THE NOVELS OF ANITA DESAI, SHASHI DESHPANDE AND I HUSSAIN: A PSYCHOANALYTICAL PERSPECTIVE


Book Description

Anita Desai, Iqbalunnisa Hussain and Shashi Deshpande are the most accomplished contemporary novelists in English. Their reflect the psychological explorations, and the man -woman relationship in modern society. They deal with the burning problems of sex and psychology. They highlight women’s issues and present Indian sensibility in Indian English. Their works especially in regards to woman’s status in society, are regarded as outstanding contribution to Indian writing in English




Distant Traveller


Book Description

The accidental discovery of chapters from an unfinished novel and of unpublished stories, made the publication of this anthology of Attia Hosain’s new and selected fiction an inevitability. Attia’s two worlds – the Lucknow she grew up in and the London she later lived and worked in – intersect and mesh in the stories and novel excerpts presented here, reflecting her deep and abiding concern with those caught in the cleft stick of history, and how they come to terms with it. The distinctive quality of her prose – subtle, elegant, with an uncanny ear for dialogue and sharp, yet sympathetic observation – is displayed to stunning effect as she delineates the tension and pathos of lives and societies in transition. Attia Hosain (1913-1998) was born in Lucknow and educated at La Martiniere and Isabella Thoburn College, blending an English liberal education with that of a traditional Muslim household where she was taught Persian, Urdu and Arabic. Influenced in the 1930s by the nationalist movement and the Progressive Writers’ Group in India, she became a journalist, broadcaster and writer. In 1947 she moved to England and presented her own women’s programme on the BBC Eastern Service for many years, and appeared on television and the West End stage. She is the author of Phoenix Fled, a collection of short stories, and Sunlight on a Broken Column, a novel.




Indian Women Novelists in English: Art and Vision


Book Description

About the book: The book Indian Women Novelists in English: Art and Vision is a volume of twenty five research articles on contemporary Indian women novelists and their works ranging from Anita Desai, Shashi Deshpande, Manju Kapur, Shobhaa De, Meena Alexander, Githa Hariharan, Arundhati Roy to the younger generation of novelists Anita Nair, Kiran Desai and Jhumpa Lahiri along with two less explored novelists Rita Garg and Nayeema Mahjoor. Three regional writers- Sarah Joseph, Qurratulain Hyder and Mahasweta Devi are also part of this volume, though their write-ups are in regional languages, yet their translated works in English have earned wide popularity. The volume with its diversity of topics will instill knowledge into the critical minds and open many unopened doors from where many unexplored regions of knowledge will be revisited. About the Editor: Dipak Giri- M.A. (Double), B.Ed. - is a Ph. D. Research Scholar in Raiganj University, Raiganj, Uttar Dinajpur (W.B.). He is working as an Assistant Teacher in Katamari High School (H.S.), Cooch Behar, West Bengal. He is an Academic Counsellor in Netaji Subhas Open University, Cooch Behar College Study Centre, Cooch Behar, West Bengal. He was formerly Part-Time Lecturer in Cooch Behar College, Vivekananda College and Thakur Panchanan Mahila Mahavidyalaya, West Bengal and worked as a Guest Lecturer in Dewanhat College, West Bengal. He has the credit of qualifying U.G.C.-N.E.T. two times. He has attended seminars on national and state levels sponsored by U.G.C. Along with this book on Indian women novelists in English, he has also edited four books: Indian English Drama: Themes and Techniques, Indian English Novel: Styles and Motives, Postcolonial English Literature: Theory and Practice and New Woman in Indian Literature: From Covert to Overt. He is a well-known academician and has published many scholarly research articles in books and journals of both national and international repute. His area of studies includes Post-Colonial Literature, Indian Writing in English, Dalit Literature, Feminism and Gender Studies.







Man-Woman Bonding In Socio-Cultural Indian Concept


Book Description

Literature is one of the fine arts that employ "language" as medium of expression. It is essentially an expression of human feelings, emotions, sufferings and joys. Good literature is never outdated and is unbounded by space and time. It has permanence. It is also universal, in the sense that it appeals to readers of any nationality or linguistic ability. Language or culture may be different but human sentiments remain essentially similar in all literatures of the world.




All These Years


Book Description

Memoir of an woman journalist and writer; covers her political involvement in India from 1945 to 1987.




Cry, the Peacock


Book Description

This book is the story of a young girl obsessed by a childhood prophecy of disaster. The author builds up an atmosphere of tension and oppression, in the middle of an Indian summer.







One Amazing Thing


Book Description

An acclaimed novel by the author of The Mistress of Spices, and Before We Visit the Goddess. Jhumpa Lahiri praises: "One Amazing Thing collapses the walls dividing characters and cultures; what endures is a chorus of voices in one single room." Late afternoon sun sneaks through the windows of a passport and visa office in an unnamed American city. Most customers and even most office workers have come and gone, but nine people remain. A punky teenager with an unexpected gift. An upper-class Caucasian couple whose relationship is disintegrating. A young Muslim-American man struggling with the fallout of 9/11. A graduate student haunted by a question about love. An African-American ex-soldier searching for redemption. A Chinese grandmother with a secret past. And two visa office workers on the verge of an adulterous affair. When an earthquake rips through the afternoon lull, trapping these nine characters together, their focus first jolts to their collective struggle to survive. There's little food. The office begins to flood. Then, at a moment when the psychological and emotional stress seems nearly too much for them to bear, the young graduate student suggests that each tell a personal tale, "one amazing thing" from their lives, which they have never told anyone before. And as their surprising stories of romance, marriage, family, political upheaval, and self-discovery unfold against the urgency of their life-or-death circumstances, the novel proves the transcendent power of stories and the meaningfulness of human expression itself. From Chitra Divakaruni, author of such finely wrought, bestselling novels as Sister of My Heart, The Palace of Illusions, and The Mistress of Spices, comes her most compelling and transporting story to date. One Amazing Thing is a passionate creation about survival -- and about the reasons to survive.




Handbook of Twentieth-Century Literatures of India


Book Description

India has a rich literary assemblage produced by its many different regional traditions, religious faiths, ethnic subcultures and linguistic groups. The published literature of the 20th century is a particularly interesting subject and is the focus of this book, as it represents the provocative conjuncture of the transitions of Indian modernity. This reference book surveys the major regional literatures of contemporary India in the context of the country's diversity and heterogeneity. Chapters are devoted to particular regions, and the arrangement of the work invites comparisons of literary traditions. Chapters provide extensive bibliographies of primary works, thus documenting the creative achievement of numerous contemporary Indian authors. Some chapters cite secondary works as well, and the volume concludes with a list of general works providing further information. An introductory essay overviews theoretical concerns, ideological and aesthetic considerations, developments in various genres, and the history of publishing in regional literatures. The introduction provides a context for approaching the chapters that follow, each of which is devoted to the literature of a particular region. Each chapter begins with a concise introductory section. The body of each chapter is structured according to social and historical events, literary forms, or broad descriptive or analytic trends, depending on the particular subject matter. Each chapter then closes with an extensive bibliography of primary works, thus documenting the rich literary tradition of the region. Some chapters also cite secondary sources as an aid to the reader. The final chapters of the book address special topics, such as sub-cultural literatures, or the interplay between literature and film. A list of additional sources of general information concludes the volume.