The Mary Wigman Book


Book Description




The Language of Dance


Book Description

A noted German dancer and choreographer reveals the personal states of mind and soul that accompanied the creation of her major works




Liebe Hanya


Book Description

Mary Wigman's groundbreaking choreography and inspired performing in Germany during the 1910s and 1920s brought modern dance into dialogue with modern painting, theatre and film. This collection of vivid letters are a treasury of information about art, politics and the friendships of women.




Rhythmic Subjects


Book Description

Mary Wigman, Martha Graham & Merce Cunningham are key choreographers of the 20th & 21st centuries, whose rhythmic innovations challenge established norms of energy usage in their socio-cultural contexts, enabling their contemporaries to engage differently with dominant economies of energy.




Modern Dance, Negro Dance


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Two traditionally divided strains of American dance, Modern Dance and Negro Dance, are linked through photographs, reviews, film, and oral history, resulting in a unique view of the history of American dance.




The Makers of Modern Dance in Germany


Book Description

This is the story of three passionate choreographers and their colleagues who created European modern dance in the twentieth century despite the storms of war and oppression. It begins with Rudolf Laban, innovator and guiding force, and continues with the careers of his two most gifted and influential students, Mary Wigman and Kurt Jooss. Included are others who made significant contributions: Hanya Holm, Sigurd Leeder, Gret Palucca, Berthe Trumpy, Vera Skoronel, Yvonne Georgi and Harold Kreutzberg. The first book to weave together the connections among these extraordinary artists, The Makers of Modern Dance in Germany contains interviews, personal recollections and translations from German publications - all of which have never appeared before. Illustrated with archival photographs.




Schrifttanz


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Translations from German of articles published in Schrifttanz, late '20s and early '30s, accompanied by new editorial material.




New German Dance Studies


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Susan Manning is a professor of English, theater, and performance studies at Northwestern University and the author of Ecstasy and the Demon: The Dances of Mary Wigman. Book jacket.




The Routledge Companion to Performance Practitioners


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The Routledge Companion to Performance Practitioners collects the outstanding biographical and production overviews of key theatre practitioners first featured in the popular Routledge Performance Practitioners series of guidebooks. Each of the chapters is written by an expert on a particular figure, from Stanislavsky and Brecht to Laban and Decroux, and places their work in its social and historical context. Summaries and analyses of their key productions indicate how each practitioner's theoretical approaches to performance and the performer were manifested in practice. All 22 practitioners from the original series are represented, with this volume covering those born before the end of the First World War. This is the definitive first step for students, scholars and practitioners hoping to acquaint themselves with the leading names in performance, or deepen their knowledge of these seminal figures.




Modern Dance in France (1920-1970)


Book Description

It was indeed an adventure for those pioneers in France who struggled for the recognition of the new-born dance of the twentieth century - from the free dance of Isadora Duncan, through the absolute dance of Mary Wigman, to the modern dance of Martha Graham. Jacqueline Robinson has lived at the heart of this adventure, sharing the aspirations of a whole generation who often suffered from the lack of understanding of an establishment more inclined towards classical ballet. From the breaking of the soil in the twenties, to the flowering in the sixties, here is a chronicle of the changing landscape of French dance. Here is the story of those men and women, ploughmen and poets, rebels and visionaries - the recollection of those events that made it possible for dance as an art form in Western countries to rise again as a fundamental expression of the human spirit.