Keep it Simple: 1.e4


Book Description

Why is this repertoire called simple? For the simple reason that the variations are straightforward, easy to remember and require little or no maintenance. International Master Christof Sielecki has created a reliable set of lines for chess players of almost all levels. The major objective is to dominate Black in the opening, by simple means. You don’t need to sacrifice anything or memorize long tactical lines. Unless Black plays something stupid, when tactics are the simplest punishment. Sielecki developed this repertoire working with students who were looking for something that was easy to understand and to learn. Most of the lines he selected are occasionally played by grandmasters, but on the whole they lie outside the mainstream of opening theory. That means that there is hardly any need to monitor theoretical developments. Sielecki always clearly explains the plans and counterplans and keeps you focussed on what the position requires. Ambitious players rated 1500 or higher will get great value out of studying this extremely accessible book.




Keep It Simple 1.d4


Book Description

After the success of his award-winning book ‘Keep it Simple 1.e4’ International Master Christof Sielecki is back. His new repertoire based on 1.d4 has a similar profile: variations that are straightforward and easy to remember, and require little or no maintenance. Sielecki has created a reliable set of opening lines for chess players of almost all levels. The major objective is to dominate Black from the opening, by simple means. You don’t need to sacrifice anything or memorize long tactical lines. His main concept is for White to play 1.d4, 2.Nf3, 3.g3, 4.Bg2, 5.0-0 and in most cases 6.c4. Sielecki developed this repertoire while working with students who were looking for something that was easy to understand and easy to learn. This new 1.d4 repertoire may be even easier to master than his 1.e4 recommendations, because it is such a coherent system. Sielecki always clearly explains the plans and counterplans and keeps you focussed on what the position requires. Ambitious players rated 1500 or higher will get great value out of studying this extremely accessible book.




My First Chess Opening Repertoire for White


Book Description

Every chess player needs to decide which openings he is going to play. But where do you start? The risk of drowning in the turbulent sea of opening theory is only too real for beginning amateurs. Often your goals and ambitions will be misguided. Trying to win in 20 moves, copying what's in fashion among top-GM's or memorizing variations are a waste of time. Most likely you will never play your ‘preparation' or end up by jumping from one opening to the other. Experienced French chess trainer Vincent Moret provides a complete, ready-to-go chess opening repertoire for White with a sound set of lines that do not outdate rapidly, do not require memorization and are easy to digest for beginning players and other amateurs. In this complete and user-friendly guide, Moret has selected relatively aggressive variations that will enhance your tactical vision. To show the typical plans and demonstrate underlying ideas and key motifs, Moret not only selected games of Grandmasters. For instructional purposes, he also uses games of young players to highlight the errors they tend to make.




The Really Simple 1. E4


Book Description

This book is for amateur chess club players, particularly those who (just like me) have no time to study main lines of opening theory due to family, work, kids etc, but still would like to play 1.e4 despite having to face several Black defences with lot of theory.You may find a brief description of the book's concept below:1.It's a complete White 1.e4 repertoire. 2. After each one of the possible Black answers to 1.e4 White always is the first to deviate with sidelines, as early as possible (except Alehnin Defence, where I propose the Modern Variation as it is simple and safe with a modest spatial advantage). In this way White always plays in familiar territory whilst Black not.3. White doesn't aim for the best move in terms of evaluation. He might play an inferior move only because the "natural" Black response will lead to advantage or a permanent weakness in Black's camp. He gets equal positions where Black concedes permanent weaknesses (this is very well demonstrated in the Center Game), such as damaged pawn structure, weak king etc. It can even be a slightly inferior position with evaluation -0.21 or -0.31, but in amateur level such an evaluation hardly plays any significant role when there are permanent weaknesses on the board. Moreover, in many cases the path to equality or to the slight advantage for Black is not obvious at all, whilst "natural" moves to the human mind lead to White advantage. 4. Getting a position with permanent weaknesses for your opponent right out of the opening serves very well as a compass in the middlegame. White won't lose his way as he has at least one clear plan at his disposal: target the weaknesses.




How to Play Against 1e4


Book Description

It's not easy finding a good opening to play against 1 e4, especially if you don't have endless time available to study the latest theoretical developments. If you choose fashionable openings, it's often a necessity to keep pace with modern theory if you want to succeed with Black. This book provides a solution. Neil McDonald advocates his favourite opening - the very popular French Defence - but chooses a repertoire for Black that requires only the minimum amount of move memorization. The lines he selects are very easy to learn and play - perfect for those who are unwilling to be slaves to opening theory. But there's also something here for more experienced players, as McDonald goes on to offer a second repertoire based on counter-attacking lines against 3 Nc3 and 3 Nd2. *An easy-to-learn defence against 1 e4*Provides solutions to all of White's options*Written by a world-renowned expert on the French*Ideal for improvers, club players and tournament players English Grandmaster Neil McDonald is an experienced and successful player on the international chess circuit. He is a respected chess coach, who has trained many of the UK's strongest junior players. McDonald is also a talented chess writer and has many outstanding works to his name.




Playing 1. E4 E5


Book Description

Every chess player needs a high-quality answer to 1.e4, and there is nothing more reliable than 1...e5. Black stakes a claim in the centre and prepares to deploy his pieces on good squares. The challenge nowadays is to build a robust repertoire without being overwhelmed by the volume of material and continual advances in opening theory. In Playing 1.e4 e5 - A Classical Repertoire, Nikolaos Ntirlis offers the best of both worlds: a complete repertoire against 1.e4, built on sound positional principles, which does not require excessive memorization. Against the Spanish the author recommends the Breyer System, one of the most stable, computer-proof options at Black's disposal. The Scotch, Italian, Four Knights and various other sidelines and gambits are handled with the same clarity and efficiency.




