The Myths That Made America


Book Description

This essential introduction to American studies examines the core foundational myths upon which the nation is based and which still determine discussions of US-American identities today. These myths include the myth of »discovery,« the Pocahontas myth, the myth of the Promised Land, the myth of the Founding Fathers, the melting pot myth, the myth of the West, and the myth of the self-made man. The chapters provide extended analyses of each of these myths, using examples from popular culture, literature, memorial culture, school books, and every-day life. Including visual material as well as study questions, this book will be of interest to any student of American studies and will foster an understanding of the United States of America as an imagined community by analyzing the foundational role of myths in the process of nation building.




The Founding Myth


Book Description

Was America founded on Judeo-Christian principles? Are the Ten Commandments the basis for American law? In the paperback edition of this critically acclaimed book, a constitutional attorney settles the debate about religion's role in America's founding. In today's contentious political climate, understanding religion's role in American government is more important than ever. Christian nationalists assert that our nation was founded on Judeo-Christian principles, and advocate an agenda based on this popular historical claim. But is this belief true? The Founding Myth answers the question once and for all. Andrew L. Seidel builds his case by comparing the Ten Commandments to the Constitution and contrasting biblical doctrine with America's founding philosophy, showing that the Declaration of Independence contradicts the Bible. Thoroughly researched, this persuasively argued and fascinating book proves that America was not built on the Bible and that Christian nationalism is un-American. Includes a new epilogue reflecting on the role Christian nationalism played in fomenting the January 6, 2021, insurrection in DC and the warnings the nation missed.




Travels in the History of Architecture


Book Description

Mies van der Rohe, master of modern architecture, declared that “Architecture starts when you carefully put two bricks together.” In Travels in the History of Architecture, renowned architectural writer Robert Harbison takes a closer look at these bricks, providing an engaging and concise companion to the great themes and aesthetic movements in architecture from antiquity to the present day. Travels in the History of Architecture beings its journey with the great temples of the Egyptians and the shrines of Classical Greece and Rome and then provides a complete survey of architecture through the present day. Each chapter of this dynamic and approachable volume focuses on a movement in architectural history, including Byzantine, Baroque, Mannerism, Historicism, Functionalism, and Deconstruction. Unique to this work is Harbison’s wide-ranging approach, which draws on references and examples outside of architecture—from literature, art, sculpture, and history—to further illustrate and contextualize the themes and ideas of each period. For example, the travel writing of Pausanias illustrates the monuments of ancient Greece, a poem in praise of marble decoration reveals how the builders of the cathedral of Hagia Sophia viewed their creation, and a French rococo painting speaks to the meaning behind the design of the English landscape garden. Original, yet authoritative, Travels in the History of Architecture will be in an indispensable guide for everyone curious to know more about the world’s most famous structures, as well as for students of art and architectural history seeking a definitive introduction.




Creatures Are Stirring


Book Description

Creatures Are Stirring is an optimistic manifesto that rescripts the anthropocentric narratives of Western architecture with new myths for a playfully compassionate and co-habitable future. The book reconceptualizes buildings as our friends by amplifying architecture's creaturely qualities--formal embellishments, fictional enhancements, and organizational strategies that suggest animal-like agency. In an unsettled world, these qualities initiate more companionable relationships between humans and the built environment, and ultimately foster greater solidarity with other human and nonhuman lifeforms. Addressing a broad audience, Creatures Are Stirring uses the apparent subjecthood of familiar objects like plush toys and sports mascots to guide readers towards a novel way of seeing, reading, and making creaturely architecture. The book combines the authors' essays and memoirs (narrated from buildings' points of view) with contributions from contemporary architects whose work collectively defines an architectural territory that is at once grounded in disciplinary rigor and urgent realities, and liberated to elicit fantastical futures.




The Architecture of Community


Book Description

Leon Krier is one of the best-known—and most provocative—architects and urban theoreticians in the world. Until now, however, his ideas have circulated mostly among a professional audience of architects, city planners, and academics. In The Architecture of Community, Krier has reconsidered and expanded writing from his 1998 book Architecture: Choice or Fate. Here he refines and updates his thinking on the making of sustainable, humane, and attractive villages, towns, and cities. The book includes drawings, diagrams, and photographs of his built works, which have not been widely seen until now. With three new chapters, The Architecture of Community provides a contemporary road map for designing or completing today’s fragmented communities. Illustrated throughout with Krier’s original drawings, The Architecture of Community explains his theories on classical and vernacular urbanism and architecture, while providing practical design guidelines for creating livable towns. The book contains descriptions and images of the author’s built and unbuilt projects, including the Krier House and Tower in Seaside, Florida, as well as the town of Poundbury in England. Commissioned by the Prince of Wales in 1988, Krier’s design for Poundbury in Dorset has become a reference model for ecological planning and building that can meet contemporary needs.




