The Literatures of the Soviet Peoples


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Literature of the Peoples of the USSR


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Literature of the Peoples of the USSR


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Soviet Culture and Power


Book Description

Leaders of the Soviet Union, Stalin chief among them, well understood the power of art, and their response was to attempt to control and direct it in every way possible. This book examines Soviet cultural politics from the Revolution to Stalin’s death in 1953. Drawing on a wealth of newly released documents from the archives of the former Soviet Union, the book provides remarkable insight on relations between Gorky, Pasternak, Babel, Meyerhold, Shostakovich, Eisenstein, and many other intellectuals, and the Soviet leadership. Stalin’s role in directing these relations, and his literary judgments and personal biases, will astonish many. The documents presented in this volume reflect the progression of Party control in the arts. They include decisions of the Politburo, Stalin’s correspondence with individual intellectuals, his responses to particular plays, novels, and movie scripts, petitions to leaders from intellectuals, and secret police reports on intellectuals under surveillance. Introductions, explanatory materials, and a biographical index accompany the documents.




The Soviet Union and Eastern Europe


Book Description

Intended to aid librarians in small- and medium-sized libraries and media centers, this annotated bibliography lists 1,555 books focusing on the Soviet Union and Eastern Europe. The book is divided into four parts: (1) "General and Interrelated Themes--Union of the Soviet Socialist Republics and Eastern European Countries"; (2) "Russian Empire Prior to 1917 and the USSR"; (3) "USSR--Non-Russian Republics, Jews, Other Peoples"; and (4) "Eastern European Countries." Each part is arranged by subject, with priority given to general studies, followed by special studies sections where appropriate. Titles in Part 1 focus on economics; government and law; political theory and communism; international relations; history; language and literature; dissent, nationalism, and religion; sociology and social conditions; and military affairs. Titles in Part 2 deal with anthropology and folklore; the arts, fine arts, and architecture; economics; education and culture; geography, demography, and population; government, state, and politics; diplomacy and foreign relations; history; military affairs; Russian language; Russian literature; philosophy and political theory; psychology and psychiatry; religion; science and research; and sociology. Part 3 presents titles related to the Baltic Republics; Belorussia; Ukraine; Caucasian Republics and peoples; Central Asian Republics and peoples; Jews; Moldavians; Germans and Tartars; and the peoples of Siberia and the Volga Basin. The last part focuses on Albania; Bulgaria; Czechoslovakia; Hungary; Poland; Romania; Yugoslavia; National minorities and dissent; and language and literature. (LH)




Nervous People, and Other Satires


Book Description

Among the most popular writers of the early Soviet period was the satirist Mikhail Zoshchenko, whose career spanned nearly four decades and who was as beloved by ordinary people as he was admired by the elite. His most popular pieces, often appearing in newspapers, were "short-short stories" written in a slangy, colloquial style. Typical targets of his satire are the Soviet bureaucracy, crowded conditions in communal apartments, marital infidelities and the rapid turnover in marriage partners, and what a disdainful Soviet judge in one of the sketches dismisses as "the petty-bourgeois mode of life, with its adulterous episodes, lying, and similar nonsense." Farcical complications, satiric understatement, humorous anachronisms, and an ironic contrast between high-flown sentiments and the down-to-earth reality of mercenary instincts were his favorite devices. Zoshchenko had an uncanny knack for eluding Soviet censorship (one of the sketches even touches humorously on the dangerous topic of party purges) and his work as a result offers us a marvelous window on life in Russia during the twenties and thirties.




A Mountain of Gems - Fairy-Tales of the Peoples of the Soviet Land - Illustrated by V. Minayev


Book Description

Open the book, and you will find yourselves in a world of magic. None of your old friends will be there -neither Jack the Giant Killer, nor Little Red Riding Hood, nor Cinderella or any of the others. Instead, together with Ivan the Peasant’s Son you will cross swords with Chudo-Yudo, the fire-breathing monster; follow Pokati-Goroshek the Rolling Pea into the underground kingdom and return from there on the back of an eagle; marvel at the cleverness of Zarniyar who outwitted the sly and cruel Shah; be filled with admiration at Boroldoi-Mergen, the brave hunter of the Altai Mountains who risked the life of his own son in order to save his people; delight in the resourcefulness of a simple weaver who surpassed in wisdom the wisest councillors of the tsar. A Mountain of Gems – Fairy-Tales of the Peoples of the Soviet Land – Illustrated by Vladimir Minayev is a collection of many fairy tales rendered into English from Russia, The Ukraine, Lithuania, Latvia, Estonia and Chukchi. The Soviet Union was a huge country, the largest in the world. Its neighbors were Alaska in the East and Scandinavia in the West. In the south it stretched as far as the Caucasus and Pamir mountain ranges, and in the North reached out into the Arctic Ocean. And each of the peoples of the former Soviet Union has its own fairytales. Pook Press celebrates the great 'Golden Age of Illustration' in children's classics and fairy tales - a period of unparalleled excellence in book illustration. We publish rare and vintage Golden Age illustrated books, in high-quality colour editions, so that the masterful artwork and story-telling can continue to delight both young and old.




Socialist Realism in Central and Eastern European Literatures under Stalin


Book Description

Socialist Realism in Central and Eastern European Literatures' is the first published work to offer a variety of alternative perspectives on the literary and cultural Sovietization of Central and Eastern Europe after World War II and emphasize the dialogic relationship between the ‘centre’ and the ‘satellites’ instead of the traditional top-down approach. The introduction of the Soviet cultural model was not quite the smooth endeavour that it was made to look in retrospect; rather, it was always a work in progress, often born out of a give-andtake with the local authorities, intellectuals and interest groups. Relying on archival resources, the authors examine one of the most controversial attempts at a cultural unification in Europe by providing an overview with a focus on specific case-studies, an analysis of distinct particularities with attention to the patterns of negotiation and adaptation that were being developed in the process.