The Gaze of the Listener


Book Description

This study analyzes representations of music in fiction, drama and poetry as well as normative texts in order to contribute to a gendered cultural history of domestic performance. From the Tudors to the First World War, playing the harpsichord or piano was an indispensable asset of any potential bride, and education manuals as well as courtship plots and love poems pay homage to this social function of music. The Gaze of the Listener charts the fundamental tension which determines all these texts: while music is warmly recommended in conduct books and provides standard metaphors like ?concord? and ?harmony? for virtuous love, a profound anxiety about its sensuous inarticulateness and implicit femininity unsettles all descriptions of actual music-making. Along with repressive plot lines, the privileging of visual perception over musical appreciation is the most telling indicator of this problem. The Gaze of the Listener is the first coherent account of this discourse and its historical continuity from the Elizabethan to the Edwardian period and provides a significant background for more narrowly focused research. Its uniquely wide database contextualizes numerous ?minor? works with classics without limiting itself to the fringe phenomenon of ?musician novels'. Including a fresh account of the novels of Jane Austen in their contemporary (rather than Victorian) context, the book is of interest to scholars and students in gender studies, English literature, cultural studies and musicology.




The Therapist as Listener


Book Description

Listening is clearly central to the practice of both counselling and psychotherapy. Given this, it is quite extraordinary how little thought has been given to the nature of therapeutic listening and to the cultivation and evaluation of the therapist as listener. Instead, listening is a subject marginalised in both the theoretical literature on psychotherapy and in the practical training of counsellors and psychotherapists .In this collection of essays and articles by Peter Wilberg, the thinking of Martin Heidegger provides the platform for an exploration of the deeper nature of listening - not simply as a passive prelude to therapeutic or diagnostic responses, but as a mode of active inner communication with others. What Wilberg calls Maieutic Listening is not a new form of psychotherapy, but the innately therapeutic essence of listening as such - understood not as a mere therapeutic 'skill' but as a our most basic way of being and bearing with others in pregnant silence.




Listening Subjects


Book Description

On psychoanalysis and music appreciation




The Listener


Book Description

Shira Nayman's riveting and haunting first novel of madness and passion is set in a psychiatric hospital just after World War II. Two years after the end of World War II, a mysterious figure, Bertram Reiner, appears at Shadowbrook, a private asylum whose elegant hallways, vaulted ceilings, and magnificent grounds suggest a country estate more than a psychiatric hospital. At first, the chief psychiatrist—as genteel as his aristocratic surrounds—considers his charismatic patient to be a classic, though particularly intriguing, case of war neurosis. But as treatment progresses, Dr. Harrison's sense of clarity clouds over, and he is drawn into Bertram's disquieting preoccupations. Then, late one night, an intruder is sighted on the hospital grounds, the first in a series of uncanny events that appear to the doctor to be strangely linked; clues abound, yet the truth about Bertram seems always to slip away. Meanwhile, Dr. Harrison's own long-buried troubles reemerge with brutal force. As the careful contours of his existence begin to waver, the doctor is plunged into dangerous, compulsive territory. When Dr. Harrison finds himself spying on his head nurse, Matilda, even following her one midnight through the underground tunnels that join the hospital buildings, he knows there is no turning back. He is desperate to get to the bottom of the intertwining mysteries connecting Bertram, Matilda, and himself, and senses that everything in his life—and theirs—is at stake. Set against the backdrop of the insanity of war, The Listener explores the havoc historical trauma plays with the psyche, and illuminates the uncertain boundary between sanity and insanity. Shira Nayman's storytelling is mesmerizing. The Listener is a riveting tale of madness, mystery, and passion that excavates the dark corners of the human heart and mind. It is a work of rare depth and power.







Gesturecraft


Book Description

The craft of gesture is part of the practical equipment with which we inhabit and understand the world together. Drawing on micro-ethnographic research in diverse interaction settings, this book explores the communicative ecologies in which hand-gestures appear: illuminating the world around us, depicting it, making sense of it, and symbolizing the interaction process itself. Gesture is analyzed as embodied communicative action grounded in the hands' practical and cognitive engagments with material worlds. The book responds to the quest for the role of the human body in cognition and interaction with an analytic perspective informed by phenomenology, conversation analysis, context analysis, praxeology, and cognitive science. Many of the cross-linguistic video-data of everyday interaction investigated in its chapters are available on-line.




Metaphor and Gesture


Book Description

This volume is the first to offer an overview on metaphor and gesture a new multi-disciplinary area of research. Scholars of metaphor have been paying increasing attention to spontaneous gestures with speech; meanwhile, researchers in gesture studies have been focussing on the abstract ideas which receive physical representation through metaphors when speakers gesture. This book presents a snapshot of the state of the art in these converging fields, offering research papers as well as commentaries from multiple perspectives. In addition to conceptual metaphor theory it includes different theoretical approaches to semiotics, and the methods used range from controlled experimentation, to cognitive ethnography, to lexical semantic analysis. The use of metaphor in gesture is shown to reflect idiosyncracies of thought in the moment of speaking as well as structural, cultural, and interactional patterns. The series of commentaries discusses the potential importance of studying metaphor and gesture from the perspectives of such fields as anthropology, cognitive linguistics, conversation analysis, psychology, and semiotics.




Research Perspectives on English for Academic Purposes


Book Description

This volume of specially commissioned articles examines theory and practice in EAP.




Nonverbal Behavior and Communication


Book Description

First published in 1987. An attractive feature of nonverbal communication as a research area is that it has captured the interest of scholars of different disciplinary backgrounds psychologists, linguists, anthropologists, psychiatrists, and sociologists with each discipline bringing to the area its peculiar theoretical and methodological perspectives and biases. Each of these disciplines also tend to have a favorite topic or problem area within the general domain of nonverbal communication. Along with the varying yet overlapping topical concerns that the different disciplines bring to the area of nonverbal communication are major differences in methodology. The sections into which the book is divided roughly organize the chapters in terms of their concerns with the bodily structures and zones that are involved in nonverbal behavior.




The Listener


Book Description

The writer of this book was well-known for his tales of the supernatural and horror. The book begins with a series of diary entries, describing the author's search for accommodation in London. We learn that he is of limited means and sells the occasional piece for a magazine. The rooms are described as ramshackle and dusty. He is the only occupant in the whole house and previous tenants have gone. Without saying so, there is a sense of unease even in the opening pages.