Chicago Architecture


Book Description

Publisher Description




Architecture against Democracy


Book Description

Examining architecture’s foundational role in the repression of democracy Reinhold Martin and Claire Zimmerman bring together essays from an array of scholars exploring the troubled relationship between architecture and antidemocratic politics. Comprising detailed case studies throughout the world spanning from the early nineteenth century to the present, Architecture against Democracy analyzes crucial occasions when the built environment has been harnessed as an instrument of authoritarian power. Alongside chapters focusing on paradigmatic episodes from twentieth-century German and Italian fascism, the contributors examine historic and contemporary events and subjects that are organized thematically, including the founding of the Smithsonian Institution, Ellis Island infrastructure, the aftermath of the Paris Commune, Cold War West Germany and Iraq, Frank Lloyd Wright’s domestic architecture, and Istanbul’s Taksim Square. Through the range and depth of these accounts, Architecture against Democracy presents a selective overview of antidemocratic processes as they unfold in the built environment throughout Western modernity, offering an architectural history of the recent “nationalist international.” As new forms of nationalism and authoritarian rule proliferate across the globe, this timely collection offers fresh understandings of the role of architecture in the opposition to democracy. Contributors: Esra Akcan, Cornell U; Can Bilsel, U of San Diego; José H. Bortoluci, Getulio Vargas Foundation; Charles L. Davis II, U of Texas at Austin; Laura diZerega; Eve Duffy, Duke U; María González Pendás, Cornell U; Paul B. Jaskot, Duke U; Ana María León, Harvard U; Ruth W. Lo, Hamilton College; Peter Minosh, Northeastern U; Itohan Osayimwese, Brown U; Kishwar Rizvi, Yale U; Naomi Vaughan; Nader Vossoughian, New York Institute of Technology and Columbia U; Mabel O. Wilson, Columbia U.




The Slavic Myths


Book Description

Slavic cultures are far-ranging, comprising of East Slavs (Russia, Ukraine, Belarus), West Slavs (Czech Republic, Slovakia, Poland) and South Slavs (the countries of former Yugoslavia plus Bulgaria), yet they are connected by tales of adventure and magic with deep roots in a common lore. In this first collection of Slavic myths for an international readership, Noah Charney and Svetlana Slapak expertly weave together a retelling of the ancient stories with nuanced analysis that illuminates their place at the heart of Slavic tradition. Though less familiar to us than the legends of ancient Egypt, Greece and Scandinavia, in the world of Slavic mythology we find much that we can recognize: petulant deities, demons and faeries; witches, the sinister vestica, whose magic may harm or heal; a supreme god who can summon storms and hurl thunderbolts. Gods gather under the World Tree, reminiscent of Norse mythologys Yggdrasill; or, after the coming of Christianity, congregate among the clouds. The vampire usually the only Serbo-Croatian word in any foreign-language dictionary and the werewolf emerge from the shallow graves of Slavic belief. In their careful analysis and sensitive reconstructions of the origin stories, Charney and Slapsak unearth the Slavic beliefs before their distortion first by Christian chroniclers and then by 19th-century scholars seeking origin stories for their new-born nation states. They reveal links not only to the neighbouring pantheons of Greece, Rome, Egypt and Scandinavia but also the belief systems of indigenous peoples of Australia, the Americas, Africa and Asia. In so doing, they draw out the universalities that cut across cultures in the stories we tell ourselves.




Founding Gods, Inventing Nations


Book Description

From the dawn of writing in Sumer to the sunset of the Islamic empire, Founding Gods, Inventing Nations traces four thousand years of speculation on the origins of civilization. Investigating a vast range of primary sources, some of which are translated here for the first time, and focusing on the dynamic influence of the Greek, Roman, and Arab conquests of the Near East, William McCants looks at the ways the conquerors and those they conquered reshaped their myths of civilization's origins in response to the social and political consequences of empire. The Greek and Roman conquests brought with them a learned culture that competed with that of native elites. The conquering Arabs, in contrast, had no learned culture, which led to three hundred years of Muslim competition over the cultural orientation of Islam, a contest reflected in the culture myths of that time. What we know today as Islamic culture is the product of this contest, whose protagonists drew heavily on the lore of non-Arab and pagan antiquity. McCants argues that authors in all three periods did not write about civilization's origins solely out of pure antiquarian interest--they also sought to address the social and political tensions of the day. The strategies they employed and the postcolonial dilemmas they confronted provide invaluable context for understanding how authors today use myth and history to locate themselves in the confusing aftermath of empire.




Solomon's Temple


Book Description

A highly original architectural history of Solomon’s Temple and Islam’s Dome of the Rock that doubles as a social and cultural history of the region The most extensive study of the interrelated history of two monuments, Solomon’s Temple and The Dome of the Rock, drawing on an exhaustive review of all the visual and textual evidence Relayed as a gripping narrative, allowing readers to re-enter and experience the emotions and the visceral reality of the major events in its history Integrates illustration with the text to offer a highly detailed and accurate portrait of the major structures and figures involved in the history of the temple Opens up a fascinating line of questioning into the conventional interpretation of events, particularly Christ’s actions in the Temple Reproduces rarely seen detailed drawings of the subterranean passages beneath Temple Mount as part of the British survey in the 19th century