Book Description
(Amadeus). In this first of three volumes, Paul Jackson begins a rich and detailed history of the early years of the Metropolitan Opera broadcasts, bringing to life more than 200 recorded broadcasts.
Author : Paul Jackson
Publisher : Hal Leonard Corporation
Page : 594 pages
File Size : 11,73 MB
Release : 1992
Category : Performing Arts
ISBN : 9780931340482
(Amadeus). In this first of three volumes, Paul Jackson begins a rich and detailed history of the early years of the Metropolitan Opera broadcasts, bringing to life more than 200 recorded broadcasts.
Author : Irving Kolodin
Publisher :
Page : 666 pages
File Size : 37,93 MB
Release : 1936
Category : Opera
ISBN :
Author : Paul Jackson
Publisher : Hal Leonard Corporation
Page : 664 pages
File Size : 12,22 MB
Release : 2006
Category : Music
ISBN : 9781574671476
In this new work, Paul Jackson examines the decade that saw the move from the old house uptown to the technological marvel at Lincoln Center. There Rudolf Bing's final six years give way to four seasons of management turmoil until 1976, when James Levine was named music director and took hold of the Met's artistic future.
Author : Mary Ellis Peltz
Publisher : New York : The Modern library
Page : 520 pages
File Size : 27,34 MB
Release : 1939
Category : Operas
ISBN :
Author : Jonathan Brown
Publisher : Parrot Press
Page : 818 pages
File Size : 46,91 MB
Release : 2014-01-30
Category : Music
ISBN : 0987155652
This is the Ebook version of the award-winning "Great Wagner Conductors" published in 2012, now scarce in print. It contains corrections to the hardback edition, and remedies some omissions to the discographies. It also contains all 723 illustrations in the book, brilliantly illuminated, many showing the conductors at work. Some of these are rare, some are in colour. (These are not displayed in the free sample.) "Great Wagner Conductors" is the first in-depth study to bring the great historical Wagner conductors to life - through anecdote, their own views on Wagner’s music, reports of their performances throughout the world, and their recordings. There is a substantial introductory chapter on Wagner - what he was like as a conductor of his own works and what he wanted of his conductors – then follow chapters on Hans von Bülow, Hans Richter, Anton Seidl, Hermann Levi, Felix Mottl, Karl Muck, Artur Nikisch, Albert Coates, Gustav Mahler, Felix Weingartner, Bruno Walter, Arturo Toscanini, Artur Bodanzky, Wilhelm Furtwängler, Fritz Busch, Erich Kleiber, Hans Knappertsbusch, Clemens Krauss, Karl Böhm, Richard Strauss, Otto Klemperer, and Fritz Reiner. Thousands of reviews of performances from many countries have been distilled to bring us as close as we can to knowing what the conductors were really like. There are comprehensive discographies setting out what the conductors recorded. Rare recordings are documented. There is comment on or excerpts from reviews of all the major recordings, and on many of the more obscure. A section on timings of actual and recorded performances, from Wagner onwards, reveals how widely practice has varied. There is a Select Bibliography, and an Index. "The level of detail achieved is quite breathtaking," wrote David Patmore in "Classical Recordings Quarterly" reviewing the hardback, "It extends to a vast arsenal of footnotes … as a resource they will be amazingly useful in a vast range of different contexts…. For anyone interested in conducting from the mid-nineteenth century onwards, and in particular the performance of Wagner, this book will be an essential acquisition. Its strength lies in the collection of so many different and varied contemporary reports of Wagner in performance from approximately 1850 to 1960. If this is where your interest lies, it will provide much fascinating reading." (Winter 2012). "Great Wagner Conductors is a major contribution to the literature on this subject," wrote Gary Galo in the "ARSC Journal", "and belongs in the library of every serious Wagner enthusiast." (May 2013). The book was awarded an Association for Recorded Sound Collections (ARSC) Award for Excellence in Historical Recorded Sound Research in 2013.
