The Memory of Architecture in Edith Wharton’s Travel Writings


Book Description

Edith Wharton was not only the author of novels and short stories but also of drama, poetry, autobiography, interior decoration, and travel writing. This study focuses on Wharton’s symbolic representations of architecture in her travel writings. It shows how a network of allusions to travel writing and art history books influenced Wharton’s representations of architectural and natural spaces. The book demonstrates Wharton’s complex relationship to works of art historians (John Ruskin, Émile Mâle, Arthur C. Porter) and travel authors (Wolfgang Goethe, Henry Adams, Henry James) in the trajectory of her travel writing. Kovács surveys how the acknowledgment of Wharton’s sources sheds light both on the author’s model of aesthetic understanding and scenic architectural descriptions, and how the shock of the Great War changed Wharton’s travel destinations but not her symbolic view of architecture as a mediator of things past. Wharton’s symbolic representations of architecture provide a new key to her travel writings.




Barbara Bray, A Woman of Letters


Book Description

Barbara Bray (1924-2010) was an English woman of letters who translated some hundred novels, plays, and essays from French to English and was Marguerite Duras’s preferred translator. She also collaborated with some of the most prestigious directors and playwrights of the 20th century – Harold Pinter, Samuel Beckett, Joseph Losey, and Franco Zeffirelli – helping them write screenplays and radioplays. This literary biography (re)evaluates in a textual, sociological, and historical perspective the social role of an English writer and translator in the history of ideas and contemporary art. Highlighting Bray’s influence in cultural transfers of ideas and literatures between France, Great Britain, and the United States, it renders visible the yet unrecognised work of a female mediator and creator. It nourishes the debate about women’s public voice and the representation of women in the media industries and contributes to enrich the ‘other’ history that is being currently written by feminist scholars around the world.




Maeve Brennan


Book Description

This book explores the intricate interplay between physical spaces and psychological landscapes in the works of Irish-American author Maeve Brennan. Brennan’s writing is now classed amongst the most important of twentieth-century Irish women’s fiction, having undergone a significant reclamation and reappraisal in the 30 years since her death. Single and childfree for most of her life, Brennan eschewed the securities of family and home, experiencing an "otherness" that she shared with her fellow New Yorkers, many of them left, she wrote, hanging on to a city half-capsized––“most of them still able to laugh as they cling to the island that is their life’s predicament.” It is a suitably ambiguous expression for a writer who cultivated an interstitial existence, whose stories inhere within a dream cycle of reiterative pasts, and whose works augment and elevate the canon of radical Irish fiction.




Edith Wharton Abroad


Book Description

These carefully chosen selections from Edith Wharton's travel writing convey the writer's control of her craft. Wharton disliked the generality of guidebooks and focused instead on the "parentheses of travel"--the undiscovered hidden corners of Europe, Morocco, and the Mediterranean. Included is an excerpt from Wharton's unpublished memoir, The Cruise of Vanadis, as well as front line depictions of Lorraine and the Vosges during World War I. Photos.




Pastoral Cosmopolitanism in Edith Wharton’s Fiction


Book Description

American novelist Edith Wharton (1862–1937) is best known today for her tales of the city and the experiences of patrician New Yorkers in the “Gilded Age.” This book pushes against the grain of critical orthodoxy by prioritizing other “species of spaces” in Wharton’s work. For example, how do Wharton’s narratives represent the organic profusion of external nature? Does the current scholarly fascination with the environmental humanities reveal previously unexamined or overlooked facets of Wharton’s craft? I propose that what is most striking about her narrative practice is how she utilizes, adapts, and translates pastoral tropes, conventions, and concerns to twentieth-century American actualities. It is no accident that Wharton portrays characters returning to, or exploring, various natural localities, such as private gardens, public parks, chic mountain resorts, monumental ruins, or country-estate “follies.” Such encounters and adventures prompt us to imagine new relationships with various geographies and the lifeforms that can be found there. The book addresses a knowledge gap in Wharton and the environmental humanities, especially recent debates in ecocriticism. The excavation of Wharton's words and the background of her narratives with an eye to offering an ecocritical reading of her work is what the book focuses on.




A Historical Guide to Edith Wharton


Book Description

Various authors focus on life and works of Edith Wharton, on her women in fashion, in history, out of time, addiction and intimacy, travel, and modernity, art, the age of film. The book contains an illustrated chronology and a bibliographical essay.




