The Moral Universe of Shakespeare's Problem Plays


Book Description

In a discussion of each of Shakespeare's problem plays, Thomas traces the dominant themes that both distinguish and unite them, and provides insights into the sources, background, texture and morality of these plays.




The Moral Universe of Shakespeare's Problem Plays


Book Description

What is it that makes Shakespeare’s problem plays problematic? Many critics have sought for the underlying vision or message of these puzzling and disturbing dramas. Originally published in 1987, the key to Viv Thomas’s new synthesis of the plays is the idea of fracture and dissolution in the universe. From the collapse of ‘degree’ in Troilus and Cressida to the corruption at the heart of innocence in Measure for Measure, to the puzzling status of virtue and valour in All’s Well, the most obvious feature of these plays in their capacity to prompt new questions. In a detailed discussion of each play in turn, the author traces the dominant themes that both distinguish and unite them, and provides numerous insights into the sources, background, texture and morality of the plays.




Shakespeare's Pluralistic Concepts of Character


Book Description

The presentation of a complex character such as Shylock bears resemblance to the technique of anamorphic portraiture and trick perspective in the sense that, seen one way he appears a villain, but seen another way he appears a persecuted victim. The clashing and merging of opposed frames of ideological reference that cannot be held apart or resolved and that remain in a kind of uneasy balance may be a technique of comic characterization that exploits relativism and ambiguity in the presentation of human personality and self on stage. A similar technique can be seen at work in the Histories in the characters of Richard and Bolingbroke, who, as has long been noted, compete contrarily for the audience's ideological sympathies over the course of the play.




Shakespeare's Problem Plays


Book Description

This New Casebook offers a wide-ranging selection of contemporary critical readings of Shakespeare's three 'problem plays': All's Well that Ends Well, Measure for Measure and Trolius and Cressida. Together, they reflect the diversity of late twentieth-century theory and the controversy that continues to be generated by the plays, and discuss a variety of key issues. These include the meaning of the term 'problem play', the historical context and political and cultural significance of the plays, as well as issues of staging and theatre history. The volume also provides a helpful introduction which guides the reader through the critical approaches, terms and debates, as well as explanatory notes for each essay and a useful section on further reading.




A Feminist Companion to Shakespeare


Book Description

The question is not whether Shakespeare studies needs feminism, but whether feminism needs Shakespeare. This is the explicitly political approach taken in the dynamic and newly updated edition of A Feminist Companion to Shakespeare. Provides the definitive feminist statement on Shakespeare for the 21st century Updates address some of the newest theatrical andcreative engagements with Shakespeare, offering fresh insights into Shakespeare’s plays and poems, and gender dynamics in early modern England Contributors come from across the feminist generations and from various stages in their careers to address what is new in the field in terms of historical and textual discovery Explores issues vital to feminist inquiry, including race, sexuality, the body, queer politics, social economies, religion, and capitalism In addition to highlighting changes, it draws attention to the strong continuities of scholarship in this field over the course of the history of feminist criticism of Shakespeare The previous edition was a recipient of a Choice Outstanding Academic Title award; this second edition maintains its coverage and range, and bringsthe scholarship right up to the present day




Shakespeare's Political and Economic Language


Book Description

Shakespeare's plays are pervaded by political and economic words and concepts, not only in the histories and tragedies but also in the comedies and romances. The lexicon of political and economic language in Shakespeare does not consist merely of arcane terms whose shifting meanings require exposition, but includes an enormous number of relatively simple words which possess a structural significance in the configuration of meanings. Often operating by such means as puns, they open up a surprising number of possibilities. The dictionary reveals the conceptual nucleus of each term and explores the contexts in which it is embedded. The overlap between the political and economic dimensions of a word in Shakespeare's drama is particularly exciting as he is highly attuned to the interactions of these two spheres of human activity and their centrality in human affairs.




Shakespeare and the Shrew


Book Description

An investigation of the many ways that Shakespeare uses the defiant voice of the shrew. Kamaralli explores how modern performance practice negotiates the possibilities for staging these characters who refuse to conform to standards of acceptable behaviour for women, but are among Shakespeare's bravest, wisest and most vivid creations.




Symplectic Geometry and Mirror Symmetry


Book Description

In 1993, M. Kontsevich proposed a conceptual framework for explaining the phenomenon of mirror symmetry. Mirror symmetry had been discovered by physicists in string theory as a duality between families of three-dimensional Calabi–Yau manifolds. Kontsevich's proposal uses Fukaya's construction of the A∞-category of Lagrangian submanifolds on the symplectic side and the derived category of coherent sheaves on the complex side. The theory of mirror symmetry was further enhanced by physicists in the language of D-branes and also by Strominger–Yau–Zaslow in the geometric set-up of (special) Lagrangian torus fibrations. It rapidly expanded its scope across from geometry, topology, algebra to physics. In this volume, leading experts in the field explore recent developments in relation to homological mirror symmetry, Floer theory, D-branes and Gromov–Witten invariants. Kontsevich-Soibelman describe their solution to the mirror conjecture on the abelian variety based on the deformation theory of A∞-categories, and Ohta describes recent work on the Lagrangian intersection Floer theory by Fukaya–Oh–Ohta–Ono which takes an important step towards a rigorous construction of the A∞-category. There follow a number of contributions on the homological mirror symmetry, D-branes and the Gromov–Witten invariants, e.g. Getzler shows how the Toda conjecture follows from recent work of Givental, Okounkov and Pandharipande. This volume provides a timely presentation of the important developments of recent years in this rapidly growing field.




Will & Love


Book Description

Will & Love examines four of Shakespeare’s love plays (Romeo and Juliet, Troilus and Cressida, Twelfth Night, and Antony and Cleopatra) in light of the Augustinian psychology at the heart of the theological romance tradition. This tradition, which Shakespeare inherits from medieval theologian-poets such as Boethius, Dante, Petrarch, and Chaucer, issues from the idea, initially expressed by Augustine in his Confessions, that love functions as volitional weight, as a kind of magnetism or almost-gravitational force—that it moves the lover in mysterious ways yet without diminishing his or her agency. Will & Love highlights Shakespeare’s conception of love in terms of motion and explores the metaphysical, ethical, psychological, and dramatic implications of his doing so.




The Oxford Encyclopedia of British Literature


Book Description

From folk ballads to film scripts, this new five-volume encyclopedia covers the entire history of British literature from the seventh century to the present, focusing on the writers and the major texts of what are now the United Kingdom and the Republic of Ireland. In five hundred substantial essays written by major scholars, the Encyclopedia of British Literature includes biographies of nearly four hundred individual authors and a hundred topical essays with detailed analyses of particular themes, movements, genres, and institutions whose impact upon the writing or the reading of literature was significant. An ideal companion to The Oxford Encyclopedia of American Literature, this set will prove invaluable for students, scholars, and general readers. For more information, including a complete table of contents and list of contributors, please visit www.oup.com/us/ebl