Book Description
Translated for the first time into English, The Myth of the Superhero looks beyond the cape, the mask, and the superpowers, presenting a serious study of the genre and its place in a broader cultural context.
Author : Marco Arnaudo
Publisher : JHU Press
Page : 218 pages
File Size : 25,37 MB
Release : 2013-05
Category : Comics & Graphic Novels
ISBN : 1421409534
Translated for the first time into English, The Myth of the Superhero looks beyond the cape, the mask, and the superpowers, presenting a serious study of the genre and its place in a broader cultural context.
Author : John Shelton Lawrence
Publisher : Wm. B. Eerdmans Publishing
Page : 429 pages
File Size : 48,69 MB
Release : 2002
Category : History
ISBN : 0802825737
As the nation seems to yearn for redemption from the evils that threaten its tranquility, the authors maintain that Joseph Campbell's monomythic hero is alive and well, but significantly displaced, in American popular culture.
Author : Andrew R. Bahlmann
Publisher : McFarland
Page : 214 pages
File Size : 47,88 MB
Release : 2016-04-27
Category : Social Science
ISBN : 1476662487
Superheroes have been an integral part of popular society for decades and have given rise to a collective mythology familiar in popular culture worldwide. Though scholars and fans have recognized and commented on this mythology, its structure has gone largely unexplored. This book provides a model and lexicon for identifying the superhero mythos. The author examines the myth in several narratives--including Buffy the Vampire Slayer, Green Arrow and Beowulf--and discusses such diverse characters as Batman, Wolverine, Invincible and John Constantine.
Author : Richard Reynolds
Publisher : Univ. Press of Mississippi
Page : 140 pages
File Size : 49,44 MB
Release : 1994
Category : Humor
ISBN : 9780878056941
A study of one of popular culture's superstars whose enchanting mystique pervades the modern world
Author : B. J. Oropeza
Publisher : Peter Lang
Page : 316 pages
File Size : 24,48 MB
Release : 2005
Category : Art
ISBN : 9780820474229
And 1970s, and the dark and violent creatures who embody the pre- and post-millennial crises of faith. Lavishly illustrated, the articles come to startling conclusions about what we have really been reading under the covers with flashlights for generations. Annotation ©2004 Book News, Inc., Portland, OR (booknews.com).
Author : Russell W Dalton
Publisher : Chalice Press
Page : 240 pages
File Size : 36,38 MB
Release : 2011-04-01
Category : Religion
ISBN : 0827223609
What makes someone a hero? In the early 1960's, the image of a superhero was someone with a square jaw, a muscular build, and a quick smile whose biggest personal problem was trying to keep their girlfriends from guessing their secret identities. Then writer Stan Lee and artists Jack Kirby and Steve Ditko created a group of superheroes who revolutionized comics. These heroes, including The Fantastic Four, The Incredible Hulk, Spider-man, The X-men, Iron Man, Captain America and others, were not perfect heroes living in a perfect world, but fallible people with physical ailments and personal problems like our own. While the authors and artists who created them did not intend to write explicitly religious stories, their tales of imperfect heroes who try to do the right thing despite the many challenges they face, provide us with the opportunity to reflect on our own faith journeys as we strive to live heroic lives in the real world. Each chapter reflects on the heroes' most famous adventures and discusses the ways in which we are called to overcome many of the same obstacles they face as we strive to carry out the ministries to which God calls us. Each chapter ends with questions for reflection or group study.
Author : David Reynolds
Publisher : Problematic Press
Page : pages
File Size : 13,64 MB
Release : 2011-04-06
Category : Language Arts & Disciplines
ISBN : 0986902705
A semiotic and cultural anthropological interrogation of popular North American superhero narratives, such as those of Superman, Spider-Man, and Batman, provides insight into how media’s messages influence the culture’s ethical values. Since emerging in the late 1930s, the superhero has become a pervasive figure in North American popular culture. As an extension of ideas presented by Friedrich Nietzsche, Joseph Campbell, and Umberto Eco, this dissertation argues that superhero tales must be regarded as modern mythology. It follows that people observe and learn social norms of justice from such narratives, since these ideals are intrinsic to the tales. In investigating the superhero’s role as a contemporary figure of myth, this project focuses primarily on three areas: an account of the history of the superhero from 1938 to present; an examination of the cultural functions of contemporary superhero narratives; and, an interrogation of vigilantism, responsibility, and justice in these narratives and how those concerns further relate to ideologies and practices in North American culture.
