Manx Fairy Tales


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Sophia Morrison (1859 - 1917) was a Manx cultural activist, folklore collector and author. Through her own work and through her role in encouraging and enthusing others, she is considered to be one of the key figures of the Manx cultural revival. 'Manx Fairy Tales' was first published in 1911. "There is at least one spot in the world where Fairies are still believed in, and where, if you look in the right places, they may still be found, and that is the little island from which these stories come - Ellan Vannin, the Isle of Mann. But I have used a word which should not be mentioned here -they are never called Fairies by the Manx, but Themselves, or the Little People, or the Little Fellows, or the Little Ones, or some times even the Lil' Boys. These Little People are not the tiny creatures with wings who flutter about in many English Fairy tales, but they are small persons from two to three feet in height, otherwise very like mortals. They wear red caps and green jackets and axe very fond of hunting indeed they are most often seen on horseback followed by packs of little hounds of all the colours of the rainbow. They are rather inclined to be mischievous and spiteful, and that is why they are called by such good names, in case they should be listening!" "Besides these red-capped Little Fellows there are other more alarming folk. There is the Fynoderee, who is large, ugly, hairy and enormously strong, but not so bad as he looks, for often he helps on the farm during the night by thrashing corn. He does not like to be seen, so if a farmer wants work done by him, he must take care to keep out of the Fynoderee's way. Then, far uglier than Fynoderee, are the Bugganes, who are horrible and cruel creatures. They can appear in any shape they please - as ogres with huge heads and great fiery eyes, or without any heads at all; as small dogs who grow larger and larger as you watch them until they are larger than elephants, when perhaps they turn into the shape of men or disappear into nothing; as homed monsters or anything they choose. Each Buggane has his own particular dwelling place-a dark sea-cave, a lonely hill, or a ruined Keeill, or Church. There are many others too, but these are the chief."




The Manx Witch


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Modern Wicca


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An insider's look at the history of Witchcraft The evolution of Wicca is as dynamic and colorful as the Witches who helped shape it. One of the most enigmatic and progressive practitioners of his time, Gerald Gardner was arguably the most instrumental Witch in spreading the Craft around the world. Drawing on his decades of personal involvement with Wicca, Michael Howard offers an intimate portrait of Gerald Gardner's life and traces the history and development of modern neo-pagan Witchcraft. Howard reveals little-known facts and stories surrounding the men and women who shaped Wicca over the past sixty years, including Aleister Crowley, Alex Sanders, and influential initiates such as Doreen Valiente. From the Museum of Magic and Witchcraft on the Isle of Man to the origins of the Book of Shadows, Modern Wicca tracks the expansion of Wicca as it spread from the United Kingdom to the United States and beyond-and takes you inside the political controversies, behind-the-scenes rivalries, and once-guarded secrets of pagan ritual, Wiccan spells, and the Craft of the Wise. Praise: "This is an extremely important book, representing an account of Wiccan history from somebody who has himself been a major actor in it."—Ronald Hutton, author of The Triumph of the Moon




The Manx Witch


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The Manx Witch - and other poems is an unchanged, high-quality reprint of the original edition of 1889. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.




The academy


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Publications


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A Witch's Guide to Faery Folk


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Now, for the first time, a book reclaims the lost, rich heritage of working with faery folk that our pagan ancestors took as a matter of course. Learn to work with and worship with faeries in a mutually beneficial way. Practice rituals and spells in which faeries can participate, and discover tips to help facilitate faery contact. Photos and illustrations.




Celtic Folklore: Welsh and Manx Vol.1 (of 2)


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The materials crowded into the earlier chapters mark out the stories connected with the fairies, whether of the lakes or of the dry land, as the richest lode to be exploited in the mine of Celtic folklore. That work is attempted in the later chapters; and the analysis of what may briefly be described as the fairy lore given in the earlier ones carries with it the means of forcing the conviction, that the complex group of ideas identified with the little people is of more origins than one; in other words, that it is drawn partly from history and fact, and partly from the world of imagination and myth. The latter element proves on examination to be inseparably connected with certain ancient beliefs in divinities and demons associated, for instance, with lakes, rivers, and floods. Accordingly, this aspect of fairy lore has been dealt with in chapters vi and vii: the former is devoted largely to the materials themselves, while the latter brings the argument to a conclusion as to the intimate connexion of the fairies with the water-world. Then comes the turn of the other kind of origin to be discussed, namely, that which postulates the historical existence of the fairies as a real race on which have been lavishly superinduced various impossible attributes. This opens up a considerable vista into the early ethnology of these islands, and it involves a variety of questions bearing on the fortunes here of other races. In the series which suggests itself the fairies come first as the oldest and lowest people: then comes that which I venture to call Pictish, possessed of a higher civilization and of warlike instincts. Next come the earlier Celts of the Goidelic branch, the traces, linguistic and other, of whose presence in Wales have demanded repeated notice; and last of all come the other Celts, the linguistic [xii]ancestors of the Welsh and all the other speakers of Brythonic. The development of these theses, as far as folklore supplies materials, occupies practically the remaining five chapters. Among the subsidiary questions raised may be instanced those of magic and the origin of druidism; not to mention a neglected aspect of the Arthurian legend, the intimate association of the Arthur of Welsh folklore and tradition with Snowdon, and Arthur’s attitude towards the Goidelic population in his time.




The Drama of Storytelling in T.E. Brown's Manx Yarns


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This study deals with the Manx poet T. E. Brown and his rustic persona in perhaps the most sustained dramatization of the trails and triumphs of storytelling in British poetry, Fo'c's'le Yarns.