The Independent Orders of B'nai B'rith and True Sisters


Book Description

Explores the roles of the two oldest American Jewish fraternal organizations in the process of American Jewish identity formation. Founded in New York City in 1843 by immigrants from German or German-speaking territories in Central Europe, the Independent Order of B’nai B’rith sought to integrate Jewish identity with the public and civil sphere in America. In The Independent Orders of B’nai B’rith and True Sisters: Pioneers of a New Jewish Identity, 1843–1914, author Cornelia Wilhelm examines B’nai B’rith, and the closely linked Independent Order of True Sisters, to find their larger German Jewish social and intellectual context and explore their ambitions of building a "civil Judaism" outside the synagogue in America. Wilhelm details the founding, growth, and evolution of both organizations as fraternal orders and examines how they served as a civil platform for Jews to reinvent, stage, and voice themselves as American citizens. Wilhelm discusses many of the challenges the B’nai B’rith faced, including the growth of competing organizations, the need for a democratic ethnic representation, the difficulties of keeping its core values and solidarity alive in a growing and increasingly incoherent mass organization, and the iconization of the Order as an exclusionary "German Jewish elite." Wilhelm’s study offers new insights into B’nai B’rith’s important community work, including its contribution to organizing and financing a nationwide hospital and orphanage system, its life insurance, its relationships with new immigrants, and its efforts to reach out locally with branches on the Lower East Side. Based on extensive archival research, Wilhelm’s study demonstrates the central place of B’nai B’rith in the formation and propagation of a uniquely American Jewish identity. The Independent Orders of B’nai B’rith and True Sisters will interest all scholars of Jewish history, B’nai B’rith and True Sisters members, and readers interested in American history.




Sisterhood


Book Description

The work of a coterie of dynamic women - not the brainchild of Reform Judaism's male leaders, as is often thought - Women of Reform Judaism has been a force in the shaping of American Jewish life since its founding as the National Federation of Temple Sisterhoods in 1913. The synergy of Reform Judaism's universalist ideas and the women's emancipation movement in the early twentieth century made the synagogue auxiliary a natural platform for women to assume new leadership roles in their synagogues, in Reform Judaism, and in American society. These "sisterhoods" have stood for the solidarity among synagogue women as well as the commitment of these women to important social action issues. Called Women of Reform Judaism since 1993, this oldest federation of women's synagogue auxiliaries has grown from 52 temple sisterhoods to 500 and a membership of over 65,000 women, today a vibrant international women's organization. Women of Reform Judaism, in cooperation with The Jacob Rader Marcus Center of the American Jewish Archives and Hebrew Union College Press, marks its centennial anniversary with this collection of new scholarly essays which looks back at its history in order to understand how the hopes and dreams of its founders have come to fruition. Armed with the rich archival resources of the American Jewish Archives, including Proceedings of the National Federation of Temple Sisterhoods, 1913-1955, eighteen scholars contributed essays on the spectrum of Women of Reform Judaism's activities, including their funding of Hebrew Union College during the Great Depression, their support for Jewish education through production of a substantial women's Torah commentary designed to edify lay people as well as scholars and clergy, their promotion of Jewish foodways and art through publication of cookbooks and support of synagogue gift shops, their invention of the Uniongram as a formidable fundraising tool on a par with the Girl Scout cookie, and their efforts to safeguard Jewish continuity through support of youth activities (NFTY).




