Spiritual science must help us learn to feel and experience this in the most living way we can." --Rudolf Steiner "Living and working with the concepts and exercises in these talks and meditations has changed my life. This is a most practical book. Do what it recommends and you will experience the presence of the dead in your lives. You will know that the community of human beings on both sides of the threshold is not theory, but reality." --Christopher Bamford (from the introduction) The idea of "working with the dead"--maintaining, continuing, and enhancing one's relationships with those who have died--was fundamental to Steiner's work. This volume collects a rich harvest of his thoughts on the subject, gathered over many years. Steiner spoke directly from his own experience and formulated various meditation practices and verses that worked for him. We learn the usefulness of reading to the dead; the use of verbs (instead of nouns) when we speak with them; the importance of the sacred moments when falling asleep and awakening for asking questions and receiving answers; how our memories of the dead are like "art" to them; and of key moods we must cultivate--community with the world, gratitude, confidence in the current of life. We learn, too, of the many ways discarnate souls can help us in our earthly work, and of the many ways we can help them. Also included are many of the mantras Steiner gave to his students for connecting with those who have died. This important volume will help those who want to deepen their relationships to the living, to those who have died, or to the spiritual world itself.




Art History


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Rudolf Steiner understood that the history of art is a field in which the evolution of consciousness is symptomatically and transparently revealed. This informal sequence of thirteen lectures was given during the darkest hours of World War I. It was a moment when the negative consequences of what he called the age of the consciousness soul, which began around 1417, were made most terribly apparent. In these lectures he sought to provide an antidote to pessimism. After describing the movement of consciousness from Greece into Rome, coupled with influences from the Orthodox East, he showed how these influences transformed as the Middle Ages became the Renaissance. The process that begins with Cimabue and Giotto develops, deepens, and becomes more conscious in the great Renaissance masters Leonardo, Michelangelo, and Raphael. Then this movement continues with the Northern masters, D rer and Holbein, as well as the German tradition. One entire lecture is devoted to Rembrandt, followed by one on Dutch and Flemish paintings. Themes are woven together to show how past epochs of consciousness and art live again in our consciousness-soul period. Replete with interesting information and more than 600 color and black-and-white images, these lectures are rich and dense with ideas, enabling us to understand both the art of the Renaissance and the transformation of consciousness it announced. These lectures demonstrate (to paraphrase Shelley) that artists truly are the unacknowledged legislators of the age.




Concerning the Spiritual in Art


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Pioneering work by the great modernist painter, considered by many to be the father of abstract art and a leader in the movement to free art from traditional bonds. 12 illustrations.




Refractions


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Embark on a profound journey through the depths of human emotion and spirituality in the updated anniversary edition of Refractions by renowned artist Makoto Fujimura. This timeless collection of reflective essays invites you to explore themes of grief, loss, tragedy, and disruption through the eyes of an artist’s soul. Originally conceived in the shadow of the fallen twin towers of the World Trade Center, near where Fujimura’s New York art studio stood, this anniversary edition includes new essays unpacking the author’s further insights into his concepts of culture care and a theology of making. Refractions carries the weight of history and the urgency of the moment, illuminating beauty, healing, and hope. A gift for any artist or supporter of the arts, Refractions connects faith, art, and life, offering insight into healing with the wisdom and perspective of a leading contemporary artist and follower of Jesus, making beauty from ashes, and the gospel as a message as breathtaking and intricate as the lives it touches. In a world marred by violence and despair, Fujimura guides you toward a deep understanding of life’s intricate tapestry, where beauty emerges from unexpected places, and healing finds its roots in the goodness of God and human resilience.




The Invisible Woman


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Esoteric Rome


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Forte di questa sua simbologia insita, l'arte si rivela ancora una volta il luogo deputato del pensiero mitico sia quanto luogo di esibizione del simbolo, come nelle arti figurative, sia come luogo nel quale il pensiero poetante disegna la duplicità del reale nel dipanarsi della narrazione. Tre serie di quaranta acquerelli, per un totale di centoventi quadri. È questa Roma Sparita, un'opera complessa e mozzafiato che tocca le corde più alte dell'arte. A firmarla è stato Ettore Roesler Franz, ma quali erano davvero le sue intenzioni? Questi quadri non sono solo la testimonianza di un grande talento artistico ma un vero e proprio mistero perché dietro di essi c'è un mondo intero da scoprire. Celebrazione della Roma massonica, testimonianza dei cambiamenti urbanistici della città, esaltazione della spiritualità, elogi ai grandi artisti: tanti sono i significati esoterici che si intrecciano tra questi quadri e che vengono esaminati e approfonditi in questo incredibile saggio, scritto dal pronipote del grande artista.




The Eucharistic Form of God


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This study presents Hans Urs von Balthasar’s theology of the Eucharist and shows its significance for contemporary sacramental theology. Anyone who seeks to offer a systematic account of Hans Urs von Balthasar’s theology of the Eucharist and the liturgy is confronted with at least two obstacles. First, his reflections on the Eucharist are scattered throughout an immense and complex corpus of writings. Second, the most distinctive feature of his theology of the Eucharist is the inseparability of his sacramental theology from his speculative account of the central mysteries of the Christian faith. In The Eucharistic Form of God, the first book-length study to explore Balthasar’s eucharistic theology in English, Jonathan Martin Ciraulo brings together the fields of liturgical studies, sacramental theology, and systematic theology to examine both how the Eucharist functions in Balthasar’s theology in general and how it is in fact generative of his most unique and consequential theological positions. He demonstrates that Balthasar is a eucharistic theologian of the highest caliber, and that his contributions to sacramental theology, although little acknowledged today, have enormous potential to reshape many discussions in the field. The chapters cover a range of themes not often included in sacramental theology, including the doctrine of the Trinity, the Incarnation, and soteriology. In addition to treating Balthasar’s own sources—Origen, Gregory of Nyssa, Pascal, Catherine of Siena, and Bernanos—Ciraulo brings Balthasar into conversation with contemporary Catholic sacramental theology, including the work of Louis-Marie Chauvet and Jean-Yves Lacoste. The overall result is a demanding but satisfying presentation of Balthasar’s contribution to sacramental theology. The audience for this volume is students and scholars who are interested in Balthasar’s thought as well as theologians who are working in the area of sacramental and liturgical theology.




The Esoteric


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The Esoteric


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