The Maya Apocalypse and Its Western Roots


Book Description

This fascinating history explores the cultural roots of our civilization’s obsession with the end of the world. Busting the myth of the ancient Maya prediction that time would end in 2012, Matthew Restall and Amara Solari build on their previous book, 2012 and the End of the World, to use the Maya case to connect such seemingly disparate historical events as medieval European millenarianism, Moctezuma’s welcome to Cortés, Franciscan missionizing in Mexico, prophetic traditions in Yucatan, and the growing belief today in conspiracies and apocalypses. In demystifying the 2012 phenomenon, the authors draw on their decades of scholarship to provide an accessible and engaging explanation of what Mayas and Aztecs really believed, how Judeo-Christian apocalypticism became part of the Indigenous Mesoamerican and modern American worlds, and why millions continue to anticipate an imminent Doomsday.




2012 and the End of the World


Book Description

Did the Maya really predict that the world would end in December of 2012? If not, how and why has 2012 millenarianism gained such popular appeal? In this deeply knowledgeable book, two leading historians of the Maya answer these questions in a succinct, readable, and accessible style. Matthew Restall and Amara Solari introduce, explain, and ultimately demystify the 2012 phenomenon. They begin by briefly examining the evidence for the prediction of the world's end in ancient Maya texts and images, analyzing precisely what Maya priests did and did not prophesize. The authors then convincingly show how 2012 millenarianism has roots far in time and place from Maya cultural traditions, but in those of medieval and Early Modern Western Europe. Revelatory any myth-busting, while remaining firmly grounded in historical fact, this fascinating book will be essential reading as the countdown to December 21, 2012, begins.




Aztec and Maya Apocalypses


Book Description

The Second Coming of Christ, the resurrection of the dead, the Final Judgment: the Apocalypse is central to Christianity and has evolved throughout Christianity’s long history. Thus, when ecclesiastics brought the Apocalypse to Indigenous audiences in the Americas, both groups adapted it further, reflecting new political and social circumstances. The religious texts in Aztec and Maya Apocalypses, many translated for the first time, provide an intriguing picture of this process—revealing the influence of European, Aztec, and Maya worldviews on portrayals of Doomsday by Spanish priests and Indigenous authors alike. The Apocalypse and Christian eschatology played an important role in the conversion of the Indigenous population and often appeared in the texts and sermons composed for their consumption. Through these writings from the sixteenth to the early nineteenth century—priests’ “official” texts and Indigenous authors’ rendering of them—Mark Z. Christensen traces Maya and Nahua influences, both stylistic and substantive, while documenting how extensively Old World content and meaning were absorbed into Indigenous texts. Visions of world endings and beginnings were not new to the Indigenous cultures of America. Christensen shows how and why certain formulations, such as the Fifteen Signs of Doomsday, found receptive audiences among the Maya and the Aztec, with religious ramifications extending to the present day. These translated texts provide the opportunity to see firsthand the negotiations that ecclesiastics and Indigenous people engaged in when composing their eschatological treatises. With their insights into how various ecclesiastics, Nahuas, and Mayas preached, and even understood, Catholicism, they offer a uniquely detailed, deeply informed perspective on the process of forming colonial religion.




Maya Christian Murals of Early Modern Yucatán


Book Description

"This multidisciplinary project studies religious murals that were painted by Christianized Maya artists in the first centuries after the conquest of Mexico. Solari and Williams study the paintings, all of which are based in the Yucatán Peninsula, from an art history perspective, along with the printed sources referencing the murals. At the same time, they examine the chemical signatures left by the murals' pigments and the techniques used in their production through state-of-the-art imaging technologies. By using these methodologies, the authors seek to explain the many ways in which cultural and material exchange took place between the Spanish and Maya peoples. At first glance, murals depicting Spanish ideals of Western Christianity would appear to be an obvious and frequent tool of oppression in the Yucatán, as they were elsewhere in the Americas, but they were also a form of agency for Indigenous people as a means to shape these narratives with their own subtle imagery and ideas drawn from Mayan cosmologies and cultural traditions. These painters used European pictorial techniques, such as perspective, while also using local materials to create vivid pigments and colors never before seen in murals in Europe. The authors seek to trace how the initial and continued use of these material sources to create these images led to a much more localized form of Catholicism that continues to be practiced by Mayan speakers today"--




The Friar and the Maya


Book Description

The Friar and the Maya offers a full study and new translation of the Relación de las Cosas de Yucatán (Account of the Things of Yucatan) by a unique set of eminent scholars, created by them over more than a decade from the original manuscript held by the Real Academia de la Historia in Madrid. This critical and careful reading of the Account is long overdue in Maya studies and will forever change how this seminal text is understood and used. For generations, scholars used (and misused) the Account as the sole eyewitness insight into an ancient civilization. It is credited to the sixteenth-century Spanish Franciscan, monastic inquisitor, and bishop Diego de Landa, whose legacy is complex and contested. His extensive writings on Maya culture and history were lost in the seventeenth century, save for the fragment that is the Account, discovered in the nineteenth century, and accorded near-biblical status in the twentieth as the first “ethnography” of the Maya. However, the Account is not authored by Landa alone; it is a compilation of excerpts, many from writings by other Spaniards—a significant revelation made here for the first time. This new translation accurately reflects the style and vocabulary of the original manuscript. It is augmented by a monograph—comprising an introductory chapter, seven essays, and hundreds of notes—that describes, explains, and analyzes the life and times of Diego de Landa, the Account, and the role it has played in the development of modern Maya studies. The Friar and the Maya is an innovative presentation on an important and previously misunderstood primary source.




