No Kids Allowed


Book Description

Children's literature isn't just for children anymore. This original study explores the varied forms and roles of children's literature—when it's written for adults. What do Adam Mansbach's Go the F**k to Sleep and Barbara Park's MA! There's Nothing to Do Here! have in common? These large-format picture books are decidedly intended for parents rather than children. In No Kids Allowed, Michelle Ann Abate examines a constellation of books that form a paradoxical new genre: children's literature for adults. Distinguishing these books from YA and middle-grade fiction that appeals to adult readers, Abate argues that there is something unique about this phenomenon. Principally defined by its form and audience, children's literature, Abate demonstrates, engages with more than mere nostalgia when recast for grown-up readers. Abate examines how board books, coloring books, bedtime stories, and series detective fiction written and published specifically for adults question the boundaries of genre and challenge the assumption that adulthood and childhood are mutually exclusive.




The Littlest God


Book Description

Reuben Ortozo is four feet two inches tall, but he doesn't let that stop him. The appellate courtroom that he presides in sells decisions as if they had been placed on an online auction site. The California Supreme Court has to review enough of the bought decisions, and the corruption becomes obvious. The judges don't want to turn the appellate division in because they upheld many of the decisions. The Chief Judge connives to force an honest judge off the bench after planting the idea of nominating Reuben Ortotzo in the mind of California's governor, Brian Bryan. After being seated on the court it becomes apparent that Reuben is still doing business with his former collegues, and becoming a sore spot for his fellow colleagues who now feel a need to protect him, so that they can protect the court's reputation. The Chief Justice attempts to persuade Reuben to change his ways, but Reuben reminds him that the court protects their own, and he's one of their own. With no alternatives the court finds Reuben Ortotzo guilty in absentia, and sentences him to death with special circumstances. They hire a hit man to carry out the sentence.




The Littlest Bitch


Book Description

Watch out! Here comes Isabel, the ultimate bad seed. The Littlest Bitch is the debut volume in the Not-for-Children Children s Books series. Little Isabel is not quite what she seems think of a ruthless CEO trapped in a five-year-old s body. Forget Tiddleywinks. Isabel s idea of fun is giving Performance Reviews to her family and planning to overtake a multinational conglomerate. This fully illustrated book is a deliciously funny look at what happens when Isabel decides to claw and crawl her way to the top of the corporate ladder. This is a graphic novel that has the edge and noir quality of Edward Gorey or Charles Addams. Like all good children s stories for adults, this one is a cautionary tale with a moral If you dream of swimming with sharks you might just get eaten alive.




The Littlest Gun


Book Description

Janice McCord is fourteen years old when the five Kraymon brothers ride in and shoot down her parents and her twin brother Jack. She takes up Jack's name and her father's .45 to blaze a trail of revenge across the Territory of New Mexico.




Catalog of Copyright Entries


Book Description




Almost Somewhere


Book Description

This updated edition of a month-long backcountry trip on the John Muir Trail is part memoir, part nature writing, and part travelogue.




The Colors of Crayon


Book Description

The information about the book is not available as of this time.




The Western Review


Book Description




Picturing the Wolf in Children's Literature


Book Description

From the villainous beast of “Little Red Riding Hood” and “The Three Little Pigs,” to the nurturing wolves of Romulus and Remus and Rudyard Kipling’s The Jungle Book, the wolf has long been a part of the landscape of children’s literature. Meanwhile, since the 1960s and the popularization of scientific research on these animals, children’s books have begun to feature more nuanced views. In Picturing the Wolf in Children’s Literature, Mitts-Smith analyzes visual images of the wolf in children’s books published in Western Europe and North America from 1500 to the present. In particular, she considers how wolves are depicted in and across particular works, the values and attitudes that inform these depictions, and how the concept of the wolf has changed over time. What she discovers is that illustrations and photos in works for children impart social, cultural, and scientific information not only about wolves, but also about humans and human behavior. First encountered in childhood, picture books act as a training ground where the young learn both how to decode the “symbolic” wolf across various contexts and how to make sense of “real” wolves. Mitts-Smith studies sources including myths, legends, fables, folk and fairy tales, fractured tales, fictional stories, and nonfiction, highlighting those instances in which images play a major role, including illustrated anthologies, chapbooks, picture books, and informational books. This book will be of interest to children’s literature scholars, as well as those interested in the figure of the wolf and how it has been informed over time.




Home and Beyond


Book Description

“A bountiful smorgasbord of classic and lesser known stories by accomplished Kentucky writers who provide a feast for readers of modern short fiction.” —Ann Charters, author of The Story and Its Writer With an introduction by Wade Hall Morris Grubbs has sifted through vintage classics, little-known gems, and stunning debuts to assemble this collection of forty stories by popular and critically acclaimed writers. In subtle and profound ways, they challenge and overturn accepted stereotypes about the land their authors call home, whether by birth or by choice. Kentucky writers have produced some of the finest short stories published in the last fifty years, much of which focuses on the tension between the comforts of community and the siren-like lure of the outside world. Arranged chronologically, from Robert Penn Warren’s “Blackberry Winter” to Crystal E. Wilkinson’s “Humming Back Yesterday,” these stories are linked by their juxtaposition of departures and returns, the familiar and the unknown, home and beyond. “The story of the Commonwealth of Kentucky is told and retold by a mixed but balanced chorus of voices that sings like the wind down the ridges and along the creekbeds.” —Appalachian Journal “Readers needn’t be from Kentucky to appreciate these stories . . . Prepare to be wowed by these superior examples of the form.” —The Bloomsbury Review “From Robert Penn Warren to Bobbie Ann Mason, Kentucky hatches writers like other states create tourist traps.” —The Nashville Tennessean “If you love Kentucky authors, this anthology of short stories is a must for your Kentucky collection.” —Bourbon Times




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