The Ghost Illusion


Book Description

In a twisty page-turner for fans of Sadah Pinborough, Megan Goldin, and Melinda Leigh, New York Times bestselling author Kat Martin melds psychological thriller and ghost story as one woman’s daring search for the truth tests the dividing line between life and death. If you need help, we are here for you. Eve St. Clair desperately needs help sorting reality from her fearful imaginings when ghostly voices seem to haunt the Victorian house in Sunderland, England, that she inherited from her uncle. Online research leads to a group that claims to offer just the aid she’s seeking. But can Ransom King’s handpicked team of investigators truly banish Eve’s night terrors? Since the deaths of his wife and daughter, Seattle billionaire Ransom King has devoted himself to researching parapsychology and debunking the frauds who prey upon the bereaved. But Eve is a psychologist herself, clearly sane, and her sincerity is palpable. King senses a very real danger stalking the beautiful divorcée. As his interest in her case turns deeply personal, he will move heaven and earth to uncover the truth—no matter how shocking—and save the woman he loves.




Magic and Illusion in the Movies


Book Description

From top hats to top secrets, this book is a celebration of illusion technology and mechanisms of trickery through a genre-crossing selection of films. Heroes, villains, spies, con-men, and madmen, magicians all, have utilized complex constructs and trickery in thrilling cinematic adventures from the earliest days of cinema to the present. Current blockbusters such as Spider-Man: Far from Home and the Mission: Impossible series feature amazing acts of deception, often appearing far-fetched, that are in fact surprisingly close to today's technology. Along with the James Bond saga, classics such as The Wizard of Oz, Nightmare Alley, and The Sting are joined by a host of other movies superficially seeming to be very different, yet proving there is more than meets the eye.




Illusion in Cultural Practice


Book Description

This volume explores illusionism as a much larger phenomenon than optical illusion, magic shows, or special effects, as a vital part of how we perceive, process, and shape the world in which we live. Considering different cultural practices characterized by illusionism, this book suggests a new approach to illusion via media theory. Each of the chapters analyses a specific kind of illusionistic practice and the concept of illusionism it entails in a given context, including philosophy, perception and cognitive theory, performance magic, occultism, optics, physiology, early cinema, cartomancy, spiritualism, architecture, shamanic rituals, and theoretical physics, to show the diversity of shapes that illusionism and illusions can take. The book provides detailed analyses of illusions within performance and ritual magic, philosophy, art history and psychology as well as a first approach to the study of illusions outside of these established fields. It aims to find ways of identifying and analysing a wider range of illusions in the humanities. This multidisciplinary and comprehensive volume will appeal to scholars and students with an interest in media and culture, theatre and performance, philosophy, sociology, politics and religion. This publication was supported by the Internationales Kolleg für Kulturtechnikforschung und Medienphilosophie of the Bauhaus-Universität Weimar with funds from the German Federal Ministry of Education and Research. IKKM Books Volume 47 An overview of the whole series can be found at www.ikkm-weimar.de/schriften Chapter 5 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-Share Alike 4.0 license https://www.taylorfrancis.com/chapters/oa-edit/10.4324/9781003188278-8/vanishing-lady-railway-illusions-movement-1-katharina-rein?context=ubx&refId=fe124e6e-8290-43e9-9d48-753bad162c50 Chapter 9 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license https://www.taylorfrancis.com/chapters/oa-edit/10.4324/9781003188278-13/talking-rocks-illusory-sounds-projections-otherworld-julia-shpinitskaya-riitta-rainio?context=ubx&refId=3aa829a8-8c0b-4103-870a-6fe5a4393e71




True History of the Ghost


Book Description

First published in 1890, this book details the history and method of carrying out the nineteenth-century stage illusion, 'Pepper's Ghost'.