Engaging Latino/a/x Theologies


Book Description

Sharon E. Heaney describes how the life-giving interruption of Latin American poets, novelists, artists, and theologians changed her life in a conflict-ridden Northern Ireland. An outsider, in this study she provides an engagement with a stream of theology in the United States she takes to be exemplary. Latino/a/x theology is teología en conjunto (collaborative theology). It models ways to examine complicated and contested histories and identities, and it resists dominant assumptions about theological points of departure in favor of also valuing the everyday as locus theologicus. Identifying major themes and foundational thinkers, alongside more recent developments, Heaney offers an overview and invites readers to further reading, study, and formation. Modelling what it esteems, each chapter closes in conversation with a Latino/a/x leader in the church. The conclusion is written by practical theologian, Altagracia Pérez-Bullard. She affirms, this “is not just an intellectual exercise, . . . this engagement . . . is the practice of our lives as we journey with God and as we journey with one another. . . . It is an exciting journey. It changes us.”




World History: Cultures, States, and Societies to 1500


Book Description

In 'World History: Cultures, States, and Societies to 1500', the editors have masterfully curated a comprehensive collection that traverses the vast terrains of human history up to the late Middle Ages. This anthology not only showcases the rich tapestry of civilizations and their interconnectedness but also highlights the diverse methodologies and narrative styles employed by historians to recount our collective past. From the intricate political structures of ancient empires to the nuanced social fabrics of medieval societies, the volume offers readers a panoramic view of humanitys foundational epochs, emphasizing the pivotal developments and transformative events that have shaped our world today. The contributing authors, Eugene Berger, George Israel, Charlotte Miller, Brian Parkinson, Andrew Reeves, and Nadejda Williams, bring a wealth of expertise and varied backgrounds to the exploration of historical narratives. Each contributors work is a testament to the vibrant scholarly discourse surrounding early world history, reflecting significant contributions to understanding the complex interplay between cultural, political, and societal forces. Their collective effort aligns with current historiographical movements that advocate for a more inclusive and interconnected perspective on world history, challenging traditional Eurocentric narratives. 'World History: Cultures, States, and Societies to 1500' is an essential read for those seeking to immerse themselves in the multifaceted story of humanitys beginnings. The anthology invites readers to venture beyond the confines of conventional history texts, offering a unique compilation that is as intellectually stimulating as it is enlightening. This collection is particularly recommended for enthusiasts and scholars alike who are eager to expand their understanding of world history through a kaleidoscope of scholarly insights and perspectives. It is a gateway to fostering a deeper appreciation for the complexities and nuances of how past societies have collectively paved the way for the contemporary world.




The Oxford Handbook of Apocalyptic Literature


Book Description

Apocalypticism arose in ancient Judaism in the last centuries BCE and played a crucial role in the rise of Christianity. It is not only of historical interest: there has been a growing awareness, especially since the 2001 terrorist attacks on the United States, of the prevalence of apocalyptic beliefs in the contemporary world. To understand these beliefs, it is necessary to appreciate their complex roots in the ancient world, and the multi-faceted character of the phenomenon of apocalypticism. The Oxford Handbook of Apocalyptic Literature is a thematic and phenomenological exploration of apocalypticism in the Judaic and Christian traditions. Most of the volume is devoted to the apocalyptic literature of antiquity. Essays explore the relationship between apocalypticism and prophecy, wisdom and mysticism; the social function of apocalypticism and its role as resistance literature; apocalyptic rhetoric from both historical and postmodern perspectives; and apocalyptic theology, focusing on phenomena of determinism and dualism and exploring apocalyptic theology's role in ancient Judaism, early Christianity, and Gnosticism. The final chapters of the volume are devoted to the appropriation of apocalypticism in the modern world, reviewing the role of apocalypticism in contemporary Judaism and Christianity, and more broadly in popular culture, addressing the increasingly studied relation between apocalypticism and violence, and discussing the relationship between apocalypticism and trauma, which speaks to the underlying causes of the popularity of apocalyptic beliefs. This volume will further the understanding of a vital religious phenomenon too often dismissed as alien and irrational by secular western society.




Irenaeus of Sirmium and His Story in the Medieval East and West


Book Description

Examines the three key markers of sanctity – cult, hagiography, feast day – together for the first time / The first book to explore an ‘unsuccessful’ saint in detail / Investigates the texts in all the languages in which they were written: Latin, Greek, Old Church Slavonic, Georgian, and Armenian / Includes original research of hagiographical manuscripts




Apocalyptic Fever


Book Description

How will the world end? Doomsday ideas in Western history have been both persistent and adaptable, peaking at various times, including in modern America. Public opinion polls indicate that a substantial number of Americans look for the return of Christ or some catastrophic event. The views expressed in these polls have been reinforced by the market process. Whether through purchasing paperbacks or watching television programs, millions of Americans have expressed an interest in end-time events. Americans have a tremendous appetite for prophecy, more than nearly any other people in the modern world. Why do Americans love doomsday?In Apocalyptic Fever, Richard Kyle attempts to answer this question, showing how dispensational premillennialism has been the driving force behind doomsday ideas. Yet while several chapters are devoted to this topic, this book covers much more. It surveys end-time views in modern America from a wide range of perspectives--dispensationalism, Catholicism, science, fringe religions, the occult, fiction, the year 2000, Islam, politics, the Mayan calendar, and more.