That Dangerous Figure


Book Description

The English poet Charles Lamb (1775-1834) stimulates reactions that often lie outside the boundaries of literary criticism, reactions that are often motivated by ideological, cultural or political concerns. He poses particularly difficult, even unanswerable, questions that often provoke intemperate anger or great affection in readers. Historically, the first critical misunderstanding of Lamb is to see him as a radical; later he is canonized a domestic saint; in the 1930s he is a reactionary bourgeois. More recently, he is understood as a conscious artist; first, by New Critics as a transcendent optimist, then, in the post-structuralist version, as a tormented soul creating his artifice out of the limitations of human life. This study, a comprehensive history of reactions to Lamb, proposes that perhaps Lamb is a literary 'trickster' who delights in raising just those contradictions of modern life which thosewho attempt a systematic style of criticism would like to ignore.




Fatal Women of Romanticism


Book Description

Incarnations of fatal women, or femmes fatales, recur throughout the works of women writers in the Romantic period. Adriana Craciun demonstrates how portrayals of femmes fatales or fatal women played an important role in the development of Romantic women's poetic identities and informed their exploration of issues surrounding the body, sexuality and politics. Craciun covers a wide range of writers and genres from the 1790s through the 1830s. She discusses the work of well-known figures including Mary Wollstonecraft, as well as lesser-known writers like Anne Bannerman. By examining women writers' fatal women in historical, political and medical contexts, Craciun uncovers a far-ranging debate on sexual difference. She also engages with current research on the history of the body and sexuality, providing an important historical precedent for modern feminist theory's ongoing dilemma regarding the status of 'woman' as a sex.







Romanticism and Women Poets


Book Description

One of the most exciting developments in Romantic studies in the past decade has been the rediscovery and repositioning of women poets as vital and influential members of the Romantic literary community. This is the first volume to focus on women poets of this era and to consider how their historical reception challenges current conceptions of Romanticism. With a broad, revisionist view, the essays examine the poetry these women produced, what the poets thought about themselves and their place in the contemporary literary scene, and what the recovery of their works says about current and past theoretical frameworks. The contributors focus their attention on such poets as Felicia Hemans, Letitia Elizabeth Landon, Charlotte Smith, Anna Barbauld, Mary Lamb, and Fanny Kemble and argue for a significant rethinking of Romanticism as an intellectual and cultural phenomenon. Grounding their consideration of the poets in cultural, social, intellectual, and aesthetic concerns, the authors contest the received wisdom about Romantic poetry, its authors, its themes, and its audiences. Some of the essays examine the ways in which many of the poets sought to establish stable positions and identities for themselves, while others address the changing nature over time of the reputations of these women poets.







Monthly Bulletin


Book Description

Has also supplements.




The Letters of Charles and Mary Anne Lamb


Book Description

All of the available letters of Charles Lamb, a master of the English essay, and his sister Mary Anne published in this definitive, scrupulously edited work. The letters, many of them written to illustrious figures of the Romantic period, are generally agreed to rank among the finest in the English language. Transcribing where possible from the originals or facsimiles, Professor Marrs corrects textual errors found in previous editions, and he pays particular attention to establishing precise dates for the correspondence. He includes letters that were omitted from the last collection (published in 1935 and long out of print), and he has uncovered more than eighty letters never published before. The Letters of Charles and Mary Anne Lamb totals five or six volumes, and presents nearly 1200 letters written by Charles and Mary, singly or together. The correspondence is fully annotated, the volumes are illustrated, and the holographic idiosyncrasies of the originals are rendered typographically wherever possible. Rich in revelations about the extraordinary lives of the Lambs, these beautifully written letters are an inexhaustible store of information about the Romantic era and its major figures-Wordsworth, Keats, and Coleridge. The publication of unexpurgated and authoritative texts is an important literary event. The first volume was published in 1975, the bicentenary of Charles Lamb's birth. It contains 102 letters written by Charles, many of them after Mary murdered their mother. Among the recipients were the poets Coleridge, Southey, and Wordsworth. The letters provide shrewd observations on his friends' writings and his own, vivid descriptions of life in London, and compassionate but candid remarks concerning his family and acquaintances. Notes to each letter place it in context, quoting where necessary from the correspondence Lamb is answering. Volume I includes Professor Marrs's extensive Introduction to the entire collection. After supplying a biography of the Lamb family up to the murder, he treats Mary's and Charles's life together until Charles's death, tracing through the letters a relationship that remained warm and affectionate even under the shadow of Mary's insanity. Professor Marrs also gives the publishing history of the letters and sets forth the principles upon which his edition is based.




Bacchus in Romantic England


Book Description

Bacchus in Romantic England describes real drunkenness among writers and ordinary people in the Romantic age. It grounds this 'reality' in writings by doctors and philanthropists from 1780 onwards, who describe an epidemic of drunkenness. These commentators provide a context for the different ways that poets and novelists of the age represent drunkards. Wordsworth writes poems and essays evaluating the drunken career of his model Robert Burns. Charles Lamb's essays and letters reveal a real and metaphorical preoccupation with his own drinking as a way of disguising his personal suffering; his companion Coleridge writes drinking songs, essays about drunkenness, and meditations about his own weakness of will that show both festive inebriety and consciousness of an inward abyss; Coleridge's son Hartley, whose fate his father had prophesied, experiences drunkenness as the life-long humiliation described in his poems and letters. Keats's complex dionysianism runs through 'Endymion' and the late odes, setting him at odds with his temperate hero Milton. Men in the Romantic age, such as Sheridan, Byron, Moor, and Clare, celebrate rowdy friendship with tales and songs of drinking; Romantic women novelists such as Smith, Edgeworth and Wollstonecraft depict these men stumbling home to abuse their wives. Although excessive drinking is real in the period, observers and participants can still maintain ambivalence about its power to release or to debase the human being.




Time


Book Description




Index to the London Magazine


Book Description

This book was originally published in 1978. The London Magazine is briefly told in the accomplisments and failures of its four editors, and during the fourteen months of his editorship, 1820-21, John Scott succeeded in establishing the London as one of the finest literary periodicals of the nineteenth century. John Taylor, the second editor, maintained the high quality of the magazine by securing many excellent writers. But by the end of 1825, the first year of Henry Southern's editorship, the magazine had lost most of its distinguished writers. When Charles night began editing the London in 1828, its great period was already a memory. This book presents a brief history of the magazine alongside the index.