Edith Wharton


Book Description

From Hermione Lee, the internationally acclaimed, award-winning biographer of Virginia Woolf and Willa Cather, comes a superb reexamination of one of the most famous American women of letters.Delving into heretofore untapped sources, Lee does away with the image of the snobbish bluestocking and gives us a new Edith Wharton-tough, startlingly modern, as brilliant and complex as her fiction. Born into a wealthy family, Wharton left America as an adult and eventually chose to create a life in France. Her renowned novels and stories have become classics of American literature, but as Lee shows, Wharton's own life, filled with success and scandal, was as intriguing as those of her heroines. Bridging two centuries and two very different sensibilities, Wharton here comes to life in the skillful hands of one of the great literary biographers of our time.




Italian Backgrounds


Book Description

For ten days we had not known what ailed us. We had fled from the August heat and crowd of the Vorderrheinthal to the posting-inn below the Splügen pass; and here fortune had given us all the midsummer tourist can hope for—solitude, cool air and fine scenery. A dozen times a day we counted our mercies, but still privately felt them to be insufficient. As we walked through the larch-groves beside the Rhine, or climbed the grassy heights above the valley, we were oppressed by the didactic quality of our surroundings—by the aggressive salubrity and repose of this bergerie de Florian. We seemed to be living in the landscape of a sanatorium prospectus. It was all pleasant enough, according to Schopenhauer’s definition of pleasure. We had none of the things we did not want; but then we did not particularly want any of the things we had. We had fancied we did till we got them; and as we had to own that they did their part in fulfilling our anticipations, we were driven to conclude that the fault was in ourselves. Then suddenly we found out what was wrong. Splügen was charming, but it was too near Italy. One can forgive a place three thousand miles from Italy for not being Italian; but that a village on the very border should remain stolidly, immovably Swiss was a constant source of exasperation. Even the landscape had neglected its opportunities. A few miles off it became the accomplice of man’s most exquisite imaginings; but here we could see in it only endless material for Swiss clocks and fodder. The trouble began with our watching the diligences. Every evening we saw one toiling up the pass from Chiavenna, with dusty horses and perspiring passengers. How we pitied those passengers! We walked among them puffed up with all the good air in our lungs. We felt fresh and cool and enviable, and moralized on the plaintive lot of those whose scant holidays compelled them to visit Italy in August. But already the poison was at work. We pictured what our less fortunate brothers had seen till we began to wonder if, after all, they were less fortunate. At least they had been there; and what drawbacks could qualify that fact? Was it better to be cool and look at a water-fall, or to be hot and look at Saint Mark’s? Was it better to walk on gentians or on mosaic, to smell fir-needles or incense? Was it, in short, ever well to be elsewhere when one might be in Italy?




Edith Wharton and Cosmopolitanism


Book Description

"These energizing, excellent essays address the international scope of Wharton's writing and contribute to the growing fields of transatlantic, hemispheric, and global studies."--Carol J. Singley, author of A Historical Guide to Edith Wharton "Readers will emerge with a new respect for Wharton's engagement with the world around her and for her ability to convey her particular vision in her literary works."--Julie Olin-Ammentorp, author of Edith Wharton's Writings from the Great War Hailed for her remarkable social and psychological insights into the Gilded Age lives of privileged Americans, Edith Wharton, the first woman to win a Pulitzer Prize, was a transnational author who attempted to understand and appreciate the culture, history, and artifacts of the regions she encountered in her extensive travels abroad. Edith Wharton and Cosmopolitanism explores the international scope of Wharton's life and writing, focusing on how her work connects with the idea of cosmopolitanism. This volume illustrates the many ways Wharton engaged with global issues of her time. Contributors examine both her canonical and lesser-known works, including her art historical discoveries, political work, travel writing, World War I texts, and first novel. They consider themes of anarchism, race, imperialism, regionalism, and orientalism; Wharton's treatment of contemporary marriage debates; her indebtedness to her literary predecessors; and her genre experimentation. Together, they demonstrate how Wharton's struggle to balance her powerful local and national identifications with cosmopolitan values, resulted in a diverse, complex, and sometimes problematic relationship to a cosmopolitan vision. Contributors: Ferdâ Asya | William Blazek | Rita Bode | Donna Campbell | Mary Carney | Clare Virginia Eby | June Howard | Meredith L. Goldsmith | Sharon Kim | D. Medina Lasansky | Maureen Montgomery | Emily J. Orlando | Margaret A. Toth | Gary Totten