Dramatic Apparitions and Theatrical Ghosts


Book Description

Ghosts haunt the stages of world theatre, appearing in classical Greek drama through to the plays of 21st-century dramatists. Tracing the phenomenon across time and in different cultures, the chapters collected here examine their representation, dramatic function, and what they may tell us about the belief systems of their original audiences and the conditions of theatrical production. As illusions of illusions, they foreground many dramatic themes common to a wide variety of periods and cultures. Arranged chronologically, this collection examines how ghosts represent political change in Athenian culture in three plays by Aeschylus; their function in traditional Japanese drama; the staging of the supernatural in the dramatic liturgy of the early Middle Ages; ghosts within the dramatic works of Middleton, George Peele, and Christopher Marlowe, and the technologies employed in the 18th and 19th centuries to represent the supernatural on stage. Coverage of the dramatic representation of ghosts in the 20th and 21st centuries includes studies of Noël Coward's Blithe Spirit, August Wilson's Pittsburgh Cycle, plays by Sam Shepard, David Mamet, and Sarah Ruhl, Paddy Chayefsky's The Tenth Man, Suzan-Lori Parks' Topdog/Underdog, and the spectral imprint of Shakespeare's ghosts in the Irish drama of Marina Carr, Martin McDonagh, William Butler Yeats, and Samuel Beckett. The volume closes by examining three contemporary American indigenous plays by Anishinaabe author, Alanis King.







The Secrets of Stage Conjuring


Book Description

"The Secrets of Stage Conjuring" is one of the rarest of Robert-Houdin's books on magic. It is the sequel to "Secrets of Conjuring and Magic" (1868).




The Old and the New Magic


Book Description

Embark on a magical journey into the realms of old and new magic with "A Magical Exploration" by Henry Ridgely Evans. Join Evans as he guides readers through a captivating exploration of the mysteries, wonders, and transformations found within the world of magic. As you delve into Evans' enchanting narrative, prepare to be spellbound by his deep knowledge and passion for the arcane arts. From ancient rituals to modern illusions, Evans illuminates the history, techniques, and secrets behind some of the most mesmerizing feats ever performed. But beyond the mere spectacle, "A Magical Exploration" offers a profound journey of discovery, inviting readers to explore the boundaries of belief, perception, and reality. Evans' insights into the psychology of magic and its impact on human consciousness offer new perspectives on the nature of wonder and the power of imagination. Yet, amidst the wonders and mysteries of the magical arts, a profound question emerges: What deeper truths about ourselves and the universe can we uncover through the study of magic, and how does it shape our understanding of the world around us? Immerse yourself in the captivating world of "A Magical Exploration" as you journey alongside Evans through its pages. Whether you're a practitioner of magic, a fan of illusion and spectacle, or simply curious about the hidden forces that shape our perceptions, this book promises to fascinate and inspire. Now, as you venture deeper into the realms of old and new magic, consider this: What mysteries await us on the journey ahead, and how can we harness the power of wonder to enrich our lives and expand our horizons? Don't miss the opportunity to experience the magic of "A Magical Exploration." Acquire your copy today and embark on a journey of discovery, enlightenment, and transformation that will leave you spellbound long after the final page.




Techniques of Illusion


Book Description

This book explores stage conjuring during its “golden age,” from about 1860 to 1910. This study provides close readings highlighting four paradigmatic illusions of the time that stand in for different kinds of illusions typical of stage magic in the “golden age” and analyses them within their cultural and media-historical context: “Pepper’s Ghost,” the archetypical mirror illusion; “The Vanishing Lady,” staging a teleportation in a time of a dizzying acceleration of transport; “the levitation,” simulating weightlessness with the help of an extended steel machinery; and “The Second Sight,” a mind-reading illusion using up-to-date communication technologies. These close readings are completed by writings focusing on visual media and expanding the scope backwards and forwards in time, roughly to 1800 and to 2000. This exploration will be of great interest to students and scholars in theatre and performance studies.




Dickens Adapted


Book Description

From their first appearance in print, Dickens's fictions immediately migrated into other media, and particularly, in his own time, to the stage. Since then Dickens has continuously, apparently inexhaustibly, functioned as the wellspring for a robust mini-industry, sourcing plays, films, television specials and series, operas, new novels and even miniature and model villages. If in his lifetime he was justly called 'The Inimitable', since his death he has become just the reverse: the Infinitely Imitable. The essays in this volume, all appearing within the past twenty years, cover the full spectrum of genres. Their major shared claim to attention is their break from earlier mimetic criteria - does the film follow the novel? - to take the new works seriously within their own generic and historical contexts. Collectively, they reveal an entirely 'other' Dickensian oeuvre, which ironically has perhaps made Dickens better known to an audience of non-readers than to those who know the books themselves.