The Islamic Villa in Early Medieval Iberia


Book Description

Case study of Córdoban aristocratic estates during the Umayyad dynastic period (756-1031), synthesizing archaeological evidence unearthed from the 1980s up to 2009 with extant works of Andalusi art and architecture as well as evidence from medieval Arabic texts; incorporating material and insights from the fields of agricultural, economic, social and political history; and offering a fuller picture of secular architecture and social history in the caliphal lands and the Mediterranean.




The Islamic Villa in Early Medieval Iberia


Book Description

Exploring the aristocratic villas and court culture of C?ba, during its 'golden age' under the reign of the Umayyad dynasty (r. 756-1031 AD), this study illuminates a key facet of the secular architecture of the court and its relationship to the well-known Umayyad luxury arts. Based on textual and archaeological evidence, it offers a detailed analysis of the estates' architecture and gardens within a synthetic socio-historical framework. Author Glaire Anderson focuses closely on the C?ban case study, synthesizing the archaeological evidence for the villas that has been unearthed from the 1980s up to 2009, with extant works of Andalusi art and architecture, as well as evidence from the Arabic texts. While the author brings her expertise on medieval Islamic architecture, art, and urbanism to the topic, the book contributes to wider art historical discourse as well: it is also a synthetic project that incorporates material and insights from experts in other fields (agricultural, economic, and social and political history). In this way, it offers a fuller picture of the topic and its relevance to Andalusi architecture and art, and to broader issues of architecture and social history in the caliphal lands and the Mediterranean. An important contribution of the book is that it illuminates the social history of the C?ban villas, drawing on the medieval Arabic texts to explain patterns of patronage among the court elite. An overarching theme of the book is that the C?ban estates fit within the larger historical constellation of Mediterranean villas and villa cultures, in contrast to long-standing art historical discourse that holds villas did not exist in the medieval period.







Islamic Palace Architecture in the Western Mediterranean


Book Description

This book offers a comprehensive and up-to-date overview of Islamic palace architecture in Spain, Morocco, Algeria, Tunisia, and southern Italy, presenting all known palace buildings in ground plans, sections and individual descriptions. The author traces their evolution from the 8th to the 19th century and places them within the context of the history of Islamic culture.




Revisiting Al-Andalus


Book Description

Revisiting al-Andalus brings together a range of new approaches to the material culture of Islamic Iberia, highlighting especially new directions in Anglo-American scholarship in this field since the influential exhibition in 1992, Al-Andalus: the Art of Islamic Spain.




Reassessing the Roles of Women as 'Makers' of Medieval Art and Architecture (2 Vol. Set)


Book Description

The twenty-four studies in this volume propose a new approach to framing the debate around the history of medieval art and architecture to highlight the multiple roles played by women, moving beyond today's standard division of artist from patron.




The Iberian Peninsula Between 300 and 850


Book Description

The first work to address the end of Roman Hispania and the emergence of Medieval Spain from a principally archaeological perspective




Conflict and Collaboration in Medieval Iberia


Book Description

Studies of conflict in medieval history and related disciplines have recently come to focus on wars, feuds, rebellions, and other violent matters. While those issues are present here, to form a backdrop, this volume brings other forms of conflict in this period to the fore. With these assembled essays on conflict and collaboration in the Iberian Peninsula, it provides an insight into key aspects of the historical experience of the Iberian kingdoms during the Middle Ages. Ranging in focus from the fall of the Visigothic kingdom and the arrival of significant numbers of Berber settlers to the functioning of the Spanish Inquisition right at the end of the Middle Ages, the articles gathered here look both at cross-ethnic and interreligious meetings in hostility or fruitful cohabitation. The book does not, however, forget intra-communal relations, and consideration is given to the mechanisms within religious and ethnic groupings by which conflict was channeled and, occasionally, collaboration could ensue.




Mudejarismo and Moorish Revival in Europe


Book Description

Mudejarismo and Moorish Revival in Europe offers a critical examination of the reception of Ibero-Islamic architecture in medieval Iberia and 19th-century Europe. Taking selected case studies as a starting point, the volume challenges prevalent readings of interconnected cultural and artistic phenomena.




A Companion to Islamic Art and Architecture


Book Description

The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field. This two-volume Companion showcases more than 50 specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeur Essays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments during the 1400-year span The Companion represents recent developments in the field, and encourages future horizons by commissioning innovative essays that provide fresh perspectives on canonical subjects, such as early Islamic art, sacred spaces, palaces, urbanism, ornament, arts of the book, and the portable arts while introducing others that have been previously neglected, including unexplored geographies and periods, transregional connectivities, talismans and magic, consumption and networks of portability, museums and collecting, and contemporary art worlds; the essays entail strong comparative and historiographic dimensions The volumes are accompanied by a map, and each subsection is preceded by a brief outline of the main cultural and historical developments during the period in question The volumes include periods and regions typically excluded from survey books including modern and contemporary art-architecture; China, Indonesia, Sub-Saharan Africa, Sicily, the New World (Americas)