The Girl Who Trod on the Loaf


Book Description

Inger was a little girl but she was a bad person. This was obvious even when she was very small: she enjoyed catching insects and tearing off their wings without any pity for the poor creatures. When she was a bit bigger, her parents sent her to the country to a good family. Here, she became very refined and, going to visit her parents, decided to walk on her bread rather than in the marsh so she would not dirty her shoes. And this is where her real story begins... Hans Christian Andersen (1805-1875) was a Danish author, poet and artist. Celebrated for children’s literature, his most cherished fairy tales include "The Emperor's New Clothes", "The Little Mermaid", "The Nightingale", "The Steadfast Tin Soldier", "The Snow Queen", "The Ugly Duckling" and "The Little Match Girl". His books have been translated into every living language, and today there is no child or adult that has not met Andersen's whimsical characters. His fairy tales have been adapted to stage and screen countless times, most notably by Disney with the animated films "The Little Mermaid" in 1989 and "Frozen", which is loosely based on "The Snow Queen", in 2013. Thanks to Andersen's contribution to children's literature, his birth date, April 2, is celebrated as International Children's Book Day.




The Girl Who Trod on a Loaf


Book Description

Back in print, an astonishing novel of art, obsession, and the secrets kept by two very different women In Kathryn Davis’s second novel, Frances Thorn, waitress and single parent of twins, finds herself transformed by the dazzling magnetism of Helle Ten Brix, an elderly Danish composer of operas. At the heart of what binds them is “The Girl Who Trod on a Loaf,” the Hans Christian Andersen tale of a prideful girl who, in order to spare her new shoes, uses a loaf of bread, intended as a gift for her parents, as a stepping-stone, and ends up sinking to the bottom of a bog. Helle’s final opera, based on this tale and unfinished at the time of her death, is willed to Frances—a life-changing legacy that compels Frances to unravel the mysteries of Helle’s story and, in so doing, to enter the endlessly revolving, intricate world of her operas. The ravishing beauty and matchless wit that have characterized Davis’s work from the beginning are here on full display. The Girl Who Trod on a Loaf is a novel as thrilling in its virtuosity as it is moving in its homage to the power of art, a power that changes lives forever.




The Complete Stories of Leonora Carrington


Book Description

“Complete Stories, a collection of Carrington’s published and unpublished short stories—many newly translated from their original French and Spanish—is a terrific introduction to her bizarre, dreamlike worlds.” —Carmen Maria Machado, NPR Surrealist writer and painter Leonora Carrington (1917–2011) was a master of the macabre, of gorgeous tableaus, biting satire, roguish comedy, and brilliant, effortless flights of the imagination. Nowhere are these qualities more ingeniously brought together than in the works of short fiction she wrote throughout her life. Published to coincide with the centennial of her birth, The Complete Stories of Leonora Carrington collects for the first time all of her stories, including several never before seen in print. With a startling range of styles, subjects, and even languages (several of the stories are translated from French or Spanish), The Complete Stories captures the genius and irrepressible spirit of an amazing artist’s life.




Versailles


Book Description

Marie Antoinette “tells her own story” in this “sage, mercurial, and ravishing” novel (The New Yorker) Versailles tells the story of an expansive spirit locked in a pretty body and an impossible moment in history. As the novel begins, fourteen-year-old Marie Antoinette is traveling from Austria to France to meet her fiancé. He will become the sixteenth Louis to rule France, and Antoinette will be his queen—though neither shows a strong inclination toward power, politics, or the roles they have been summoned to play. Antoinette finds herself hemmed in by towering hairdos, the xenophobic suspicion of her subjects, the misogyny of her detractors, and the labyrinthine twists and turns of the palace she calls home. At once witty, entertaining, and astonishingly wise, this widely acclaimed novel is an enchanting meditation on girlhood, womanhood, architecture, and—above all—time and the soul’s true journey within it. Shaken free of the dust of history and calcified myth, Antoinette is “very much alive here, and she’s magnificent” (Stacey D’Erasmo, The New York Times Book Review).




Southbound


Book Description

"There's a real flowering, I think, of southern poetry right now, ... assembling at the edges of everything. "This observation by Pulitzer Prize-winning poet Charles Wright reflects upon the continuing vibrancy and importance of the southern poetic tradition. Although the death of James Dickey in 1997 left southern poetry without a recognizably dominant voice, an array of other vibrant voices continue to be heard and recognized. Southbound: Interviews with Southern Poets provides a glimpse of the many poets who promise to keep southern poetry vital into the twenty-first century.




The Reception of Grimms' Fairy Tales


Book Description

"The essays address the reception of the Grimms' texts by their readers; the dynamics between Grimms' collection and its earliest audiences; and aspects of the literary, philosophical, creative, and oral reception of the tales, illuminating how writers, philosophers, artists, and storytellers have responded to, reacted to, and revised the stories, thus shedding light on the ways in which past and contemporary transmitters of culture have understood and passed on the Grimms' tales."--BOOK JACKET.




Optional-Narrator Theory


Book Description

Twentieth-century narratology fostered the assumption, which distinguishes narratology from previous narrative theories, that all narratives have a narrator. Since the first formulations of this assumption, however, voices have come forward to denounce oversimplifications and dangerous confusions of issues. Optional-Narrator Theory is the first collection of essays to focus exclusively on the narrator from the perspective of optional-narrator theories. Sylvie Patron is a prominent advocate of optional-narrator theories, and her collection boasts essays by many prominent scholars—including Jonathan Culler and John Brenkman—and covers a breadth of genres, from biblical narrative to poetry to comics. This volume bolsters the dialogue among optional-narrator and pan-narrator theorists across multiple fields of research. These essays make a strong intervention in narratology, pushing back against the widespread belief among narrative theorists in general and theorists of the novel in particular that the presence of a fictional narrator is a defining feature of fictional narratives. This topic is an important one for narrative theory and thus also for literary practice. Optional-Narrator Theory advances a range of arguments for dispensing with the narrator, except when it can be said that the author actually “created” a fictional narrator.







The Girl who Trod on a Loaf


Book Description

The acclaimed author of Labrador (awarded the Kafka Prize for fiction by an American woman) now presents a story of two women who come to grips with themselves and with each other. A psycho-cultural-sexual history of the 20th century, a short course in the opera, and a philosophical--even religious--passage from despair toward redemption.




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