Conscience and Compromise


Book Description

The Scottish Episcopal Church in the nineteenth century was dominated by High Churchmen. But by around 1820 Evangelical clergy began to take up posts within its fold, particularly in the major Scottish cities, holiday centers, and in places where wealthy patrons could supply funds necessary to sustain a church. The Evangelical newcomers reached a numerical peak from 1842 to 1854 when they accounted for around one in seven of all Episcopal clergy in Scotland. They provided some of the most active and vibrant ministries in the country, notable for their work among the poor and in Sabbatarian, temperance, and missionary endeavors. At the same time their private lives were marked by an attractiveness that belied some contemporary critics of Evangelicalism. However, many Evangelicals did not find the Scottish Episcopal Church to be their natural home. Disputes with High Churchmen arose in the 1820s concerning particularly the doctrine of conversion and were to continue for the rest of the century. When D. T. K. Drummond was censured in 1842 by Bishop C. H. Terrot of Edinburgh for holding evangelistic meetings in the city, he and a large part of his congregation left the Scottish Episcopal Church and founded St. Thomas's Church, loyal to the Church of England. When, subsequently, Drummond found that he had serious doctrinal scruples concerning the Scottish Communion office, the official liturgy of the Scottish Episcopal Church, others joined his English Episcopal movement which was represented by ninety-one clergy serving twenty-four churches up to 1900. After years of agitation the Scottish Episcopal Church altered its canon law in 1890 to accommodate Evangelical concerns. Some English Episcopalians accepted the compromise but for some others the terms were still not satisfactorily watertight and as a matter of conscience they chose to remain apart.




Anglicans and Orthodox


Book Description

The story of the early Episcopal-Orthodox encounter.










Gaelic Cape Breton Step-Dancing


Book Description

The step-dancing of the Scotch Gaels in Nova Scotia is the last living example of a form of dance that waned following the great emigrations to Canada that ended in 1845. The Scotch Gael has been reported as loving dance, but step-dancing in Scotland had all but disappeared by 1945. One must look to Gaelic Nova Scotia, Cape Breton, and Antigonish County, to find this tradition. Gaelic Cape Breton Step-Dancing, the first study of its kind, gives this art form and the people and culture associated with it the prominence they have long deserved. Gaelic Scotland’s cultural record is by and large pre-literate, and references to dance have had to be sought in Gaelic songs, many of which were transcribed on paper by those who knew their culture might be lost with the decline of their language. The improved Scottish culture depended proudly on the teaching of dancing and the literate learning and transmission of music in accompaniment. Relying on fieldwork in Nova Scotia, and on mentions of dance in Gaelic song and verse in Scotland and Nova Scotia, John Gibson traces the historical roots of step-dancing, particularly the older forms of dancing originating in the Gaelic–speaking Scottish Highlands. He also places the current tradition as a development and part of the much larger British and European percussive dance tradition. With insight collected through written sources, tales, songs, manuscripts, book references, interviews, and conversations, Gaelic Cape Breton Step-Dancing brings an important aspect of Gaelic history to the forefront of cultural debate.