The Killing Trap


Book Description

The Killing Trap seeks to understand both the occurrence and magnitude of genocide, based on the conviction that such comparative analysis may contribute towards prevention of genocide in the future. Manus Midlarsky compares socio-economic circumstances and international contexts and includes in his analysis the Jews of Europe, Armenians in the Ottoman Empire, Tutsi in Rwanda, black Africans in Darfur, Cambodians, Bosnians, and the victims of conflict in Ireland. He gives equal emphasis to the non-occurrence of genocide, a critical element not found in other comparisons.




The Killing Trap


Book Description

The Killing Trap offers a comparative analysis of the genocides, politicides and ethnic cleansings of the twentieth century, which are estimated to have cost upwards of forty million lives. The book seeks to understand both the occurrence and magnitude of genocide, based on the conviction that such comparative analysis may contribute towards prevention of genocide in the future. Manus Midlarsky compares socio-economic circumstances and international contexts and includes in his analysis the Jews of Europe, Armenians in the Ottoman Empire, Tutsi in Rwanda, black Africans in Darfur, Cambodians, Bosnians, and the victims of conflict in Ireland. The occurrence of genocide is explained by means of a framework that gives equal emphasis to the non-occurrence of genocide, a critical element not found in other comparisons, and victims are given a prominence equal to that of perpetrators in understanding the magnitude of genocide.




The Trap


Book Description

A twisted debut thriller about a reclusive author who sets the perfect trap for her sister's murderer—but is he really the killer? The renowned author Linda Conrads is famous for more than just her bestselling novels. For over eleven years, she has mystified fans by never setting foot outside her home. Far-fetched, sometimes sinister rumors surround the shut-in writer, but they pale in comparison to the chilling truth: Linda is haunted by the unsolved murder of her younger sister, whom she discovered in a pool of blood twelve years ago, and by the face of the man she saw fleeing the scene. Now plagued by panic attacks, Linda copes with debilitating anxiety by secluding herself in her house, her last safe haven. But the sanctity of this refuge is shattered when her sister's murderer appears again--this time on her television screen. Empowered with sudden knowledge but hobbled by years of isolation, Linda resolves to use her only means of communication with the outside world--the plot of her next novel--to lay an irresistible trap for the man. But as the plan is set in motion and the past comes rushing back, Linda's memories of that traumatic night--and her very sanity--are called into question. Is this man really a heartless killer or merely a helpless victim?




A Trap for Cinderella


Book Description




The Death Traps of FX-31


Book Description

Commander John Hanson recalls his harrowing expedition among the giant spiders of FX-31.ExcerptI do not wish to appear prejudiced against scientists. I am not prejudiced, but I have observed the scientific mind in action, on a great many occasions, and I find it rather incomprehensible.It is true that there are men with a scientific turn of mind who, at the same time, you can feel safe to stand with shoulder to shoulder, in an emergency. Young Hendricks, who was my junior officer on the Ertak, back in those early days of the Special Patrol Service, about which I have written so much, was one of these.Nor, now that I come to think of the matter in the cool and impartial manner which is typical of me, was young Hendricks the only one. There was a chap--let's see, now. I remember his face very well; he was one of those dark, wiry, alert men, a native of Earth, and his name was--Inverness! Carlos Inverness. Old John Hanson's memory isn't quite as tricky as some of these smart young officers of the Service, so newly commissioned that the silver braid is not yet fitted to the curve of their sleeves, would lead one to believe.I met Inverness in the ante-room of the Chief of Command. The Chief was tied up in one of the long-winded meetings which the Silver-sleeves devoted largely to the making of new rules and regulations for the confusion of both men and officers of the Service, but he came out long enough to give me the Ertak's orders in person."Glad to see you here at Base again, Commander," he said, in his crisp, business-like way. "Hear some good reports of your work; keep it up!""Thank you, sir," I said, wondering what was in the air. Any time the Chief was complimentary, it was well to look out for squalls--which is an old Earth term for unexpected trouble."Not at all, Commander, not at all. And now, let me present Carlos Inverness, the scientist, of whom you have undoubtedly heard."I bowed and said nothing, but we shook hands after the fashion of Earth, and Inverness smiled quite humanly."I imagine the good captain has been too busy to follow the activities of such as myself," he said, sensibly enough."A commander"--and I laid enough emphasis on the title to point out to him his error in terminology--"in the Special Patrol Service usually finds plenty to occupy his mind," I commented, wondering more than ever what was up.




Theatres of Violence


Book Description

Massacres and mass killings have always marked if not shaped the history of the world and as such are subjects of increasing interest among historians. The premise underlying this collection is that massacres were an integral, if not accepted part (until quite recently) of warfare, and that they were often fundamental to the colonizing process in the early modern and modern worlds. Making a deliberate distinction between 'massacre' and 'genocide', the editors call for an entirely separate and new subject under the rubric of 'Massacre Studies', dealing with mass killings that are not genocidal in intent. This volume offers a reflection on the nature of mass killings and extreme violence across regions and across centuries, and brings together a wide range of approaches and case studies.




The Empty Trap


Book Description

The Empty Trap, one of many classic novels from crime writer John D. MacDonald, the beloved author of Cape Fear and the Travis McGee series, is now available as an eBook. Lloyd Wescott is a big boy, and he understands that big money doesn’t smell like roses. When he’s hired to build and run the Green Oasis resort, he dosn’t know too much about the pedigree of its owner—and he doesn’t want to. He won’t ask any questions. Just as long as the place is legit and he can run it clean as a whistle. But when trouble checks in, skimming from the casino’s tills is the least of Lloyd’s concerns. The quiet elegance of the hotel lobby turns out to be crawling with contract guns. And after one look from a beautiful woman, Lloyd realizes that he’s about to get some hard answers to the questions he never asked. Features a new Introduction by Dean Koontz Praise for John D. MacDonald “The great entertainer of our age, and a mesmerizing storyteller.”—Stephen King “My favorite novelist of all time.”—Dean Koontz “To diggers a thousand years from now, the works of John D. MacDonald would be a treasure on the order of the tomb of Tutankhamen.”—Kurt Vonnegut “A master storyteller, a masterful suspense writer . . . John D. MacDonald is a shining example for all of us in the field. Talk about the best.”—Mary Higgins Clark




ARS


Book Description




ARS-20


Book Description