The Phantom Death, Etc


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The Phantom Death, etc


Book Description

"The Phantom Death, Etc" by William Clark Russell is a collection of stories that all center around life on the sea. Indeed, Russell is best known for his nautical writing, and this book is no different. Remarkably fresh in tone, these stories are full of adventure that engage readers from the moment they begin the first page and won't let them go until they're finished with the very last word.







The Phantom Death


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Phantom Death


Book Description

Inspector Leroux had witnessed the execution of the Phantom of the Opera. Justice had been served. So he thinks, until letters in a feminine hand arrive, hinting at the curious coincidence of a masked composer, Erik Costanzi, thriving in an Italian opera house and married to the former Parisian Diva, Meg Giry. Driven by outrage and a desire for revenge, the inspector tracks the Phantom to his new home. But there is another ghost from Erik's past, one who dogs the Phantom's steps, who sabotages the production of his newest opera, and who threatens the peace he has found with Meg and his family. Book IV, Phantom Death, is the last in the Phoenix of the Opera series. It continues and closes the story begun in The Phoenix of the Opera, and continued in Out of the Darkness: The Phantom's Journey and The Phantom's Opera.




The Phantom Death


Book Description

Reproduction of the original.




The Phantom Death


Book Description




The Phantom


Book Description

The ghost who walks! The man who cannot die! The guardian of the eastern dark! The modern day Phantom continues his quest for law and order in the jungles of Bangalla and beyond in this collection of the first four issues of the sold out on-going series! First, things get personal in "Stones of Blood," as The Phantom breaks up a slave camp in Bangalla where captives are mining a vast diamond field. Then in "Curse of the Phantom," a great evil has haunted the Walker family for hundreds of years: Kua! The seven foot tall devil god stalks Kit Walker deep into the woods of Bangalla.




Friendship in death, etc


Book Description




Archaeologists and the Dead


Book Description

This volume addresses the relationship between archaeologists and the dead, through the many dimensions of their relationships: in the field (through practical and legal issues), in the lab (through their analysis and interpretation), and in their written, visual and exhibitionary practice--disseminated to a variety of academic and public audiences. Written from a variety of perspectives, its authors address the experience, effect, ethical considerations, and cultural politics of working with mortuary archaeology. Whilst some papers reflect institutional or organizational approaches, others are more personal in their view: creating exciting and frank insights into contemporary issues that have hitherto often remained "unspoken" among the discipline. Reframing funerary archaeologists as "death-workers" of a kind, the contributors reflect on their own experience to provide both guidance and inspiration to future practitioners, arguing strongly that we have a central role to play in engaging the public with themes of mortality and commemoration, through the lens of the past. Spurred by the recent debates in the UK, papers from Scandinavia, Austria, Italy, the US, and the mid-Atlantic, frame these issues within a much wider international context that highlights the importance of cultural and historical context in which this work takes place.