The Private Ear
Author : Peter Shaffer
Publisher : Samuel French, Inc.
Page : 54 pages
File Size : 11,85 MB
Release : 1962
Category : Plays, British
ISBN : 9780573624179
Author : Peter Shaffer
Publisher : Samuel French, Inc.
Page : 54 pages
File Size : 11,85 MB
Release : 1962
Category : Plays, British
ISBN : 9780573624179
Author : Grand Theatre Collection (University of Guelph)
Publisher :
Page : pages
File Size : 38,88 MB
Release : 1967
Category :
ISBN :
Author : Peter Shaffer
Publisher :
Page : pages
File Size : 36,11 MB
Release : 1971
Category :
ISBN :
Author : Tiny Toons
Publisher : Booksales
Page : 40 pages
File Size : 30,7 MB
Release : 1990-07
Category : Juvenile Fiction
ISBN : 9781555216894
Babs and Buster Bunny go to school one day to find that it had been closed.
Author : B. Chandrika
Publisher : Academic Foundation
Page : 202 pages
File Size : 13,90 MB
Release : 1993
Category : Domestic drama, English
ISBN : 9788171880430
Author : Peter Shaffer
Publisher :
Page : pages
File Size : 26,28 MB
Release : 1964
Category :
ISBN :
Author : Bernard F. Dick
Publisher : University Press of Kentucky
Page : 403 pages
File Size : 45,29 MB
Release : 2021-11-21
Category : Biography & Autobiography
ISBN : 0813187761
Hal Wallis (1898-1986) might not be as well known as David O. Selznick or Samuel Goldwyn, but the films he produced—Casablanca, Jezebel, Now, Voyager, The Life of Emile Zola, Becket, True Grit, and many other classics (as well as scores of Elvis movies)—have certainly endured. As producer of numerous films, Wallis made an indelible mark on the course of America's film industry, but his contributions are often overlooked. Bernard Dick offers the first comprehensive assessment of the producer's incredible career. A former office boy and salesman, Wallis first engaged with the film business as the manager of a Los Angeles movie theater in 1922. He attracted the notice of the Warner brothers, who hired him as a publicity assistant. Within three months he was director of the department, and appointments to studio manager and production executive quickly followed. Wallis went on to oversee dozens of productions and formed his own production company in 1944. Dick draws on numerous sources such as Wallis's personal production files and exclusive interviews with many of his contemporaries to finally tell the full story of his illustrious career. Dick combines his knowledge of behind-the-scenes Hollywood with fascinating anecdotes to create a portrait of one of Hollywood's early power players.
Author : K. Botelho
Publisher : Springer
Page : 208 pages
File Size : 21,41 MB
Release : 2009-12-21
Category : Social Science
ISBN : 0230102077
Renaissance Earwitnesses examines how maintaining masculinity on the early modern stage is intimately tied to 'earwitnessing,' or a sense of 'judicious listening' in his reading of plays by Marlowe, Shakespeare, Cary, and Jonson.
Author : Tom Stoppard
Publisher : Samuel French, Inc.
Page : 146 pages
File Size : 29,25 MB
Release : 1984
Category : Comedy
ISBN : 9780573614583
A comedy about a famous playwright whose second wife is trying to merge "worthy causes" with her art as an actress. She has met a "political prisoner"
Author : Bran Nicol
Publisher : Reaktion Books
Page : 226 pages
File Size : 20,88 MB
Release : 2013-07-15
Category : Performing Arts
ISBN : 1780231385
From Philip Marlowe and Sam Spade to Jake Gittes, private eyes have made for some of the most memorable characters in cinema. We often view these detectives as lone wolves who confront and try to make sense of a violent and chaotic modern world. Bran Nicol challenges this stereotype in The Private Eye and offers a fresh take on this iconic character and the film noir genre. Nicol traces the history of private eye movies from the influential film noirs of the 1940s to 1970s neonoir cinema, whose slow and brilliant decline gave way to the fading of detectives into movie mythology today. Analyzing a number of classic films—including The Maltese Falcon, The Big Sleep, Chinatown, and The Long Goodbye—he reveals that while these movies are ostensibly thrillers, they are actually occupied by issues of work and love. The private eye is not a romantic hero, Nicol argues, but a figure who investigates the concealments of others at the expense of his own private life. Combining a lucid introduction to an underexplored tradition in movie history with a new approach to the detective in film, this book casts new light on the private worlds of the private eye.