Author : Joseph Attard
Publisher : Bloomsbury Publishing USA
Page : 248 pages
File Size : 22,54 MB
Release : 2022-06-16
Category : Performing Arts
ISBN : 1501370340
Since 2006, leading opera companies have beamed their shows to thousands of cinema screens all over the world – live. 'Opera cinema' is the most successful marriage of this elaborate, esoteric artform and the silver screen. In the twenty-first century, more people watch opera on cinema screens than the stage. But what is different about watching Massenet at the multiplex, compared to a traditional stage performance? Is opera cinema a new, hybrid artform in its own right, or merely a new way of engaging with an old one? Is it bringing new opera fans into the fold? Is there a danger it could one day eclipse the stage altogether? This book deals with these questions by charting the history of opera transmissions, exploring how digital media changes our relationship with culture and inviting a group of 'opera virgins' to give their impressions on this developing cultural experience.
Author : Robert A. M. Stern
Publisher : Rizzoli International Publications
Page : 852 pages
File Size : 42,66 MB
Release : 1987
Category : Architecture
ISBN :
Highly esteemed by architects and New York history enthusiasts, 'New York 1930' focuses on the development of many of the landmark structures and the built environment of New York, including the parks, highways, and entertainment districts.
Author : James A. Pegolotti
Publisher : UPNE
Page : 444 pages
File Size : 50,87 MB
Release : 2003
Category : Biography & Autobiography
ISBN : 9781555535872
Composer, critic, author, and radio personality, (Joseph) Deems Taylor (1885-1966) was one of the most influential figures in American culture from the 1920s through the 1940s. A self-taught composer, the New York City native wrote such pieces as the orchestral suite Through the Looking Glass and the acclaimed operas The King's Henchman and Peter Ibbetson, the first commissions ever offered by the Metropolitan Opera. Taylor's operatic works were among the most popular and widely performed of his day, yet he achieved greatest fame and recognition as the golden-voiced intermission commentator for the New York Philharmonic radio broadcasts and as the on-screen host of Walt Disney's classic film Fantasia. With his witty, clever, charming, and informative but unpatronizing manner, he almost single-handedly introduced classical music to millions of Americans across the nation. In this first biography of Taylor, James A. Pegolotti brings to life the remarkably multi-talented man within the context of his times. The captivating portrait recounts his formative years in the Bronx, his college years at New York University, where he composed four successive varsity musicals, his journalistic career first as a writer for the New York Tribune Sunday Magazine and then as the powerful music critic for the New York World, and his musical triumphs. Pegolotti also details Taylor's stints as editor of Musical America, president of the American Society of Composers, Authors and Publishers (ASCAP), best-selling author of Of Men and Music and other books, collaborator with Disney and Leopold Stokowski on Fantasia, and even judge for the Miss America pageant. He describes how Taylor used his critic's pulpit to champion American music, opera, and musicians, and also chronicles his colorful personal life, including his third marriage at age sixty to a twenty-year-old costume designer. Enlivened with such figures as George Gershwin, Jerome Kern, F. Scott Fitzgerald, Ayn Rand, and Taylor's fellow Algonquin Round Table tastemakers, this in-depth, well-balanced, and objective biography will stand as the definitive work on the great American composer-critic.
Author : Paul Jackson
Publisher :
Page : 668 pages
File Size : 30,28 MB
Release : 1997
Category : Music
ISBN :
As in Saturday Afternoons at the Old Met: The Metropolitan Opera Broadcasts, 1931-1950, the author uses unpublished documents and letters from the Metropolitan Opera Archives to tell behind-the-scenes stories of the players involved.
Author : Mardges Bacon
Publisher : MIT Press
Page : 442 pages
File Size : 27,70 MB
Release : 2001
Category : Architecture
ISBN : 9780262523424
In this study of Le Corbusier's American tour, Mardges Bacon reconstructs his encounter with America in all its fascinating detail. It presents a critical history of the tour as well as a nuanced and intimate portrait of the architect.