The Parrish Family


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The Parish and the Hill


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As strong and fiery as undiluted Irish whiskey.--New York Times Book Review




The Parrish Family


Book Description

Traces several branches of the Parrish/Parish family, believed to have emigrated from Yorkshire, England before 1640. These branches begin with Robert Parrish (married in 1678 to Cicely Jadwin), John Parish (married Hannah Jewell in 1664), and Edward Parrish (married in 1660 to Clara). Descendants and relatives lived in Maryland, Ohio, Iowa, Illinois, Minnesota, Nebraska, and elsewhere.




Brothers in Gray


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Residents of antebellum northwest Louisiana held strong pro-Union sentiments, and the Pierson family of Bienville Parish, Louisiana, were no exception, opposing secession in 1861. Yet once war began, the region contributed its full share of support to the southern army, and four of William H. Pierson's eight sons enlisted. Ranging from the early battles of the Trans-Mississippi to the epic battles of the Army of Northern Virginia, and from the brutal trenches of Vicksburg to provost guard duty in north Louisiana, this extensive collection of Civil War letters, written by three of the Pierson brothers, offers riveting glimpses of almost every variety of experience faced by Confederate soldiers. Prolific letter writers, the Piersons were educated, observant, and well placed to comment not only on the battles and campaigns of their regiments but also on their commanding officers, the effect of political activity on soldier morale, being taken captive, and, most of all, their entire family's understanding of and commitment to the Confederate cause.




Village and Family in Contemporary China


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After 1949 the Chinese Communists carried out land reform, the collectivization of agriculture, and the formation of people's communes. The new economic and political organizations that emerged have made peasant life more comfortable and secure, but many economic and status differentials and traditional customs remain resistant to change. Focusing on rural Kwangtung province, William L. Parish and Martin King Whyte examine the rural work-incentive system, village equality and inequality, rural health care and education, marriage customs, and the position of women, among other topics, to determine what and how much of the traditional Chinese ways of life is left in Communist China.




The Phantom Bouquet


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Home Before Daylight


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The untold story of life on the road with the Grateful Dead, written by an insider who lived it from the early days to today. Steve Parish was never one to walk the straight-and-narrow, even during his childhood growing up in Flushing Meadow, Queens. Busted as a teenager for selling acid in the summer of 1968, Parish landed in Riker's Island. The experience changed him and after getting out he did his best to stay out of trouble, securing a job moving music equipment at the New York State Pavilion. The first show he worked was a Grateful Dead concert in July of 1969 and Parish was captivated by the music. A life seemingly headed nowhere had suddenly found its calling as he fell in quickly with a band of likeminded misfits who formed the nucleus of what would be the greatest road crew in rock 'n' roll history. Parish traveled to California where his apprenticeship began. Working for the band for free and learning his craft, Parish got to know Jerry, Bobby, Phil, Billy and Mickey and through the years their relationships forged an unbreakable bond. He became very close with Garcia in particular, acting as his personal roadie and later manager for his solo performances and Garcia Band shows. He was there during times of trouble (like when a pimp held Garcia hostage at gunpoint in a New York hotel room), spending hours by his bedside when Garcia was in a coma in 1986, and performing the duties of best man at his wedding. He was also the last friend to see Garcia alive. Throughout the Dead's historic run, there were parties of biblical proportion and celebrity run-ins with everybody from Bob Dylan to Frank Sinatra--but there was a dark side to life on the road and tragedy didn't just strike the musicians. But Home Before Daylight is a story of friendship, of music and redemption. It is a piece of music history, one that reflects the American spirit of adventure and brotherhood. Seen through Steve Parish's eyes and experiences, The Grateful Dead's wild ride has never been so revealing.




Amelia Bedelia


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Amelia Bedelia, the housekeeper with a literal mind, merrily upsets the household when she "dresses" the chicken and "trims" the steak with ribbons and lace.




Keith Sonnier


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A monograph on Keith Sonnier, the revolutionary pioneer of the Process Art movement, this book documents five decades of the artist's prolific and ever-evolving exploration of three-dimensional art. One of the first artists to use light, specifically neon, as a form of sculpture, Keith Sonnier changed our ideas of what sculpture is and could be. From his early pieces such as Rat Tail Exercise and the Ba-O-Ba series to his most recent luminous neon-based series, this book explores the progression and influence of Sonnier's oeuvre. Essays in the book look at Sonnier's numerous public art projects, including a kilometer-long installation at the Munich airport, his relationship with his native Louisiana culture, and the architectural influences in his work. One of the art world's most productive figures, Sonnier continues to redefine the parameters of sculpture. This beautiful monograph celebrates an artist who has never ceased experimenting--and never stopped astonishing his audience. Published in association with the Parrish Art Museum




Maxfield Parrish & the Illustrators of the Golden Age


Book Description

Maxfield Parrish left a legacy of magnificent paintings, but he is best appreciated in the context of his own life and times. This book provides that context with an overview of the era in which American illustrative art flourished. When Parrish first arrived on the publishing scene in the 1890s, "mass media" meant print media. From Arthurian legends to American fables like The Wonderful Wizard of Oz, stories were avidly read by a literate population. New printing technology made color illustrations possible, a liberating element for artists and a delight for readers. Part lively Parrish biography and part lucid historical analysis, this book offers a treasure trove of illustrations from classic children's literature by Parrish and his contemporaries, accompanied by excerpts from the stories.