The Hymns of the Anglo-Saxon Church


Book Description

This book provides a study and critical edition of the corpus of hymns sung by monks and canons in their services in England before the Norman Conquest. When Christianity was introduced into Anglo-Saxon England at the end of the sixth century, the practice of singing hymns in the liturgy of the Office was already well established. The hymnal that the missionaries brought with them was replaced during the Benedictine Reform in the tenth century by another body of hymns, itself introduced from the Continent. This edition assembles textual evidence of these early hymns, some of it hitherto unpublished, based on all extant manuscripts. Of these, an eleventh-century Latin manuscript known as the 'Durham Hymnal' (and in particular its accompanying Old English interlinear gloss) provides the core of the edition and its base manuscript. An introduction and commentary include descriptions of the manuscripts concerned and discussions of the sources, liturgical use and music of the hymns, as well as the phonology and vocabulary of the Old English gloss. The text of the hymns is accompanied by a translation of the Latin into modern English prose.




Hymns and Hymnody: Historical and Theological Introductions, Volume 1


Book Description

Hymns and the music the church sings are tangible means of expressing worship. And while worship is one of, if not the, central functions of the church along with mission, service, education, justice, and compassion, and occupies a prime focus of our churches, a renewed sense of awareness to our theological presuppositions and cultural cues must be maintained to ensure a proper focus in worship. Hymns and Hymnody: Historical and Theological Introductions is a 60-chapter, three-volume introductory textbook describing the most influential hymnists, liturgists, and musical movements of the church. This academically grounded resource evaluates both the historical and theological perspectives of the major hymnists and composers that have impacted the church over the course of twenty centuries. Volume 1 explores the early church and concludes with the Renaissance era hymnists. Volume 2 begins with the Reformation and extends to the eighteenth-century hymnists and liturgists. Volume 3 engages nineteenth century hymnists to the contemporary movements of the twenty-first century. Each chapter contains these five elements: historical background, theological perspectives communicated in their hymns/compositions, contribution to liturgy and worship, notable hymns, and bibliography. The mission of Hymns and Hymnody is (1) to provide biographical data on influential hymn writers for students and interested laypeople, and (2) to provide a theological analysis of what these composers have communicated in the theology of their hymns. We believe it is vital for those involved in leading the worship of the church to recognize that what they communicate is in fact theology. This latter aspect, we contend, is missing—yet important—in accessible formats for the current literature.




Hymns and Hymnody, Volume 1


Book Description

Hymns and the music the church sings are tangible means of expressing worship. As worship is one of the central functions of the church and it occupies a prime focus, a renewed sense of awareness to our theological presuppositions and cultural cues must be maintained to ensure a proper focus in worship. Hymns and Hymnody is an introductory textbook in three volumes describing the most influential hymnists, liturgists, and musical movements of the church. This academically grounded resource evaluates both the historical and theological perspectives of the major hymnists and composers that have impacted the church over the course of twenty centuries. Volume 1 explores the early church and concludes with the Renaissance era hymnists. Each chapter contains five elements: historical background, theological perspectives communicated in their hymns/compositions, contribution to liturgy and worship, notable hymns, and bibliography. The missions of Hymns and Hymnody are to provide biographical data on influential hymn writers for students and interested laypeople, and to provide a theological analysis of what the cited composers have communicated in the theology of their hymns. It is vital for those involved in leading the worship of the church to recognize that what they communicate is in fact theology. This latter aspect is missing in accessible formats for the current literature.







Early Christian Hymns


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Rome Across Time and Space


Book Description

An exploration of the significance of medieval Rome, both as a physical city and an idea with immense cultural capital.




Catalogue of Books


Book Description




The Symbolism of Medieval Churches


Book Description

The Symbolism of Medieval Churches: An Introduction explores the ways in which the medieval church building and key features of it were used as symbols, particularly to represent different relationships within the Church and the virtues of the Christian life. This book introduces the reader to the definition, form, and use of medieval symbols, and the significance that they held and still hold for some people, exploring the context in which church symbolism developed, and examining the major influences that shaped it. Among the topics discussed are allegory, typology, moral interpretation, and anagogy. Further chapters also consider the work of key figures, including Hugh and Richard of St Victor and Abbot Suger at St-Denis. Finally, the book contrasts the Eastern world with the Western world, taking a look at the late Middle Ages and what happened to church symbolism once Aristotle had ousted Plato from the schools. Entering into the medieval mind and placing church symbolism in its context, The Symbolism of Medieval Churches will be of great interest to upper-level undergraduates, postgraduates, and scholars working on Architectural History, Medieval Art, Church History, and Medieval History more widely.