Forbidden Music


Book Description

DIV With National Socialism's arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany’s historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment. /div




The Armenians of Musa Dagh, 1915–1939


Book Description

This book examines the insurgency and flight of the Armenian communities in Musa Dagh between 1915 and 1939. It analyzes the narratives surrounding the Armenian rebellion against the Ottoman Empire, including the community’s resistance against the imperial order for relocation and the flight to the Musa Mountain.




Musa Dagh


Book Description

Musa Dagh traces the trials and tribulations of Franz Werfels The Forty Days of Musa Dagh in Hollywood. The book is an original work and the first to deal with the historic controversy Werfels masterpiece stirred since its publication in the United States in 1934.




Remembrance and Denial


Book Description

A fresh look at the forgotten genocide of world history.




Burning Orchards


Book Description

Gurgen Marhari's controversial novel, Burning Orchards, is set in the Ottoman city of Van, Eastern Anatolia, during the period leading up to the Armenian rebellion of 1915 and relates the epic story of the events which culminated in the catastrophe of the following years, wonderfully told by one of the great writers emerging from Soviet Armenia. Written with an abiding humanity, Mahari's characters are portrayed as complex and flawed - neither hero nor villain but keenly observed and evoked with a tender humour. Burning Orchards offers a version of events leading up to the siege of Van different from the received, politically charged accounts, even daring to reflect something of the loyalty many Ottoman Armenians had felt towards the former Empire. First published in Armenian in 1966 after Mahari's long exile in Siberian, Burning Orchards (Ayrvogh Aygestanner), was banned and publicly burned in the streets of Yerevan, even though the authorities in Moscow had eventually agreed to its publication. Much against the wishes of his wife he tried to rewrite the novel, removing passages criticising some Armenian political parties and leaders, but dying before it could be finalised. The translation offered here is of the banned 1966 publication. A brilliant work, epic in scope and masterful in its depiction of the cruel displacement of an ancient people from their historic homeland, Burning Orchards is a re-discovered classic.




Pale Blue Ink in a Lady's Hand


Book Description

This story is about a long suppressed love triangle between Leonidas Tachezy, a high-level Austrian career bureaucrat, his younger, trophy wife Amelie, and a Jewish woman from his past, Vera Wormser, with whom he'd fallen in love when she was fourteen. After his marriage, Leonidas encounters Vera in a German university town where she is studying philosophy. He makes a promise that implies marriage, but drops out of her life entirely to return to a comfortable existence until one day when a letter arrives, addressed with Vera's unmistakable handwriting in pale blue ink. Like Humbert Humbert in Lolita, Leonidas explains his "crime" against Vera to an imaginary courtroom in a way that anticipates Nabokov.




Manon's World


Book Description

Manon Gropius had three parents. She was the daughter of Alma Mahler (the widow of Gustav Mahler) and her second husband, Walter Gropius (the architect and founder of the Bauhaus school), and also was the stepdaughter of Alma's third husband, Franz Werfel. Manon's World explores the life and death of a child at the center of a broken love triangle. Not just a narrative biography, Manon's World is a medical history of the polio that killed Manon and an intimate cultural history of the aspirations projected on her, as seen by the Nobel Prize-winner Elias Canette who devoted two chapter of his memoirs to his encounters with Manon. In the same spirit, the composer Alban Berg dedicated his Violin Concerto to her. Reidel reveals a complex image of a young woman who desired to be an actress and artist in her own right despite being her mother’s intended protégé, an inspiration to her father who rarely saw her, and her stepfather Franz Werfel. -- Adapted from dust jacket.




Justifying Genocide


Book Description

The Armenian Genocide and the Nazi Holocaust are often thought to be separated by a large distance in time and space. But Stefan Ihrig shows that they were much more connected than previously thought. Bismarck and then Wilhelm II staked their foreign policy on close relations with a stable Ottoman Empire. To the extent that the Armenians were restless under Ottoman rule, they were a problem for Germany too. From the 1890s onward Germany became accustomed to excusing violence against Armenians, even accepting it as a foreign policy necessity. For many Germans, the Armenians represented an explicitly racial problem and despite the Armenians’ Christianity, Germans portrayed them as the “Jews of the Orient.” As Stefan Ihrig reveals in this first comprehensive study of the subject, many Germans before World War I sympathized with the Ottomans’ longstanding repression of the Armenians and would go on to defend vigorously the Turks’ wartime program of extermination. After the war, in what Ihrig terms the “great genocide debate,” German nationalists first denied and then justified genocide in sweeping terms. The Nazis too came to see genocide as justifiable: in their version of history, the Armenian Genocide had made possible the astonishing rise of the New Turkey. Ihrig is careful to note that this connection does not imply the Armenian Genocide somehow caused the Holocaust, nor does it make Germans any less culpable. But no history of the twentieth century should ignore the deep, direct, and disturbing connections between these two crimes.




Franz Werfel: The Faith of an Exile


Book Description

Franz Werfel was born in Prague in 1890 and died in Beverly Hills in 1945, a popular and artistic success in Europe and America. Despite his Jewish birth and upbringing, he was attracted to Christianity at any early age, and although he never formally converted, he celebrated his own vision of it in his entire life's work. The origina sof that peculiar faith and the response it engendered in Werfel's work as he lived thorough the horrific end of Jewish life in Europe are treated here. Werfel was not a systematic thinker, and, while his writing contains much that is philosophical and theological, his eclecticism and idiosyncracy render any attempt to trace the specific origins of his thought or its relation to the work of contemporary philosophers and theologians highly problematic. Thus, this work is neither biography nor intellectual history in the strict sense—it goes beyond, melding the concerns of both genres into a thoughtful, comprehensive portrait of faith at work. Of interest to historians of the twentieth century as well as to students of that intriguing zone that lies between faith and art but is neither—or both.