The Figure of Christ in Contemporary Photography


Book Description

"In the first book devoted to representations of Jesus Christ in contemporary photography, Nathalie Dietschy presents a rich range of images from the 1980s to the present day. Acclaimed photographers such as Catherine Opie, Wang Qingsong, Joan Fontcuberta, Greg Semu, Andres Serrano, David LaChapelle, Renee Cox and Bettina Rheims offer fresh - and often provocative - depictions of Christ that address issues from race to sexuality to gender. The Figure of Christ in Contemporary Photography guides the reader through these alternative representations, analysing the complex social, political and cultural issues that the photographs bring to light."--Provided by publisher.




The Historical Figure of Jesus


Book Description

A biography of the historical figure of Jesus. The book studies the relationship between Judaism and Christianity, distinguishing the certain from the improbable, and assessing the historical and religious context of Christ's time. The spread of Christianity is also discussed.




Jesus as a Figure in History


Book Description

Essential reading for anyone interested in the historical Jesus debate, this volume offers a comprehensive and balanced account of research into the person of Jesus.




The Figure of Christ


Book Description

'Yes, that is the Christ. This i.s how my .spirituaL eye perceived him in Pal.e.stine.' -Rudolf Steiner, speaking of his sculpted figure of Christ Rudolf Steiner referred to the wooden 'group' sculpture of the figure of Christ surrounded by adversary spiritual beings as the centre of the first Goetheanum. Steiner even told the architect of the second Goetheanum that the sculpture he made with Edith Maryon should occupy the same central position 'as in the first building'. What was Rudolf Steiner's essential aim for the sculptural group within the Mystery building he conceived, and why did he regard it as the crown of the building? What were Steiner's intentions -and, specifically, what were the spiritual aims behind this remarkable depiction of Christ? Rudolf Steiner described the core task of anthroposophical spiritLlal science as preparing for Christ's reappearance in the etheric realm. The Christ he sculpted was not the possession of a specific community with a religious world view, but rather a being




The Figure of Christ in the Long Nineteenth Century


Book Description

This book is an interdisciplinary collection of essays that explores the variety of ways in which the interface between understanding the figure of Christ, the place of the cross, and the contours of lived experience, was articulated through the long nineteenth century. Collectively, the chapters respond to the theological turn in postmodern thought by asking vital questions about the way in which representations of Christ shape understandings of personhood and of the divine.




The God of Spinoza


Book Description

This book is the fullest study in English for many years on the role of God in Spinoza's philosophy. Spinoza has been called both a 'God-intoxicated man' and an atheist, both a pioneer of secular Judaism and a bitter critic of religion. He was born a Jew but chose to live outside any religious community. He was deeply engaged both in traditional Hebrew learning and in contemporary physical science. He identified God with nature or substance: a theme which runs through his work, enabling him to naturalise religion but - equally important - to divinise nature. He emerges not as a rationalist precursor of the Enlightenment but as a thinker of the highest importance in his own right, both in philosophy and in religion.




What Did Jesus Look Like?


Book Description

Jesus Christ is arguably the most famous man who ever lived. His image adorns countless churches, icons, and paintings. He is the subject of millions of statues, sculptures, devotional objects and works of art. Everyone can conjure an image of Jesus: usually as a handsome, white man with flowing locks and pristine linen robes. But what did Jesus really look like? Is our popular image of Jesus overly westernized and untrue to historical reality? This question continues to fascinate. Leading Christian Origins scholar Joan E. Taylor surveys the historical evidence, and the prevalent image of Jesus in art and culture, to suggest an entirely different vision of this most famous of men. He may even have had short hair.




The Image of Christ in Russian Literature


Book Description

Vladimir Nabokov complained about the number of Dostoevsky's characters "sinning their way to Jesus." In truth, Christ is an elusive figure not only in Dostoevsky's novels, but in Russian literature as a whole. The rise of the historical critical method of biblical criticism in the nineteenth century and the growth of secularism it stimulated made an earnest affirmation of Jesus in literature highly problematic. If they affirmed Jesus too directly, writers paradoxically risked diminishing him, either by deploying faith explanations that no longer persuade in an age of skepticism or by reducing Christ to a mere argument in an ideological dispute. The writers at the heart of this study understood that to reimage Christ for their age, they had to make him known through indirect, even negative ways, lest what they say about him be mistaken for cliché, doctrine, or naïve apologetics. The Christology of Dostoevsky, Leo Tolstoy, Mikhail Bulgakov, and Boris Pasternak is thus apophatic because they deploy negative formulations (saying what God is not) in their writings about Jesus. Professions of atheism in Dostoevsky and Tolstoy's non-divine Jesus are but separate negative paths toward truer discernment of Christ. This first study in English of the image of Christ in Russian literature highlights the importance of apophaticism as a theological practice and a literary method in understanding the Russian Christ. It also emphasizes the importance of skepticism in Russian literary attitudes toward Jesus on the part of writers whose private crucibles of doubt produced some of the most provocative and enduring images of Christ in world literature. This important study will appeal to scholars and students of Orthodox Christianity and Russian literature, as well as educated general readers interested in religion and nineteenth-century Russian novels.




The Shadow of Christ in the Book of Job


Book Description

The Book of Job has been a rich source of truth and comfort for its readers throughout the ages, but the crowning glory of this book is the prophetic testimony it bears to the sufferings that Jesus Christ would endure as the savior of his people. The Shadow of Christ in the Book of Job examines the historical character of Job as a typological figure, whose experience of suffering leading to glory was meant to portray the work of Christ, and provide assurance and comfort to all who bear affliction in faith.




The Sexuality of Christ in Renaissance Art and in Modern Oblivion


Book Description

Originally published in 1983, Leo Steinberg's classic work has changed the viewing habits of a generation. After centuries of repression and censorship, the sexual component in thousands of revered icons of Christ is restored to visibility. Steinberg's evidence resides in the imagery of the overtly sexed Christ, in Infancy and again after death. Steinberg argues that the artists regarded the deliberate exposure of Christ's genitalia as an affirmation of kinship with the human condition. Christ's lifelong virginity, understood as potency under check, and the first offer of blood in the circumcision, both required acknowledgment of the genital organ. More than exercises in realism, these unabashed images underscore the crucial theological import of the Incarnation. This revised and greatly expanded edition not only adduces new visual evidence, but deepens the theological argument and engages the controversy aroused by the book's first publication.




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