A Vigorous Chess Opening Repertoire for Black


Book Description

In amateur chess games, the most popular opening move for White is 1.e4, and the most reliable reply for Black is 1..e5, says FIDE Master Or Cohen. In this book, Cohen has created a vibrant and robust opening repertoire for Black after 1…e5, based on the Petroff Defence. Cohen presents inventive ways for Black to fight for the initiative in this dependable opening. He covers the entire spectrum, the main variations as well as the most unexpected and bizarre sidelines. In case White does not allow the Petroff, Cohen offers a set of recommendations for Black that is no less important and principled; his repertoire against the Vienna and the King’s Gambit, for example, is new and explosive. Most amateur White players faced with the Petroff will think that they will have an easy time, based on the peaceful reputation of this great opening among top grandmasters. Black players who have studied Or Cohen’s book will make their life quite miserable. ,




My First Chess Opening Repertoire for Black


Book Description

Every chess player needs to decide which openings he or she is going to play. But where do you start? The risk of drowning in the turbulent sea of chess opening theory is only too real for beginning amateurs.Often your goals and ambitions will be misguided. If you are trying to win in 20 moves, copy what's in fashion among top-GM's or memorize variations, you are wasting your time. Most likely you will never get to play your ‘preparation' and end up aimlessly switching from one opening to the other. After the success of his volume for White, experienced French chess trainer Vincent Moret now provides a complete, ready-to-go chess opening repertoire for Black. It consists of a sound set of lines that do not outdate rapidly, do not require memorization and are easy to digest for beginners and post-beginners.To show the typical plans and the underlying ideas in the various lines of his repertoire, Moret not only selected games of Grandmasters. He also uses games of young, improving players to highlight the errors they tend to make.




Opening Repertoire


Book Description

Title page verso lists the actual publisher: Gloucester Publishers Limited.




A Complete Opening Repertoire for Black After 1. E4 E5!


Book Description

One of the important issues players face - both relatively inexperienced ones at the beginning of their career as well as seasoned ones as they realize their chess craves change - is choosing an opening repertoire. As a player and a coach, I have seen many approaches to this question, both remarkable and mistaken. Some players believe that the opening is something to ignore, that everything is decided in the middlegame. Others think that studying opening traps is what wins games.Some tend to follow their favorite world-class player''s recommendations, while others like to sidestep well-known opening theory early on, preferring unpopular side-lines.To me, opening choice is about all those decisions. I think that many openings are good; there are some dubious ones, but they can also yield formidable results overall or in specific situations if chosen and handled carefully. I firmly believe that your opening repertoire should mostly be based on your playing style and other personal traits, such as memory and work ethic. It is important to evaluate yourself as well as your strengths and weaknesses properly in order to be able to build the right repertoire that would not only suit you well, but also improve your overall chess.The little detail, though, is in the word "mostly". Namely, I firmly believe that there are a few classical, rock-solid openings with an impeccable reputation, such as 1.e4 e5 as a response to 1.e4 or the Queen''s Gambit and Nimzo as an answer to 1.d4 that players of all styles and standards should try, no matter what their style is. This will enable players to learn, appreciate and practice some of the key chess values, such as the importance of space, lack of weaknesses, bad pieces, and comfortable development and so on - you name it. I, myself, started out as a keen Sicilian player. Just like all youngsters, I cheerfully enjoyed complications, tactical massacres and everything else that the Sicilian is all about. However, as I was developing as a player, my style was changing also. Eventually, I realized I was much more successful with positional play, so it was time to change the outfit - and 1.e4 e5 suited me well. I have used this move as a response to 1.e4 nearly exclusively in recent years, both versus weaker and stronger opposition, with fantastic results. If only other openings would grant me such results as well! I have not only studied these variations myself but have also shown them to numerous private students. To be frank, we have almost always concentrated on White''s most dangerous possibilities, such as the Ruy Lopez, Italian and Scotch. Occasionally, we have also analysed the side-lines - either as a part of preparation for specific opponents or to make sure my students become more universal players and gain more all-round knowledge. Eventually, I realized that the knowledge I gained from 1.e4 e5 can and should be shared with more players, and this is how my book came to life. Of course, the readers will differ, so there is a no "one-size-fits-all" solution. But, I have carefully and diligently tried to achieve the same goal I used when working with my students: to keep my recommendations both theoretically sound as well as practical and accessible. I expect not only titled players but club players and the less experienced readers to equally benefit from this book. So, sometimes you will find razor-sharp novelties, but in many cases, we will rely on positional understanding, typical structures and standard ideas. I believe the opening is not all about memorization, so I have taken a different approach from many authors by keeping the balance between recommending objectively good variations as well as making sure an adequate amount of work will suffice to get you started. You won''t need to spend years studying the material, fearing there is still much more to learn. 1.e4 e5! is not just an opening. It is repertoire that represents our game as a whole. It is something players of all styles will enjoy due to the countless possibilities 1...e5 provides. Hopefully, learning 1...e5 will also make you a better player. And, finally, I hope the book you are now holding in your hands will not only give you joy but illustrate a passion for chess with the variations presented in this work.