The Ordeal of Mercy


Book Description

The Ordeal of Mercy is a book of wide erudition and simple style; its goal is to present the Purgatorio, according to the science of spiritual psychology, as a practical guide to travelers on the Spiritual Path. The author draws upon many sources: the Greek Fathers, notably Maximos the Confessor; St. John Climacus; Fathers and Doctors of the Latin Church, including St. Augustine and St. Thomas Aquinas; John Donne, William Blake and other metaphysical poets; the doctrines of Dante's own initiatory lineage, the Fedeli d'Amore; the modern Eastern Orthodox writers Pavel Florensky and Jean-Claude Larchet; and the writings of the Traditionalist/Perennialist School, including Rene Guenon, Frithjof Schuon, Martin Lings, Leo Schaya, and Titus Burckhardt. Other exegetes of Dante have dealt with the overall architecture of the Divine Comedy, its astronomical and numerical symbolism, its philosophical underpinnings, and its historical context. Jennifer Doane Upton, however--while preserving the narrative flow of the Purgatorio and making many cogent observations about its metaphysics--directs our attention instead to many of its "minute particulars," unveiling their depth and symbolic resonance. She presents the ascent of the Mountain of Purgatory as a series of timeless steps, each of which must be plumbed to its depths before the next step arrives; in doing so she demonstrates how the center of this journey of purgation is everywhere, and its circumference nowhere. In the words of the author, "The soul in its journey must divest itself of extraneous tendencies and desires in order to become the 'simple' soul of theology--the soul of one essence, of one will, of one mind. If it can do this it will reach Paradise, its true homeland." "The Ordeal of Mercy is the finest commentary on Dante's Puragtorio that I have ever read, an indispensable book for all those who want to understand the paradoxical dance of grace on the path to liberation."--Andrew Harvey, author of The Hope: A Guide to Sacred Activism "The Ordeal of Mercy presents a detailed and erudite metaphysical commentary on the Cantos of the Purgatorio section of Dante Alighieri's 'Fifth Gospel, ' La Divina Commedia, one that is clearly the fruit of extensive research combined with deep contemplation. Dante himself said that his poem had an interior sense beyond the surface meaning; Jennifer Doane Upton's approach accordingly opens the Cantos of Purgatorio--whether we take it as an account of purgation in the post-mortem realms or as the passage through this present life understood as an 'ordeal of mercy'--to the eye of initiatic apprehension, the eye of the Heart. Seemingly minor motifs are homed in on to reveal their deep significance, as well as their place in the broader pattern of the Purgatorio, which corresponds to the stage of Purgation on the Christian Way."--Nigel Jackson, author of The Seventh Tower: Tradition and Counter-Tradition in the Modern World (forthcoming)"




The Ordeal


Book Description




The Ordeal


Book Description

Henry Charles Lea was one of the first American historians to use what would later be termed comparative and anthropological approaches to history. Under his pen, the study of the medieval ordeal becomes a study in cultural history. Reprinted here from the fourth revised edition of 1892, the book begins by tracing the role of the ordeal in non-Western and ancient societies, showing the mental world to which it belongs: a limited trust in the public order and purely human methods of inquiry, and a larger faith in divine intervention and immanent justice. The work then describes the uses of the institution through the European Middle Ages to its final abolition, and in the process offers a rich typology of ordeals. Additional documents included in this edition present formulas and descriptions of some of the ordeals most frequently used: the ordeal by boiling water, by hot water, by cold water, by hot iron and water, by glowing plowshares, by fire, and the ordeal of the cross.




The Mercy Seat


Book Description

The acclaimed novel by the author of The Why of Things tackles “the Deep South during the Gothic worst of Jim Crow times . . . truly a bravura performance” (Geoffrey Wolff). “One of the finest writers of her generation,” and author of three previously acclaimed novels, Elizabeth H. Winthrop delivers a brave new book that will launch her distinguished career anew (Brad Watson). On the eve of his execution, eighteen-year-old Willie Jones sits in his cell in New Iberia awaiting his end. Across the state, a truck driven by a convict and his keeper carries the executioner’s chair closer. On a nearby highway, Willie’s father Frank lugs a gravestone on the back of his fading, old mule. In his office the DA who prosecuted Willie reckons with his sentencing, while at their gas station at the crossroads outside of town, married couple Ora and Dale grapple with their grief and their secrets. As various members of the township consider and reflect on what Willie’s execution means, an intricately layered and complex portrait of a Jim Crow era Southern community emerges. Moving from voice to voice, Winthrop elegantly brings to stark light the story of a town, its people, and its injustices. The Mercy Seat is a brutally incisive and tender novel from one of our most acute literary observers. “Artful and succinctly poetic . . . A worthy novel that gathers great power as it rolls on propelled by its many voices.”—The New York Times Book Review “A miracle of a novel, with rapid-fire sentences that grab you and propel you to the next page . . . It’s a breakout. It’s a wonder.”—Dallas Morning News




The Ordeal of Thomas Hutchinson


Book Description

The paradoxical and tragic story of America's most prominent Loyalist - a man caught between king and country.







The Ordeal of Saint Natalia


Book Description

Andac the narrator is the son of a Syrian and an Alan. Although he is a freeborn Roman citizen, he has always regarded himself as an outsider, and for this reason he feels that he is singularly equipped to tell the story of a young Roman matron who deliberately made herself an outsider by exiling herself from the aristocratic circle in which she was born. In spite of her fabulous wealth, Natalia is determined to emulate her famous grandmother, who lived for years as an ascetic in the harsh desert of the Holy Land. Natalia wants not only to dispose of all her wealth, but also to live in poverty, and to coerce her husband Valerian into a life of chastity. As the story develops, Andac and his friend Valerian see that Natalia's existence has become a life of desperation. For some unknown reason, she has convinced herself that she is worthless and one of the damned. She becomes more and more a fanatic as the years pass, struggling to follow the example of some of the extremists in Africa. At a later time, having moved to the Holy Land, Natalia becomes involved in the power struggle between the great patriarchs of the Eastern church. She has been in contact with Augustine of Hippo, Pelagius, Rufinus of Aquileia, Paulinus of Nola, Jerome, and the Patriarch of Alexandria. Andac survives both Natalia and Valerian. It is he who ultimately finds the cause of Natalia's desperation, and he does his best to tell her story in a way that will engender sympathy, while still preserving what he feels is her deserved reputation as a saint.




The Ordeal


Book Description

Describes a young French woman's experience in a Malaysian prison, how she survived it and how it effected her.




The New Magdalen


Book Description

Reproduction of the original.




The Origins of Reasonable Doubt


Book Description

To be convicted of a crime in the United States, a person must be proven guilty “beyond a reasonable doubt.” But what is reasonable doubt? Even sophisticated legal experts find this fundamental doctrine difficult to explain. In this accessible book, James Q. Whitman digs deep into the history of the law and discovers that we have lost sight of the original purpose of “reasonable doubt.” It was not originally a legal rule at all, he shows, but a theological one. The rule as we understand it today is intended to protect the accused. But Whitman traces its history back through centuries of Christian theology and common-law history to reveal that the original concern was to protect the souls of jurors. In Christian tradition, a person who experienced doubt yet convicted an innocent defendant was guilty of a mortal sin. Jurors fearful for their own souls were reassured that they were safe, as long as their doubts were not “reasonable.” Today, the old rule of reasonable doubt survives, but it has been turned to different purposes. The result is confusion for jurors, and a serious moral challenge for our system of justice.