The Hysteria of Lady Macbeth


Book Description

Excerpt from The Hysteria of Lady Macbeth Several years have elapsed since this little book first appeared and during that period, in spite of opposition and acrimonious and even personal antagonism and criticism, psychoanalysis in both its medical and cultural aspects has steadily forged ahead. It is now engaging the attention of all thinking men and women, both inside and outside the medical profession. In the future, the opponents of psychoanalysis will have been relegated to a well-deserved oblivion, the same fate that overtook the opponents of Harvey and Darwin, when facts of the circulation of the blood and of organic evolution were first given to the world. Meanwhile, the name of Freud is being firmly established as the most original, penetrating and fertile thinker in the realm of psychology and psychotherapy that has yet appeared in the history of science. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




The Hysteria of Lady Macbeth


Book Description

According to the author, Lady Macbeth is a typical case of hysteria. "She is not a criminal type or an ambitious woman, but the victim of a pathological mental dissociation, arising upon an unstable, day-dreaming basis, which is due to the emotional shock of her past experiences." It has become quite the thing with the Freudians to take the beautiful imaginary conceptions of the great artists, writers and dramatists and psychanalyze them into expressions of the libido; this Freud himself has done for Leonardo Da Vinci, Ernest Jones for Hamlet, and Mordell for virtually all of the great poets and writers. Hamlet, we are informed, is a case of the Oedipus complex, and now, Lady Macbeth, because of her somnambulism, is transferred to the group of neurotics. The analyses are invariably clever. We are informed, for example, that in the words "Out damned spot! Out I say." the mechanism is that of an unconscious and automatic outburst. This is the very apotheosis of erudition. When Shakespeare's doctor later states of Lady Macbeth, "This disease is beyond my practice," he expresses, says Coriat, the doubt of the medical profession toward these psycho-neurotic symptoms until the advent of modern psychopathology. It would seem that we must add to the many encomiums already conferred on the world's greatest dramatist the highest achievement of all: He was the first great Freudian!




Adapting Macbeth


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In this study, William C. Carroll analyses a wide range of adaptations and appropriations of Macbeth across different media to consider what it is about the play that compels our desire to reshape it. Arguing that many of these adaptations attempt to 'improve' or 'correct' the play's perceived political or aesthetic flaws, Carroll traces how Macbeth's popularity and adaptability stems from several of its formal features: its openly political nature; its inclusion of supernatural elements; its parable of the dangers of ambition; its violence; its brevity; and its domestic focus on a husband and wife. The study ranges across elite and popular culture divides: from Sir William Davenant's adaptation for the Restoration stage (1663–4), an early 18th-century novel, The Secret History of Mackbeth and Verdi's Macbeth, through to 20th- and 21st-century adaptations for stage and screen, as well as contemporary novelizations, young adult literature and commercial appropriations that testify to the play's absorption into contemporary culture.




The Independent


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The United States Catalog


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Psychoanalytic Perspectives on Women, Menstruation and Secondary Amenorrhea


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"I can be a mother, a wife, a daughter, a sister and a woman without having periods." This book explores two of the oldest and most important symbols of all time: menstruation and secondary amenorrhea. Women of menstruating age commonly experience secondary amenorrhea – a cessation of periods – but most people have never heard of the term, nor do they realise what it represents. Danielle Redland’s curiosity as to why this is posits that menstrual conditions need to be decoded, not just simply treated. Surveying menstruation and Secondary Amenorrhea (SA) principally from a psychoanalytic perspective, with sociocultural, historical, political and religious angles also examined, Psychoanalytic Perspectives on Women, Menstruation and Secondary Amenorrhea draws secondary amenorrhea out of the shadows of its menstruating counterpart, and explores how narratives of womanhood and statehood dominate. Chapters on blood ideology and war amenorrhea, on Freud’s treatment of Emma Eckstein and on the psycho-mythology of Pygmalion, present the reader with visions beyond patriarchy towards more thoughtful ideas on the feminine, challenging assumptions about gender, identity and what is deemed "good" for women. Rich in clinical examples, the book locates menses and their cessation at the heart of personal experience and examines psychosomatic phenomena, the link between psyche and body and the value of interpretation. From the author’s own analysis to a variety of cases linked to hysteria, anorexia, stress, trauma, abuse, helplessness and hopelessness, individual stories and narratives are sensitively recovered and carefully revealed. This refreshing example of multi-layered research and psychoanalytic enquiry by a new, female writer will be of great interest to psychologists, psychotherapists, healthcare and social work professionals and readers of gender studies, history, politics and literature.