The New Congregational Hymn and Tune Book for Public, Social, and Private Worship


Book Description

Reprint of the original, first published in 1859. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.




The New Congregational Hymn and Tune Book


Book Description

Excerpt from The New Congregational Hymn and Tune Book: For Public, Social, and Private Worship The design of this book is to furnish a copious variety and.supply of our most highly esteemed and precious hymns and tunes for the use of Christians in public, social, domestic, and private worship. "Praise is comely for the upright," and to admonish one another "in psalms, and hymns, and spiritual songs," is the express command of Holy Writ. We find, also, that it was the constant practice of the early Christians to spend a portion of their time, when two or three were met in Jesus' name, in singing praises to the Lord. At the close of the "last supper," they sang a hymn before they left the table; after Jesus had ascended, they "were continually in the temple, praising and blessing God;" at midnight, Paul and Silas in the prison "prayed, and sang praises unto God;" and we learn from Pliny that Christians were wont to meet together and "sing among themselves, alternately, a hymn to Christ as God." In obedience, then, to an order from the Lord; in accordance with the practice of the early Christians; in consideration of the power of music over the emotions, and of the strong and steady impulse of the soul to express its sorrows even as its joys and raptures, and its profoundest sense of adoration, in sacred melody and song, - the church must ever, in her "holy convocations," assign to lyric poetry and to music a position very prominent and commanding; and as she moves onward, rejoicing in the strength of her illustrious Leader, "conquering and to conquer," she will, doubtless, bring more frequently her joyful strains of praise to him for her triumphant victories. Even at this period of her reviving splendor, she calls for "new songs " of adoration; she sings with a new inspiration, and solicits every tongue to bring its tribute of praise to her Redeemer's glory ; and the more clearly she beholds that glory, the more devoutly, the more frequently, the more joyously, will she sing. The time, it is believed, is not far distant when the singing in the sanctuary will come down from the choir to the congregation, and when all the people, "both young men and maidens, old men and children," will unite to swell the anthem of praise to Jehovah. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Spurgeon's Own Hymn Book


Book Description

Over 1,000 songs Compiled by C. H. Spurgeon Cloth bound hardback gift book




The New Congregational Hymn and Tune Book


Book Description

Excerpt from The New Congregational Hymn and Tune Book: For Public, Social, and Private Worship This Manual of Sacred Song has been prepared with express reference to the wants of the people worshipping God, either in the Sanctuary, the Prayer and Conference Meeting, or at the Family Altar. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




The Congregational Quarterly


Book Description

Reprint of the original, first published in 1859.










Catalogue of Books Added to the Library of Congress Being the Year 1871


Book Description

Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.




Singing the Congregation


Book Description

Contemporary worship music shapes the way evangelical Christians understand worship itself. Author Monique M. Ingalls argues that participatory worship music performances have brought into being new religious social constellations, or "modes of congregating". Through exploration of five of these modes--concert, conference, church, public, and networked congregations--Singing the Congregation reinvigorates the analytic categories of "congregation" and "congregational music." Drawing from theoretical models in ethnomusicology and congregational studies, Singing the Congregation reconceives the congregation as a fluid, contingent social constellation that is actively performed into being through communal practice--in this case, the musically-structured participatory activity known as "worship." "Congregational music-making" is thereby recast as a practice capable of weaving together a religious community both inside and outside local institutional churches. Congregational music-making is not only a means of expressing local concerns and constituting the local religious community; it is also a powerful way to identify with far-flung individuals, institutions, and networks that comprise this global religious community. The interactions among the congregations reveal widespread conflicts over religious authority, carrying far-ranging implications for how evangelicals position themselves relative to other groups in North America and beyond.




Our Own Hymn-book


Book Description