EVOLUTION OF MODERN HEBREW LIT


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The Evolution of Modern Hebrew Literature, 1850-1912 (Classic Reprint)


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Excerpt from The Evolution of Modern Hebrew Literature, 1850-1912 In writing this book, I have had in view not so much the appreciation of the individual authors and their productions per se, as their relation to the period in which they lived, the ideas and emotions by which they were, consciously or unconsciously, actuated, and what they contributed, as individuals or as a class, to the development of Hebrew literature. In short, I purpose to give here the evolution of the latter rather than its history, in the common sense of the term. This mode of treatment has been more and more pursued by literary historians since Taine; and should, in particular, be followed by any one that writes for a reading public to whom the literature treated is entirely foreign. Readers such as these are certainly more interested in the trend of thought, in the flux and flow of ideas, and in the artistic temperament of the period as a whole and in the literature as a whole, than in any particular writer. Hence, some authors, who would otherwise deserve a fuller treatment, have been dealt with rather summarily. For though as individual writers they may be of very high standing, yet their contribution to the development of Hebrew literature may have been less marked than that of other writers of inferior talent, who have, nevertheless, formed links in the chain of this development, and who have consequently been treated more fully. I have selected as my subject the period between the fifties of the last century and our own time, and I did not go back to the middle of the eighteenth century, which is generally considered the terminus a quo of modern Hebrew literature, for the following reason. As I am here dealing mainly with belles-lettres and allied branches, I could have found very little scope in the literature of the hundred years preceding the middle of the nineteenth century. The novel in Hebrew had not yet been produced. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Modern Hebrew


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Ben-Yehuda's vision of a modern Hebrew eventually came to animate a large part of the Jewish world, and gave new confidence and pride to Jewish youth during the most difficult period of modern history, infusing Zionism with a dynamic cultural content. This book examines the many changes that occurred in the transition to Modern Hebrew, acquainting new students of the language with its role as a model for other national revivals, and explaining how it overcame many obstacles to become a spoken vernacular. The author deals primarily with the social and political use of the language and does not cover literature. Also discussed are the dilemmas facing the language arising from the fact that Israelis and Jews in the Diaspora "don't speak the same language," while Israeli Arabs and Jews often do.







The Yeshiva and the Rise of Modern Hebrew Literature


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The Yeshiva and the Rise of Modern Hebrew Literature argues that the institution of the yeshiva and its ideals of Jewish textual study played a seminal role in the resurgence of Hebrew literature in modern times. Departing from the conventional interpretation of the origins of Hebrew literature in secular culture, Marina Zilbergerts points to the practices and metaphysics of Talmud study as its essential animating forces. Focusing on the early works and personal histories of founding figures of Hebrew literature, from Moshe Leib Lilienblum to Chaim Nachman Bialik, The Yeshiva and the Rise of Modern Hebrew Literature reveals the lasting engagement of modern Jewish letters with the hallowed tradition of rabbinic learning.







Modern Hebrew Literature


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"Mendele Mocher Sforim. Shem and Japheth on the train.--Peretz, Y. L. Scenes from Limbo.--Feierberg, M. Z. In the evening.--Ahad Ha-Am. Imitation and assimilation.--Bialik, H. N. The short Friday. Revealment and concealment in language.--Brenner, Y. H. The way out.--Barash, A. At heaven's gate.--Agnon, S. Y. Agunot. The lady and the peddler. At the outset of the day. Forevermore.--Hazaz, H. Rahamim. The sermon.--Yizhar, S. The prisoner.--Amichai, Y. The times my father died.--Oz, A. Before his time.--Yehoshua, A. B. Facing the forests."







The Divine in Modern Hebrew Literature


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Demonstrating the pervasive presence of God in modern Hebrew literature, this book explores the qualities that twentieth-century Hebrew writers attributed to the divine, and examines their functions against the simplistic dichotomy between religious and secular literature. The volume follows both chronological and thematic paths, offering a panoramic and multilayered analysis of the various strategies in which modern Hebrew writers, from the turn of the nineteenth century through the twenty-first century pursued in their attempt to represent the divine in the face of metaphysical, theological, and representational challenges. Modern Hebrew literature emerged during the nineteenth century as part of the Haskalah (Jewish Enlightenment) movement, which attempted to break from the traditional modes of Jewish intellectual and social life. The Hebrew literature that arose in this period embraced the rebellious nature of the Haskalah and is commonly characterized as secular in nature, defying Orthodoxy and rejecting God. Nevertheless, this volume shows that modern Hebrew literature relied on traditional narratological and poetic norms in its attempt to represent God. Despite its self-declared secularity, it engaged deeply with traditional problems such as the nature of God, divine presence, and theodicy. Examining these radical changes, this volume is a key text for scholars and students of modern Hebrew literature, Jewish studies and the intersection of religion and literature.