The Oxford Handbook of the Jewish Diaspora


Book Description

For as long as historians have contemplated the Jewish past, they have engaged with the idea of diaspora. Dedicated to the study of transnational peoples and the linkages these people forged among themselves over the course of their wanderings and in the multiple places to which they went, the term "diaspora" reflects the increasing interest in migrations, trauma, globalism, and community formations. The Oxford Handbook of the Jewish Diaspora acts as a comprehensive collection of scholarship that reflects the multifaceted nature of diaspora studies. Persecuted and exiled throughout their history, the Jewish people have also left familiar places to find better opportunities in new ones. But their history has consistently been defined by their permanent lack of belonging. This Oxford Handbook explores the complicated nature of diasporic Jewish life as something both destructive and generative. Contributors explore subjects as diverse as biblical and medieval representations of diaspora, the various diaspora communities that emerged across the globe, the contradictory relationship the diaspora bears to Israel, and how the diaspora is celebrated and debated within modern Jewish thought. What these essays share is a commitment to untangling the legacy of the diaspora on Jewish life and culture. This volume portrays the Jewish diaspora not as a simple, unified front, but as a population characterized by conflicting impulses and ideas. The Oxford Handbook of the Jewish Diaspora captures the complexity of the Jewish diaspora by acknowledging the tensions inherent in a group of people defined by trauma and exile as well as by voluntary migrations to places with greater opportunity.




American Jewish Year Book


Book Description

Issues for 1900/1901- include report of the 12th- year of the Jewish Publication Society of America, 1890-1900- (issued also separately in some years); issues for 1908/1909- include Report of the American Jewish Committee for 1906/1908- (issued also separately in some years); issues for include American Jewish Committee. Proceedings of the annual meeting.




A Companion to Nineteenth-Century Art


Book Description

A comprehensive review of art in the first truly modern century A Companion to Nineteenth-Century Art contains contributions from an international panel of noted experts to offer a broad overview of both national and transnational developments, as well as new and innovative investigations of individual art works, artists, and issues. The text puts to rest the skewed perception of nineteenth-century art as primarily Paris-centric by including major developments beyond the French borders. The contributors present a more holistic and nuanced understanding of the art world during this first modern century. In addition to highlighting particular national identities of artists, A Companion to Nineteenth-Century Art also puts the focus on other aspects of identity including individual, ethnic, gender, and religious. The text explores a wealth of relevant topics such as: the challenges the artists faced; how artists learned their craft and how they met clients; the circumstances that affected artist’s choices and the opportunities they encountered; and where the public and critics experienced art. This important text: Offers a comprehensive review of nineteenth-century art that covers the most pressing issues and significant artists of the era Covers a wealth of important topics such as: ethnic and gender identity, certain general trends in the nineteenth century, an overview of the art market during the period, and much more Presents novel and valuable insights into familiar works and their artists Written for students of art history and those studying the history of the nineteenth century, A Companion to Nineteenth-Century Art offers a comprehensive review of the first modern era art with contributions from noted experts in the field.




Jewish Religious Music in Nineteenth-Century America


Book Description

This study of synagogue music in the United States in the second half of the nineteenth century “sets a high standard for historical musicology” (Musica Judaica). In Jewish Religious Music in Nineteenth-Century America: Restoring the Synagogue Soundtrack, Judah M. Cohen demonstrates that Jews constructed a robust religious musical conversation in the United States during the mid- to late-nineteenth century. While previous studies of American Jewish music history have looked to Europe as a source of innovation during this time, Cohen’s careful analysis of primary archival sources tells a different story. Far from seeing a fallow musical landscape, Cohen finds that Central European Jews in the United States spearheaded a major revision of the sounds and traditions of synagogue music during this period of rapid liturgical change. Focusing on the influences of both individuals and texts, Cohen demonstrates how American Jewish musicians sought to balance artistry and group singing, rather than “progressing” from solo chant to choir and organ. Congregations shifted between musical genres and practices during this period in response to such factors as finances, personnel, and communal cohesiveness. Cohen concludes that the “soundtrack” of nineteenth-century Jewish American music heavily shapes how we look at Jewish American music and life in the first part of the twenty-first century, arguing that how we see, and especially hear, history plays a key role in our understanding of the contemporary world around us. Supplemented with an interactive website that includes the primary source materials, recordings of the music discussed, and a map that highlights the movement of key individuals, Cohen’s research defines more clearly the sound of nineteenth-century American Jewry.




Religious Bodies: 1906


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Religious Bodies


Book Description




Religious Bodies, 1916


Book Description