Author : Danny Fingeroth
Publisher : A&C Black
Page : 196 pages
File Size : 42,76 MB
Release : 2004-01-01
Category : Comics & Graphic Novels
ISBN : 9780826415394
Why are so many of the superhero myths tied up with loss, often violent, of parents or parental figures? What is the significance of the dual identity? What makes some superhuman figures "good" and others "evil"? Why are so many of the prime superheroes white and male? How has the superhero evolved over the course of the 20th and early 21st centuries? And how might the myths be changing? Why is it that the key superhero archetypes - Superman, Batman, Wonder Woman, Spider-Man, the X-Men - touch primal needs and experiences in everyone? Why has the superhero moved beyond the pages of comics into other media? All these topics, and more, are covered in this lively and original exploration of the reasons why the superhero - in comic books, films, and TV - is such a potent myth for our times and culture.>
Author : Chris Gavaler
Publisher : University of Iowa Press
Page : 306 pages
File Size : 19,38 MB
Release : 2015-11-01
Category : Social Science
ISBN : 1609383818
Most readers think that superheroes began with Superman’s appearance in Action Comics No. 1, but that Kryptonian rocket didn’t just drop out of the sky. By the time Superman’s creators were born, the superhero’s most defining elements—secret identities, aliases, disguises, signature symbols, traumatic origin stories, extraordinary powers, self-sacrificing altruism—were already well-rehearsed standards. Superheroes have a sprawling, action-packed history that predates the Man of Steel by decades and even centuries. On the Origin of Superheroes is a quirky, personal tour of the mythology, literature, philosophy, history, and grand swirl of ideas that have permeated western culture in the centuries leading up to the first appearance of superheroes (as we know them today) in 1938. From the creation of the universe, through mythological heroes and gods, to folklore, ancient philosophy, revolutionary manifestos, discarded scientific theories, and gothic monsters, the sweep and scale of the superhero’s origin story is truly epic. We will travel from Jane Austen’s Bath to Edgar Rice Burroughs’s Mars to Owen Wister’s Wyoming, with some surprising stops along the way. We’ll meet mad scientists, Napoleonic dictators, costumed murderers, diabolical madmen, blackmailers, pirates, Wild West outlaws, eugenicists, the KKK, Victorian do-gooders, detectives, aliens, vampires, and pulp vigilantes (to name just a few). Chris Gavaler is your tour guide through this fascinating, sometimes dark, often funny, but always surprising prehistory of the most popular figure in pop culture today. In a way, superheroes have always been with us: they are a fossil record of our greatest aspirations and our worst fears and failings.
Author : Dan Hassler-Forest
Publisher : John Hunt Publishing
Page : 288 pages
File Size : 32,5 MB
Release : 2012-12-06
Category : Literary Criticism
ISBN : 1780991800
In the same way that Stallone and Schwarzenegger played film heroes who came to embody the values of Ronald Reagans aggressive conservative agenda in the 1980s, the 21st-century film narratives of Batman, Spider-Man and Superman reflect the policies of the Bush Doctrine after 9/11. This book offers a groundbreaking study of the relationship that exists between post-9/11 American politics and the contemporary superhero movie phenomenon. No other Hollywood subgenre was as consistently popular during the George W. Bush presidency, as films such as Spider-Man, Superman Returns, Iron Man, and The Dark Knight embodied the key contradictions that inform the cultural and political life of the post-9/11 years. By combining in-depth analyses of numerous major superhero films from this era with astute readings of contemporary critical theory, this book offers accessible and academically potent insight into the complex interplay between politics, ideology, and entertainment in the 21st century. ,