The Instruments of Battle


Book Description

“The hitherto forgotten story of the development of the regimental band, mainly drummers and buglers. A rare piece of social history” (Books Monthly). The Instruments of Battle examines in detail the development and role of the British Army’s fighting drummers and buglers, from the time of the foundation of the army up to the present day. While their principal weapon of war was the drum and bugle—and the fife—these men and boys were not musicians as such, but fighting soldiers who took their place in the front line. The origins of the drum and bugle in the classical period and the later influence of Islamic armies are examined, leading to the arrival of the drum and fife in early Tudor England. The story proper picks up post-English Civil War. The drum’s period of supremacy through much of the eighteenth-century army is surveyed, and certain myths as to its use are dispelled. The bugle rapidly superseded the drum for field use in the nineteenth century—until developments on the battlefield consigned these instruments largely to barrack life and the parade ground. But there are surprising examples of the use of the bugle in the field through both world wars as the story is brought up to modern day and the instruments’ relegation to an almost exclusively ceremonial role. This is all set against a background of campaigns, battles, changing tactical methods, and the difficult processes of command and control on the battlefield. Interwoven is relevant comparison with other armies, particularly American and French. Stories of the drummers and buglers themselves provide social context to their place in the army.




The Verdict of Battle


Book Description

Today, war is considered a last resort for resolving disagreements. But a day of staged slaughter on the battlefield was once seen as a legitimate means of settling political disputes. James Whitman argues that pitched battle was essentially a trial with a lawful verdict. And when this contained form of battle ceased to exist, the law of victory gave way to the rule of unbridled force. The Verdict of Battle explains why the ritualized violence of the past was more effective than modern warfare in bringing carnage to an end, and why humanitarian laws that cling to a notion of war as evil have led to longer, more barbaric conflicts. Belief that sovereigns could, by rights, wage war for profit made the eighteenth century battle’s golden age. A pitched battle was understood as a kind of legal proceeding in which both sides agreed to be bound by the result. To the victor went the spoils, including the fate of kingdoms. But with the nineteenth-century decline of monarchical legitimacy and the rise of republican sentiment, the public no longer accepted the verdict of pitched battles. Ideology rather than politics became war’s just cause. And because modern humanitarian law provided no means for declaring a victor or dispensing spoils at the end of battle, the violence of war dragged on. The most dangerous wars, Whitman asserts in this iconoclastic tour de force, are the lawless wars we wage today to remake the world in the name of higher moral imperatives.




On War


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Toward Combined Arms Warfare


Book Description




The Battle for Control of the Brass and Instruments Business in the French Industrial Revolution


Book Description

The Battle for Control of the Brass and Instruments Business in the French Industrial Revolution narrates and analyzes the largest judicial battle in culture and industrial property in nineteenth century Europe, the echoes of which still ring today. The battle was about simple wind instruments made of brass and their related patents, not by opera - the musical genre that moved the most money and people at the time - or the revered and contentious high art. Music, in all its dimensions, had become a business. The nineteenth-century French industry of brasswinds shows how the strategic parameters of the Industrial Revolution and, essentially, the system that sustained them (capitalism), permeated everything. What lay behind those contentious disputes was the pursuit of commercial profit, and the consolidation of a dominant position that would yield the maximum possible economic return. The legal confrontation began when a group of French businessmen who built wind instruments saw their business and sources of financing threatened after being forced by the Army to use a series of musical instruments that were different to the usual ones and protected by patents for invention that belonged to Adolphe Sax, the inventor of the saxophone. Diago Ortega provides evidence of how political power was used by economic power, and presents arguments on how culture articulated the social machinery and was a powerful tool for legitimizing political positions.




Instruments of Darkness


Book Description

Previous ed.: London: Macdonald & Jane's, 1977.




Battle Hymns


Book Description

Battle Hymns







The Battle of Jutland


Book Description

A major new account of the Battle of Jutland based on contemporary sources, examining the influence of technology, tactics and leadership.




Above the Battle


Book Description

In April 1943, a young officer arrived at Penshurst to join ‘C’ Flight, 653 Squadron. He was no ordinary pilot and this was no ordinary RAF outfit. Lyell Munro was a soldier and 653 was an Air Observation Post Squadron whose pilots were Royal Artillery and whose ground crew were RAF. AOP pilots were expert gunners, skilled flyers and incurable rule breakers. Flying from airstrips just behind the front lines, without armament and often with no parachute, they controlled the fire of hundreds of guns and their enemies learnt to dread the sight of the little green Austers in the skies above the battlefield. An incautious movement, a puff of smoke or a chance flash of reflected sunlight could bring tons of high explosives raining down. They flew alone without ground control, scanning the skies constantly while they directed the guns. Closing at over 250mph, an attacking ME 109 left no time for indecision. Reactions had to be instinctive and evasive action instant. Failure was fatal. After the War ended, the survivors went back into civilian life and few histories mention them or what they did. Lyell’s is one of only two personal accounts that are known to exist and it is likely that there will be no more. Written for his family and his comrades in ‘C’ Flight it is a story told without heroics, but with a deep affection for the men with whom he flew and worked.